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I Am Mordred: A Tale from Camelot
 
 
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I Am Mordred: A Tale from Camelot [Hardcover]

Nancy Springer (Author)
4.3 out of 5 stars  See all reviews (43 customer reviews)


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Hardcover, April 13, 1998 --  
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Book Description

April 13, 1998
What will a person give to forsake his destiny? From his very incarnation, Mordred has been a pawn in Camelot's history. Foretold by Merlin that he will grow up to kill his father, the beloved King Arthur, young Mordred struggles with his fate, loathing the great king who tried to kill him as a baby, yet journeying to Camelot where he learns to serve and idolize the legendary leader. Torn between feelings of love and hate, Mordred yearns to make peace with Arthur, who still refuses to acknowledge him. But Mordred is determined to have peace at any price--even if it costs him his soul. In I Am Mordred, one of the most fascinating and misunderstood heroes of Arthurian lore comes to life in an epic fantasy for Camelot fans. Nancy Springer lives in Dallastown, PA.

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Editorial Reviews

Amazon.com Review

King Arthur has fascinated young people for centuries, and since fantasy literature has become a passion for so many bright teens, a whole body of writing has developed that reimagines Arthurian stories in ways that make them psychologically relevant today--without losing the magical resonance of Camelot. In I Am Mordred, Nancy Springer, known both for her fantasy writing and the realistic novel Toughing It, brings the central father-son conflict of the Arthurian saga vividly alive. Teen fantasy fans will be familiar with the background events: the young King Arthur, unaware, bedded his half sister Morgause and conceived the child Mordred, who according to the wizard Merlin, was fated to destroy his father and the kingdom. Goaded by Merlin, Arthur attempted to have the baby killed, but was foiled by the intervention of the good sorceress Nyneve and the evil sorceress Morgan le Fay. Years later Mordred arrives at Camelot and becomes a knight of the Round Table. Springer focuses on Mordred at age 15, as he struggles against his destined fate of killing the king and father he both loves and hates. In an adventure story festooned with the golden bells of enchantment, Mordred undertakes a quest in the Forest Perilous to save Arthur's life and his own soul, but ultimately fails. Springer brings the story to a moving and ingenious conclusion in which the prophecy is fulfilled--and simultaneously overcome. (Ages 12 and older) --Patty Campbell

From Publishers Weekly

In a starred review, PW wrote, "Springer reworks Arthuriana to craft an original tale resonant with archetypal themes of love, loss, betrayal and reconciliation." Ages 12-up. (Jan.)n

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Mass Market Paperback edition.

Product Details

  • Reading level: Ages 12 and up
  • Hardcover: 184 pages
  • Publisher: Philomel; 1st Ed. edition (April 13, 1998)
  • Language: English
  • ISBN-10: 0399231439
  • ISBN-13: 978-0399231438
  • Product Dimensions: 9.3 x 6.3 x 0.8 inches
  • Shipping Weight: 14.7 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (43 customer reviews)
  • Amazon Best Sellers Rank: #2,598,574 in Books (See Top 100 in Books)

More About the Author


"Conform, go crazy, or become an artist." I have a rubber stamp declaring those words, and they pretty much delineate my life. Conforming was the thing to do when I was raised, in the fifties. Even my mother, who spent her days painting animal portraits at an easel in the corner of the kitchen, tried to conform via housecleaning, bridge parties, and a new outfit every spring. My father, who was born into a British-mannered Protestant family in southern Ireland, emigrated to America as a young man and idolized the "melting pot" because at last he fit in. Once in a rare while he recited "The Ballad of Reading Gaol" or told a tale of a leprechaun, but most of the time he was an earnest naturalized American who expected exemplary behavior of his children. My mother was a charming Pollyanna who would not entertain negative sentiments in herself or anyone around her. As their only girl and the baby of the family, I was coddled, yet hardly ever got a chance to be other than excruciatingly good.

My "conform" phase lasted right into adulthood. When I was thirteen, my parents bought a small motel near Gettysburg, Pennsylvania, and I spent most of my teen years helping them make beds and clean rooms. I did not date until I went to college -- Gettysburg College, all of seven miles from home. it was the height of the sixties, and I grew my hair long, but eschewed pot, protests, and "happenings." Instead, I married a preacher's son who was himself conforming by studying for the ministry. Within a few years I was Rev. Springer's wife, complete with offspringers, living in a country parsonage in southern York County, PA.

Here beginneth the "go crazy" phase.

