| ||||||||||||||||||||||||
|
Summer Reading
Browse the best books of summer including blockbusters, beach reads, and editors' picks in our Summer Reading Store. |
Product Details
Would you like to update product info or give feedback on images? |
This work provides readers with a "glimpse" of George growing up; the former Beatle describes his working class roots in Liverpool, his musical muse and later, his work as a gifted composer, guitarist and lyricist. Indeed, George Harrison has expanded musical horizons; in 1965 he became enamored of the sitar and included it on several songs on "Rubber Soul" and later collections.
His lifelong quest for spiritual knowledge and core belief system are explored; indeed, it is in his own words he explains that he does not follow an "organized" or "traditional" religion, but rather bases his spiritual feelings around his internal beliefs.
I like the input the artist's wife Olivia offered; her words are a welcome and added treat to this work. Indeed, it is Olivia's contribution that make the reissue of this work even better and more effective in touching readers.
Predictably, Harrison takes a larkish approach to telling his life story. In his foreword, he facetiously calls "I Me Mine" (named after a forgettable tune from "Let It Be") "a little ego detour," but the book's tone is actually rather self-effacing. It's not an autobiography per se, although there is a six chapter text section that hits the high points of Harrison's life up until that time (late Seventies) and allows the mystical Beatle to rhapsodize on some of his passions: spirituality, gardening and, surprisingly, Formula One motor racing. Written by Harrison in a conversational style, with extensive "notes" by longtime Beatles confidant/press officer Derek Taylor, the text is a rambling sketch of a very private man determined to stay that way. (A clue to Harrison's reticence is found in the book's "backword," where he includes the cryptic quote, "Tell not all that you know because he who tells all that he knows, often tells more than he knows.") Luckily for his admirers, Harrison would more forthcoming, particularly on Beatle matters, in "The Beatles Anthology".
The photo section (48 black and white plates) is extraordinary, with lots of unique snaps that haven't seen print before in countless other Beatle books. Two of my favorites: a box of Good News chocolates, the inspiration for Harrison's "Savoy Truffle" from "The White Album," and a cancelled check for one million pounds paid to Inland Revenue, which the notorious taxman-baiter calls "punishment for being cheeky and making lots of money."
The bulk of the book is devoted to examining Harrison's songs, beginning with "Don't Bother Me" from "Meet the Beatles" (1964) through "Blow Away" from the excellent "George Harrison" LP (1979). For each song, Harrison provides a brief (usually) insight into his inspiration and shares his original, handwritten lyric sheets, replete with notes and illustrations. While words were never really Harrison's forte, it's still fascinating to glimpse a Beatle's creative process in such detail. The book includes the final versions of Harrison's songs as they were recorded, and it's interesting to compare them to the working models. "Taxman," in particular, was very rough indeed until Lennon offered Harrison the use of his acid pen - a fact Harrison curiously fails to mention here.
TRIVIA NOTE: The book's first edition was a signed, limited edition of 2,000 numbered copies, hand-bound in leather, by Genesis Publications, Ltd., Guildford, Surrey, England. My humble copy of "I Me Mine" is a 1980 Simon and Schuster edition, a birthday present from my sister (George was her favorite Beatle) in 1983.