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I, Fatty: A Novel
 
 
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I, Fatty: A Novel [Hardcover]

Jerry Stahl (Author)
4.3 out of 5 stars  See all reviews (33 customer reviews)


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Book Description

July 23, 2004
The strange, compelling, and occasionally hysterical story of Hollywood's first celebrity scandal-as told by Roscoe "Fatty" Arbuckle, the star at its center.

Abandoned as a boy in Kansas, Fatty Arbuckle found adulation first onstage, and then in the new medium of the cinema. In his day, during the second decade of the 1900s, Fatty was more popular than Chaplin; he became the first screen actor to make a million dollars a year. But in 1921 he was accused of the rape and murder of actress Virginia Rappe, whom he encountered at a party in San Francisco and who died a few days later. Though he was eventually acquitted by a unanimous jury, the virulent speculation by the press ultimately destroyed Arbuckle's career for good. Framed for a crime he didn't commit, and demonized by conservative powers that hyped the case as emblematic of all the evils of show business, Fatty Arbuckle was the O.J. Simpson of early Hollywood, the first modern celebrity whose presumed guilt - and alleged innocence - galvanized a nation.

In I, Fatty, Jerry Stahl, the celebrated author of Permanent Midnight, tells the story from Fatty's own perspective. This is an incisive and sympathetic look into the life of a man whose astonishing rise and fall set the precedent for the scandals that still shake Hollywood today.

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Editorial Reviews

From Publishers Weekly

Dedicated as ever to exploring life's dark and deviant sides, Stahl shows his heart in this sad, wild, uproarious faux memoir of silent film star Roscoe "Fatty" Arbuckle. Presented as if told to Fatty's butler—who wouldn't dispense his employer's heroin unless he coughed up the dirt—the book hews closely to the undisputed facts of Arbuckle's life. The forerunner of fat man comic actors ranging from Jackie Gleason to Horatio Sands, Arbuckle was most famous for being the center of one of the first celebrity trials: at the height of his film career, he was accused of raping an aspiring actress. The prosecution claimed that he crushed her with his weight during the act and she later died of the resulting internal injuries, while the papers suggested that when his "manly equipment" failed to function he reached for a Coca-Cola bottle. Arbuckle was acquitted at trial—but even the apology issued by the jury did him no good. Stahl's deep dedication to the whacked-out and marginalized helps him inhabit Arbuckle's character sharply and convincingly. Poor, huge, articulate Fatty realizes at one point, "Success and adulation turned out to be just a vacation from the jeers and ire I'd known before."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Roscoe "Fatty" Arbuckle's life is the quintessential Hollywood rags-to-riches-to-rags story, following the silent-film actor from his youth in a one-room Kansas shack to wealth and international fame that rivaled that of Chaplin and Keaton (his proteges), from addictions to alcohol and heroin to his public disgrace in a rape-murder case of which he was ultimately found innocent. There is probably not much new material here--most of the author's sources are widely published--but in this "novel," told in Fatty's voice, Stahl gives Arbuckle a hard-earned humanity as well as explains the actor's incalculable contributions to film comedy. Along the way, Stahl also gives a good sketch of the early years of Mack Sennett's Keystone film studios, where Arbuckle got his biggest breaks: "Mack and the gang worked off a simple formula: create mayhem, and film it." And his account of the media hysteria over Arbuckle's criminal case, which led to the destruction of a man's career, not to mention the creation of reactionary and longstanding movie-censorship laws, finds harrowing resonance with our own modern-day obsessions with sex and celebrity. Alan Moores
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 256 pages
  • Publisher: Bloomsbury USA (July 23, 2004)
  • Language: English
  • ISBN-10: 1582342474
  • ISBN-13: 978-1582342474
  • Product Dimensions: 8.6 x 5.8 x 1.1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #856,276 in Books (See Top 100 in Books)

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Customer Reviews

33 Reviews
5 star:
 (16)
4 star:
 (12)
3 star:
 (5)
2 star:    (0)
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Average Customer Review
4.3 out of 5 stars (33 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

24 of 29 people found the following review helpful:
3.0 out of 5 stars Brings Arbuckle to life. A good laugh and a fast read. Enjoy, July 19, 2004
This review is from: I, Fatty: A Novel (Hardcover)
Jerry Stahl seems to be able to find the sarcastic and sardonic humor in even the most downtrodden lives. "I, Fatty" is a firsthand account of Fatty Arbuckle's tumultuous life. It's written very simply and helps us to imagine the inner turmoil of being an outsider in a judgemental society.

Born to an abusive father in Kansas, Arbuckle turned to theatre as an escape from a bitter life. He rose to fame in the cinema and at one point was more popular than Chaplin. He was the first screen actor to make a million dollars a year.

But in 1921 he was accused of the rape and murder of actress Virginia Rappe. He was slandered by the press and not even his acquittal could save his career. He eventually lost everything.

Stahl emphasizes the mental anguish of being fat, impotent, and presumed guilty. He also shows the role that heroin played in Fatty Arbuckle's life. Heroin was readily available and legal at the time, and he became addicted using it as a pain killer after a botched medical procedure. Towards the end of his years, his servant used heroine as a tool to get Arbuckle to divulge all of his secrets.

