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Hurricane Dancers: The First Caribbean Pirate Shipwreck (Pura Belpre Honor Books - Author (Narrative)) Hardcover – March 15, 2011
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“The unique juxtaposition of poetry and cruelty creates a peculiar literary tension.” ―VOYA
“Once again, Engle fictionalizes historical fact in a powerful, original story.” ―Booklist, STARRED REVIEW
“Unique and inventive, this is highly readable historical fiction that provides plenty of fodder for discussion.” ―School Library Journal
“Like intersecting rip tides, several first-person narratives converge in this verse novel of the sixteenth century.” ―Horn Book Magazine
“…the subject matter is an excellent introduction to the age of exploration and its consequences, showing slavery sinking its insidious roots in the Americas and the price paid by those who were there first.” ―Publishers Weekly
“Taken individually the stories are slight, but they work together elegantly; the notes and back matter make this a great choice for classroom use.” ―Kirkus Reviews
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Top Customer Reviews
What I Think: If you follow my reviews you probably know that I am sucker for historical fiction and novels in verse, so I am a sucker for this book. Both aspects of the novel were well done- the poetry was beautiful and the historical element was interesting. I love walking away from a novel with more knowledge than when I started and it is even better when I learn about something I never knew about (like pirates of the Caribbean in 1500s). After finishing I went straight to wikipedia to learn more and have put a book listed in the references on hold at my library. I love how historical fiction makes me fascinated about a subject like no history class has ever been able to.
I also enjoyed how it was told from different points of view. It allowed you to get insight into the situation from different points of view. I will say, though, that I walked away wanting more. I wanted more conflict, more resolution, more action... just more. From the cover, I am assuming there will be more books, so maybe they'll contain the more I wanted.
With literary legerdemain, Engle’s light, quick-moving verses pack—into a mere 8,000 or so words—a hefty measure of Caribbean history and culture during the tragic years when the indigenous peoples attempted to survive Spanish conquerors. To catch the text’s many allusions, readers may want to first read the author’s historical endnotes and even do some independent research on the Taino and Ciboney peoples.
"Hurricane Dancers" gleams with lyricism and emotional resonance. Because Quebrado speaks both Taino and Spanish, he’s called upon to bridge the tenuous, danger-laden relationships between the two groups. Here he feels the freight of that task:
My quiet voice feels
like a small canoe
gliding back and forth
made of words.
Teachers may want to use "Hurricane Dancers" as the basis of a classroom dramatization, using the text as dialogue among the five characters. Small groups might research the history and perspective of each party: islanders, conqueror, failed Spanish settler-turned-pirate.
Set in the early 16th century, Hurricane Dancers tells the story of Quebrado, a young boy enslaved on a pirate ship after losing his Taíno mother and Spanish father. In learning about Quebrado's story, we also hear the tales of those around him. Here we learn about Alonso de Ojeda, a contemporary of Columbus, who sailed with Columbus on his second voyage to the Americas. Ojeda became famous for his brutality, both in his settlement of Hispaniola and his later conquest of South America. Yet, in Engle's book we find Ojeda the injured captive of Spanish pirate Bernardino de Talavera. We learn that Talavera is an impoverished conquistador. Once awarded a profitable land grant, Talavera literally worked his indigenous slaves to death, resulting in the loss of all his wealth. In order to avoid debtor's prison, Talavera steals a ship and takes to the seas. And then, on this ship, we are introduced to Quebrado. The sailors name him Quebrado, meaning a broken one, because he is half islander and half outsider. Enslaved and beaten, Quebrado is used by Talavera as a translator because he speaks both Spanish and Taíno.Read more ›
Quebrado, whose Spanish name means "broken" has badly used by his Spanish captors. Bernardino de Talavera is a conquistador transporting his erstwhile comrade-in-arms, now captive, Alonso de Ojeda, both very cruel figures in their own right. After the hurricane, the tables are turned when the Spaniards are thrown on the mercy of Quebrado, the one person who has most reason not to help either of them. The dramatic tension is smoothly handled, and Bernardino and Alonso are petulant, self-justifying and guilt-ridden by turns.Read more ›
Most Recent Customer Reviews
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This is a copy/paste from my Goodreads review
The poetic narrative in this book is admirable but I was easily confused by all the different storylines and characters with... Read more
I thought this would be sensational.
We studied Columbus's voyages and the beginnings of Spanish conquest. Read more
Another luminous novel in verse from Engle. The story is fascinating and the characters compelling. I love Engle's writing -- her word choice, phrasing, rhythm, everything!Published on August 10, 2012 by Lisa
Upon her arrival at Sparrow Road, Raine is greeted by Viktor, the elderly recluse and owner of the sprawling estate. Read morePublished on July 10, 2011 by The Flashlight Reader