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19 of 21 people found the following review helpful:
4.0 out of 5 stars
What would you do for 600,000 pounds, eight ships, and land?, September 8, 2000
In order to claim an inheritance left to her by an uncle in America, Lady Gillian Marley must be married before she is thirty years old. She has two months to fulfill this request. She asks her two childhood friends, Robert, the Earl of Weston and Christopher, Viscount Cummings, to each compose a list of potential husbands believing that they will take her request seriously. She should have known better. None of the men Robin and Kit jot down are worthy men except perhaps one. Richard Shelton, the Earl of Shelbrooke has no idea why Lady Gillian has invited him to one of her famous salons but the last thing he expects to see is one of his own paintings being critiqued by a group of her guests. Unbeknownst to his peers, Shelbrooke paints for an income that will hopefully restore his ancestral home. Unfortunately, his alias, Etienne-Louis Toussaint, a persona created by Gillian's own brother, is just coming to attention. When Gillian puts the question of a marriage of convenience to him in order to claim a fortune they would share, he knows that this is more than he could ever have hoped for. His pride, however, refuses to allow him to be married for convenience. If he is to commit himself to Gillian forever, he wants a real marriage. In order to assure this, Shelbrooke has planned a two-pronged attack to court her as the Earl of Shelbrooke but also as the rake he used to be under the name of his convenient alter ego, Toussaint. Victoria Alexander has written a witty, humorous, and touching story about two people who discover that love is the real reason they can't commit to a marriage merely for convenience. Unlike many women of her time, Gillian married her childhood sweetheart and had a good marriage for the short time they had together. Shelbrooke, on the other hand, began following in his father's footsteps as a rake until his father's death, which prompted a change in character in order to care and provide for his sisters. Unfortunately, it is not seemly for a peer of the realm to earn a living so, Shelbrooke turns to his childhood friend, Thomas, for assistance and support when it comes to his painting. He never expects to use the persona Thomas creates for his own means. When he does, it is both comical and revealing. Despite the atrocious French accent he must adopt, Shelbrooke feels he can voice his own uncertainties through Toussaint and can, in turn, learn more about Gillian's. For Gillian, trying to figure out her feelings for Shelbrooke and dealing with his mysterious ways, is difficult enough without Robin and Kit subjecting themselves to repeatedly asking for her hand with a great deal of reluctance but even more affection. This is the first Alexander novel I have read and I appreciated her humor, the development of the characters, and the wit she used in unmasking Toussaint.
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