I had the pleasure of hearing Stahl read from the book and it was quite entertaining. He joked that it is obligatory for him to include heroin in every one of his novels. He emphasizes the public outcry against Fatty as being led by a conservative anti-Hollywood element. I would agree, but would also like to point out that in the 1920s journalists had more leeway to embelish the truth and print it as fact. Even today, the press chooses to emphasize some facts over others and often slanders people in the process.

If you are interested in the life of one of Hollywood's first stars, and if you like dark humor, "I, Fatty" is for you. It's a good read that will make you think and give you a laugh or two.

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6 of 7 people found the following review helpful:
5.0 out of 5 stars The real Hollywood, August 19, 2004
This review is from: I, Fatty: A Novel (Hardcover)
'A little tramp stops being a tramp when the camera
stops rolling. But a Fatty stays fat'
Until I read Jerry Stahl's almost unbearably
beautiful faux memoir on Fatty Arbuckle, all I knew
about the silent movie star was what I'd read in
'Hollywood Babylon' many years earlier. The first
Movie-star in history, ruined by the accusation that
he raped and murdered a young starlet with the help of
a Coca-Cola bottle. Stahl crawls into the mind of a
battered, dirt-poor little boy, hated by his father.
After ditching school to watch vaudeville shows, he
soon stumbles on the stage himself. But he becomes
famous for what he loathes himself most for: for being
fat. He stuffs himself in baby-clothes and drag and
soon matches Charlie Chaplin's and Buster Keaton's
popularity and public adulation. But he becomes
famous for what he loathes himself most for: for being
fat.
It is well known that he drank too much. But his
Heroin-addiction was something that is not that well
known. Even though he was acquitted after three trials,
he never recovered. Stahl draws a brilliant parallel
to the first victim of the media driven Hollywood
scandal. No matter what's the truth; the public has
decided that this fat and disgustingly funny troll did
it.
Stahl makes you feel the anguish and the self-hatred
like nobody else, but he also makes us love Fatty Arbuckle.
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13 of 18 people found the following review helpful:
3.0 out of 5 stars A very well written novel, as long as you keep in mind that what you read is a novel, March 23, 2006
This review is from: I, Fatty : A Novel (Hardcover)
First of all, I have to make it clear that Jerry Stahl's book I, FATTY is not about Roscoe Arbuckle. It is rather a novel about a fictional silent film comedian given Arbuckle's name. It seems quite obvious to me that Stahl's interest in Roscoe is based upon a fascination concerning the murder which never took place and the terrible trials rather than his importance as a comedian during the childhood of motion-pictures.

The main incidents from Arbuckle's life are here: the heavy boy who was abused by his father as a child, hired at Keystone in 1913, and quickly became one of the most popular comedians on the screen, until an awful scandal destroyed his career in 1921. He was declared innocent a half year later, but by then the audiences had already abandoned him.

Yes, most of the incidents in the novel are actually true; what's seldom true is how the incidents are described. After Roscoe's mother died while he was a child, his brutal father William began abusing him terribly; during a period he even wisped him. But no biography I've read covering the life of Arbuckle has mentioned that William screamed to him that he had "ruined her womanhood" and that he was guilty in her death.

Another imporant factual error is Roscoe's relation to drugs. While at the peak of his success, he got a serious sickness in his legs, which gave him enormous pains and his doctor feared that he could never be cured(which, fortuantely, turned out to be wrong). He was recommended by his doctor to use morphine a while to smother the pains, which he did; however, when declared healthy again he stopped and, as far as we know, never tried it again. In Stahl's book, on the other hand, "Fatty" is a serious abuser of drugs until his death.

It didn't surprise me then, that the comedian in I, FATTY died of an overdose of, exactly, drugs, which is far from true. According to his third wife Addie, he died quietly of a heart attack in his bed.

I didn't find Stahl's "Fatty" to be very sympatethic, either; he's constantly sarcastic and rarely says anything good about neither himself or anyone else when, in fact, the real Arbuckle actually described Charlie Chaplin as "the only comic genius of our time" and was overall a lovely person, according to most soures; a man with flaws, but one you'd like to be friends with.

Johnny Depp called this book "the true skinny on Fatty." Depp is a very good actor, but I doubt he knows very much about Arbuckle inasmuch as he claims this; I must admit I hope he doesn't make a movie about the comedian based on this book, which he says he'd like to.

This, however, doesn't make Stahl a bad writer. The book has some very clever lines and is overall a highly enjoyable novel, absolutely. But one must not take it as a biography about Roscoe Arbuckle, because it isn't. To you who want to know the true story, I recommend Stuart Oderman's biography; to you who simply are in the mood of fascinating entertainment, I recommend Jerry Stahl's I, FATTY.
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Inside This Book (learn more)
First Sentence:
DADDY REFERRED to my mother's reproductive organs as "her little flower." Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
San Francisco, Los Angeles, New York, Maude Delmont, Roscoe Arbuckle, Virginia Rappe, San Jose, Joe Schenck, Long Beach, Mack Sennett, Miss Rappe, Echo Park, Mary Pickford, Famous Players-Lasky, Santa Ana, Will Hays, Adolph Zukor, Buster Keaton, Fred Fischbach, Mabel Normand, Charlie Chaplin, Douglas Fairbanks, Lou Anger, Lowell Sherman, The Red Mill
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