From Publishers Weekly
Popular historian ( The Women's History of the World ) and novelist ( Return to Eden ) Miles brings deep research to this iconoclastic but only partially successful fictional life of England's "virgin queen," Elizabeth I. Miles traces, through the queen's own voice, Elizabeth's turbulent years as a princess in Henry VIII's court, her uneasy status during the brief reigns of her brother Edward and sister Mary and her decades on the throne. The author leaves no event unreported, describing in detail the defeat of the Spanish Armada, Elizabeth's struggles with Mary, Queen of Scots, and the rise and fall of Essex. In a genre that often uses passionate love scenes to temper the drier affairs of history, a novel about the world's second most famous female virgin presents a challenge. There are love scenes aplenty, however, since Miles depicts the young Elizabeth as being as sexually obsessed as she is frustrated, her interest in men overshadowing affairs of state, religion and the succession to the throne. Miles is at her best in describing everyday Elizabethan life--religion, food, dress, illness. But her Elizabeth lacks the charisma to carry this lengthy chronicle, which is weakened by the device of having the queen, in italicized passages, comment from a pallid, distant hindsight on her past actions. As an entertaining look at Reformation England, this novel succeeds, but it fails at the more immediate task of creating memorable fictional characters from the leavings of history. Literary Guild and Double day Book Club selections; author tour.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Historian Miles, who has written books on Shakespeare, Ben Jonson, and women's history, here gives a portrait of Elizabeth I that is rich in historical detail. More importantly, her Elizabeth has an authentic voice. Raised by turns as princess, bastard, and potential traitor, Elizabeth does anything she must do to keep her head from the block except renounce her faith (which makes it odd that we get no sense of her as a spiritual person). Having achieved power, she will do whatever it takes to retain it, including denying her powerful sexuality and executing traitors, even her beloved Earl of Essex. Forthright, salty, sensual, regal, and occasionally foolish, this is as real as a character created by words can be. For all historical fiction collections. [Doubleday and Literary Guild selections; previewed in Prepub Alert, LJ 4/1/94.]-Marylaine Block, St. Ambrose Univ. Lib., Davenport, Ia.
--Marylaine Block, St. Ambrose Univ. Lib., Davenport, Ia.Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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