Amazon.com Review
Since his first role in 1962 at the age of 8, Jackie Chan has appeared in more than 70 movies. For more than 20 years, he has been the biggest star in Asia, but in the West he remained a secret, his movies passed around on tape and his fame growing by word of mouth alone. In the '90s, with the success of crossover movies like
Rush Hour and the support of a new generation of filmmakers who grew up watching Jackie Chan videotapes, his star finally rose in the West. But where did he come from, and how did he achieve so much?
His autobiography, I Am Jackie Chan, answers those questions in an engaging, almost novelistic style. When his father moves to Australia to take up a new job, the young Jackie is placed in Hong Kong's China Drama Academy under the tutelage of Master Yu Jim-yuen. For the next 10 years he is trained in martial arts, dance, acrobatics, singing, and comedy, while suffering extraordinary hardships, including regular beatings and near-starvation. Yet he can look back on this period of his life with considerable affection, not least because it taught him the skills, and provided him with the network of friends, that would sustain his film career for decades. Chan has always earned the respect of his fans by committing himself wholeheartedly to creating the most death-defying stunts possible. His achievements seem even more remarkable when set against the struggles described in this book. In the Drama School, as a young stuntman, in his first troubled attempts to make movies in America--Chan's personality shines through, and I Am Jackie Chan can only enhance his reputation as one of the most likable and admirable movie stars in the world. The book also includes Jackie's comments on all of his movies, lists of his favorite stunts and fights, and an astonishing catalog of all his major injuries. Can you imagine what it must feel like to dislocate your cheekbone? --Simon Leake
--This text refers to the
Hardcover
edition.
From Publishers Weekly
One of Asia's most popular film stars, Chan has helped reinvent the Hong Kong action genre by blending hyperkinetic stunts with a self-deprecating humor and a freewheeling flamboyance reminiscent of Buster Keaton, Harold Lloyd, Gene Kelly and Fred Astaire. His autobiography, unfortunately, contains few of these elements. In minute detail, he chronicles his punishing childhood in the Chinese Opera Research Institute and his rise to superstardom. From age seven to 17, under the severe discipline?some might even call it child abuse?of his Opera Master, Chan was trained for theater and film work. After the death of Bruce Lee (Chan was a stuntman in Lee's Fists of Fury and Enter the Dragon), his studio, Golden Harvest, attempted to turn him into a Lee clone. But Chan's film persona finally gelled when he began to emulate his silent-movie heroes and to punctuate his films with what he calls "the superstunt"?high-risk feats of derring-do that he performs himself. Chan takes himself to task for neglecting his family (indeed, his wife and 14-year-old son are only briefly mentioned), and offers a candid look at the gangs, called Triads, that retain a powerful grip on the Hong Kong film industry. But despite such glimpses behind the actor's Teflon veneer, and his punchy anecdotes, this surprisingly tame, sometimes plodding memoir fails to deliver the heady thrills one has come to expect of a Jackie Chan production. FYI: I Am Jackie Chan is published to coincide with the release of his first American film in 13 years, Rush Hour.
Copyright 1998 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.