Because I had never been allowed any negative emotions, I began to hear "voices" in my head. First they whispered "divorce" (not permissible), and later they hissed "suicide". They scared me silly. I couldn't sleep; images of knives and torture floated in front of my eyes even during the daytime; something roared like an animal inside my ears; my wrists hurt; I saw blood seeping out of the walls; panic jolted me like a cattle goad out of nowhere. Is it necessary to add that I was clinically depressed? The doctor gave me Valium and sent me to a shrink. The shrink took me off the Valium and told me I had a problem with anger. (No duh.) The next doctor zombied me on the numbing antidepressants which were available at that time. The next shrink said I had an adjustment problem. And so on, for several years, during which I somehow managed to stay alive, take care of my kids, handle the vagaries of my husband, sew clothing and grow vegetables to get by financially, cook, can preserves, show up at church, do mounds of laundry and publish "The White Hart" and "The Silver Sun"--yet not one of the doctors of shrinks ever suggested that I might be a strong person, let alone a writer. All of them were intent on "helping" poor little me "adjust" to being a housewife, mother, and pastor's wife.

Eventually I became resigned to the fact (as I perceived it) that I was an evil, sinful person with horrible things going on inside my head, and I stopped trying to fix me. I stopped going to doctors or therapists. Somehow I found courage--or desperation--to stop trying to conform or adjust or live a role.

"I am going to start taking an hour or two first thing in the morning to do my writing," I said to my husband.

"Fine," he said. He had reached the point where he would agree with whatever to humor the neurotic wife; to him it was just another of my brain farts. But to me it was the most important sentence I ever spoke. With that statement I stopped being a housewife who sometimes stole time to write, and I started being a writer.

Conform, go crazy--or become an artist.

By becoming a writer--by becoming who I truly was--I became well.

It was so simple. Although it did take years, of course; it takes a long time for good things to grow. Trees. Books. Me. Odd thing about books; they not only nourish growth but show it happening. In "The Black Beast, The Golden Swan" and many other of my early novels, you can see me dealing with the yang/yin nature of good and evil, struggling to accept my own shadow. In "Chains of Gold" and "The Hex Witch of Seldom" I start writing as a woman, no longer identifying only with male main characters. In a number of children's books I come to terms with my own childhood. And in "Apocalypse"--whoa, what a fierce, dark fantasy novel, the first thing I wrote after my income from writing enabled my husband to leave the ministry. I hadn't thought of myself as repressed when I was a pastor's wife, but obviously something broke loose when I shed that role. "Larque on the Wing"--whoa again, another breakthrough book that spiraled straight out of my muddled middle-aged psyche and took me places I'd never dreamed were in me.

It's been a long time since those days when I thought I was an evil person. I know better now, and I love and trust me even to the extent of writing "Fair Peril"--a more perilous novel than I knew at the time, interfacing all too closely with my life. Written two years before the fact, it foresees my husband's infidelity and my divorce. The most painful irony I've ever faced is that once I gained my selfhood, I lost my lifelong partner. He had supported me through episodes that would have sent most men screaming and running, but once I became well and strong, he transferred his loyalty to a skinny, neurotic waif all to similar to the young woman I once was. After supporting him through twenty-seven years of stinky socks, automotive yearnings, miscellaneous foibles, and the career change that put him where she could cry on his shoulder, I found this a bit hard to take. But I wouldn't go back to being Ms. Pitiful. Not for anything.

Now married to a rather remarkable second husband, after living 46 years in Pennsylvania I moved in 2007 to the Florida panhandle, where I spent a year living in a small apartment above the aforementioned husband's hangar in an exceedingly rural (swamps, egrets, snakes and alligators) airport. Now we have a real house about a mile from the airport on higher ground featuring tremendously tall longleaf pine trees with rattlesnakes and scorpions underneath them. Life is an adventure and I mean that sincerely.



 

Customer Reviews

43 Reviews
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Average Customer Review
4.3 out of 5 stars (43 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

19 of 19 people found the following review helpful:
5.0 out of 5 stars Who was Mordred?, May 12, 2002
This review is from: I Am Mordred: A Tale from Camelot (Hardcover)
One of the most enigmatic and mysterious characters of Arthurian legend is Arthur's illegitimate son, Mordred. Unfortunately, he is also one of the least explored. In a market flooded with preachy, badly-written Arthuriana, "I Am Mordred" shines like a rare, dark gem.

The book opens with King Arthur sadly setting dozens of newborn babies adrift on the ocean. Several years later, we see a young boy living peacefully with a fisherman and his wife. Their happy lives are interrupted when a woman named Nyneve rides in to bring Mordred back to his biological family, the royal family of Lothian. However, they are not pleased to see him.

