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Hurry-Up Song: A Memoir Of Losing My Brother (Living Out: Gay and Lesbian Autobiog)
 
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Hurry-Up Song: A Memoir Of Losing My Brother (Living Out: Gay and Lesbian Autobiog) [Paperback]

Clifford Chase (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)

Price: $18.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

Living Out: Gay and Lesbian Autobiog July 26, 1999
"As Chase examines his life in language that is simple yet powerful, he is never less than brutally honest-especially with himself."-Newsweek

"Exceptionally inventive, moving. . . . Chase has written an honest memoir."-Village Voice

"Multilayered and beautifully written."-The Advocate

"A quiet, eloquent memoir."-Kirkus Reviews

"Scrupulously honest, beautifully crafted."-Booklist

"A wonderful book . . . . Chase's story has a rueful charm; his voice is immediately convincing."-Bay Area Reporter

Out of love, anger, and grief Clifford Chase has crafted a moving and brilliant memoir of loss and family bonds. With startling honesty, he evokes scenes of life in a suburban American family and illuminates the strong ties that are woven between two gay brothers as they become adults. Chase documents how, in turn, the family dynamics change forever when one brother-the elder, the admired, the feared, the loved-weathers AIDS-related illnesses and ultimately dies. This is a searching, unsentimental account of how AIDS steals away loved ones and how the wounds of loss come to be healed.

"I read this book straight through, hypnotized by its scrupulous sincerity."-Edmund White


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Editorial Reviews

From Booklist

Chase vividly presents the intricately woven lives of two gay brothers. Although six years apart in age, Ken and Clifford became close friends to deal with their family's frequent moves. They created a magical puppet kingdom, keeping a hostile world at bay by sewing costumes and building cardboard sets for their fantasy. As adults, they shared knowledge of their sexual identities with each other, drifted apart, but then came to rely on each other in ways different from but no less special than those of their childhood. Finally, Clifford had to endure the searing loss of Ken to AIDS in 1989. This scrupulously honest, beautifully crafted account tells not only of the ailing Ken's deterioration but also of the emotional turmoil surrounding the making of Ken's will, the brothers' parents' fiftieth wedding anniversary (which celebrated a half century of emotional inaccessibility), and their mother's compulsive retelling of family sagas. The only really weak elements in this dynamic family story are the childhood drawings Chase includes; perhaps meant to be charming, they're irritating and distracting instead. Whitney Scott --This text refers to an out of print or unavailable edition of this title.

About the Author

Clifford Chase is a writer living in Brooklyn. He is the editor of Queer 13: Lesbian and Gay Writers Recall Seventh Grade and has contributed fiction to Yale Review, Threepenny Review, Boulevard, and other journals and anthologies.

Product Details

  • Paperback: 248 pages
  • Publisher: University of Wisconsin Press (July 26, 1999)
  • Language: English
  • ISBN-10: 0299166244
  • ISBN-13: 978-0299166243
  • Product Dimensions: 8.5 x 5.5 x 0.6 inches
  • Shipping Weight: 10.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,622,760 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Excellent, August 14, 1997
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A very artistic memoir of a rather disconnected family and a gay brother dieing of AIDS. Chase, who himself is also gay, weaves the bond that ties the two brothers throughout his book. Mainly childhood conspiracies and special games they created together. In the end, however, as his brother's health failed, he had to face and come to terms with the separatism that one must feel when they cannot truly share something as profoundly significant as death. Like most, he was left to sort out the emotions of the living
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4 of 5 people found the following review helpful:
4.0 out of 5 stars Wonderful, August 4, 1997
By A Customer
The admirable thing about this memoir is the way that it looks honestly, even wrenchingly, at devastation, and yet never mythologizes the past or liquifies its events into the mush of sentimentality so common in reflective works. Rather than epic proportions, The Hurry-Up Song is a work of small, quotidian proportions. Chase writes of the games he and his brother would play as children, the songs they would sing, and these games and songs are striking not for their uniqueness but their commonality - these are the games and songs that all suburban children remember. Expressions like "let's not and say we did" are the kind of expressions with which we all would taunt or were taunted. Commercial culture pervades this memoir; Chase often wonders if he acts, in response to the turmoil in his life, the way he has been conditioned to act by watching T.V. The Hurry-Up Song deals with how the empty, clanking images of the commercial machine can be remade as human, but also how the consuming suburban culture disables. Throughout the novel Chase holds out for an absolution, a final, dramatic scene that never quite comes. Again, the phrase, trite at first but then profound, "let's not and say we did" rises up. Rather than a harrowing catharsis and a pat conclusion, Chase is left with a collection of loose ends that resembles the human collection we are always holding. The final chapter of the book is a moving and yet restrained, sublime, sequence in which there is an intimation that Chase's wounds will heal only because they are ready to and he had decided they will. It is a fitting, beautiful ending, a uniting of the wholes, and although it (realistically) avoids conclusion, it moves itself, slowly, towards something new. Will Robinson Sheff
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