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Product Details
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| 1. Skinny Legs |
| 2. Fat Babies |
| 3. I Think You Know What I Mean |
| 4. Hello Grandma |
| 5. Creeps Like Me |
| 6. Sonja |
| 7. They Don't Like Me |
| 8. Record Lady |
| 9. Ain't It Somethin' |
| 10. Penguins |
| 11. The Fat Girl |
| 12. La To The Left |
| 13. Old Friend |
| 14. Just The Morning |
| 15. Moon On My Shoulder |
| 16. I've Got The Blues |
| 17. Good-Bye To Carolina |
| 18. I Love Everybody |
One of those gems, "Skinny Legs," kicks things off with a confession of jealousy. If he only had skinny legs, a new Toyota and a cute rear end, the singer laments, he'd have a girlfriend like that boy over there. Lovett's dry, deadpan drawl falls on the bouncy, catchy melody with enchanting ease, and he refuses to use a single word more than he needs.
The lightly swinging arrangements are as simple as the songs; Lovett and his acoustic guitar are backed by John Leftwich on stand-up bass and either Kenny Aronoff or Russ Kunkel on drums. Cellist John Hagen is added to five cuts, fiddler Mark O'Connor to six, the Tower of Power Horns to one, a gospel quartet to three, and a choir featuring Rickie Lee Jones and Julia Roberts to two others. At least half a dozen songs are slight one-liners which didn't deserve revival, and they dilute the album's impact. Nonetheless this is a welcome reward for all those who believe the funny Lyle Lovett is the best Lyle Lovett. --Geoffrey Himes
Then come back to this. It's a little weird in places. Some of the songs are just plain surreal, like Fat Babies, and Penguins. Others are witty, if odd, like Hello Grandma, and Creeps Like Me. Songs range from the sketch like, to the complete. They Don't Like Me, I've Got the Blues and Good-bye to Carolina are three that stand out.
What this is like, is a collection of short stories by a novellist who's normally a bit more serious and wants to have a bit of fun. So if you bear that in mind when you buy it, you'll not be disappointed.
The bonus is the simplicity and clarity of the recording; Lyle uses a minimum of instruments to create a very spare and focussed sound.