He soon finds out why: he is the product of incest between King Arthur and his half-sister Morgause, and is destined to kill his father someday. Shocked by this, Mordred goes to Camelot and soon begins craving his father's love and acceptance. He is also terrified of the prophecy that he will kill Arthur, and does everything he can to fight it. But can he fight his destiny, or only fulfil it?

This is probably the best book I've read by Nancy Springer, a dark, beautiful, suspenseful and very sad novel. It's very rare to find an inspired Arthurian novel with any new material, but she pulls it off by creating a new Mordred -- this is not the monster who wants to kill Arthur for no reason, but a confused young man who only wants to be loved by his father, while knowing he is doomed to destroy him.

One of the primary themes is whether a person is "born bad"; Mordred has, in his lifetime, done nothing wrong. Yet he is treated as a pariah by the people around him. His loneliness is broken only by Arthur and by Mordred's dog, Gull. While traditional Arthurian legends seem to be based around the idea of Mordred being evil because of his incestuous conception, Springer simply breaks those ideas apart. Nobody is simply born to be evil. Destiny and fate are some of the items that are also explored: Mordred seeks a way to avoid fulfilling the prophecy, but risks fulfilling it through avoidance.

Mordred is an incredibly appealing character. He's merely a shy, introspective teenager who has been shunned by his relatives and by others in Camelot. His desperation is present on almost every page, as is his isolation, but Springer makes it sympathetic. Nobody will want to say "just shut up and quit whining"; rather, they'll be hoping that Mordred can somehow beat the prophecy, while knowing that he's all but certain to fail. Arthur is a good supporting character, surprisingly complex. Springer portrays him as an essentially good man who committed a terrible crime in an effort to save himself and his kingdom, and who regrets it. He wants to love Mordred as Mordred wants to be loved, but is as afraid of the prophecy as Mordred is.

Springer's writing is descriptive and evocative; it's a little flowery, but not too flowery. She has an excellent sense of buildup and suspense, that grows as the book progresses. The first and last chapters are written in third-person style, which may seem like a jolt when most of the book is written from Mordred's perspective; however, it becomes clear why this is necessary.

I would not advise this book for younger children. There's no objectionable content in it, but a great deal of focus on incest and the social stigmas attached to children born of it. The overall storyline is rather dark and occasionally violent, and Mordred's perpetual struggle against fate is a very psychologically intense storyline that may upset smaller children. Mature 9-12 kids and all teens ought to be able to handle this, and all the subtle undertones and nuances.

You'll be hard-pressed to find a more beautiful and original Arthurian book published in recent years. "I Am Mordred" is an amazing addition to anyone's library, whether they are a fan of Camelot or not.

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7 of 7 people found the following review helpful:
5.0 out of 5 stars The Sorrows of Camelot, November 15, 2000
By A Customer
This review is from: I Am Mordred: A Tale from Camelot (Hardcover)
One day you're just this normal little kid and the next you find out that you are the son of a king who tried to kill you. That's how it was for Tad (Mordred) when Nyneve came to his simple house one day. He was King Authur's one and only son. It was prophesied by Merlin that his son would grow up and kill him. So king Athur killed all of the baby boys of that year, well Mordred survived. He grew up and became a knight of the round table and served Authur until that fateful day, when the prophecy was supposed to come true. Read this book to find out what happens to Mordred. This book is probably one of the saddest books that I have ever read. It is also one of the best written books that I have read. The suspense of it kept me right on the edge of my seat the whole way through. To see Mordred's fate unfolding right in front of him will live you breathless at times. I feel that although it made me cry that it is a book worth reading. Fiction
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Mordred tries to conquer fate with a twist of evil all over, April 17, 1999
By A Customer
This review is from: I Am Mordred: A Tale from Camelot (Hardcover)
I thought the book was good.I'm 11 years old, and thought that there was a lot of description and detail. There was also a lot of gore and bloody scenes. It is very sad at the end, but I really lked the book. It is very entertaining and makes you want t o keep reading. A real page turner.
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Inside This Book (learn more)
First Sentence:
WHEN I WAS A BABY, MY FATHER TRIED TO KILL ME. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
white brachet, blind harper, white falcon, golden dagger, black hounds, white stag
Key Phrases - Capitalized Phrases (CAPs): (learn more)
King Arthur, King Lothe, Forest Perilous, Queen Morgause, Round Table, Sir Dalbert, Caer Morgana, Queen Guinevere, Knight of the White Brachet, Sir Mordred, Lady of the Lake, May Day, Sir Outelake, Very King, Sir Lamorak, Sir Lancelot, Sir Pellinore, Sir Torre
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