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I Smile Back [Paperback]

Amy Koppelman (Author)
4.4 out of 5 stars  See all reviews (22 customer reviews)

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Book Description

December 1, 2008

“Koppelman mostly writes from inside Laney's disillusioned mind, ricocheting between the quotidian details of wife and motherhood and big-picture musings, forming exquisite stand-alone tone poems." —Elle

"[Koppelman's] brave and challenging look beyond appearances of beauty to the ugly reality of a disturbed mind will remain with readers long after they've finished the book." —Library Journal

"Amy Koppelman's I Smile Back is amazing. There's wit, speed, range, and complete authority here. Among other qualities, it has presence—you hold in your hands a pretty wild ride—and a novel as fascinating as this one seems destined to make its way to Hollywood. Read the book, instead: it's bound to be sharper, more moving, and flat-out better than any adaptation will be." —Darin Strauss

"Amy Koppelman probes deeply into the dark and cavernous recesses of a picture-perfect suburban mom, and emerges with one of the most terrifying novels I've read in ages. It's a glorious little explosion of a book." —Dani Shapiro

"Laney Brooks is a heroine on par with Joan Didion's Maria Wyeth. She captivates not only because she recognizes the darkness closing in around her, but because a part of her welcomes it." —David Benioff

In the follow-up to her acclaimed debut, A Mouthful of Air, which drew comparisons from critics to The Bell Jar and The Awakening, Amy Koppelman delivers an unrestrained statement on the modern suburban woman.

Laney Brooks acts out. Married with kids, she takes the drugs she wants, sleeps with the men she wants, and disappears when she wants. Lurking beneath Laney’s composed surface is the impulse to follow in the footsteps of her father, to leave and topple her family’s balance in the process.


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Editorial Reviews

From Publishers Weekly

This crushing novel by the author of A Mouthful of Air is a shocking portrait of suburban ennui gone horribly awry. Laney Brooks, approaching middle age in Short Hills, N.J., appears to have it all: doting husband, two beautiful children, the big house with a kidney-shaped pool. But beneath the facade of upper-middle-class perfection, Laney's life descends into a chasm of indiscriminate sex and drug and alcohol abuse. Koppelman's prose style is understated and crackling; each sentence is laden with a foreboding sense of menace, whether she's describing a sunny Florida resort or the back alley of a seedy strip mall. Laney's self-debasement can be a bit over-the-top at times, but like a crime scene or a flaming car wreck, it becomes impossible not to stare. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Laney, beautiful, married with two children and a seemingly fine suburban life, feels only impending doom shadowing her and everyone else’s life. She finishes many sentences in her mind with “and then you die,” and comes to know that “nothing bad needs to happen for her to feel sad.” So she misbehaves: drinks too much, uses drugs, and sleeps around. Her husband, ever patient, copes and sends her to rehab, but nothing connects or fills the hole left by her father’s abandonment long ago. She always expects failure and loss. Koppelman has visited this area before with a more sympathetic character in A Mouthful of Air (2003). Koppelman’s writing is expressive and nuanced, so the reader recognizes Laney’s pain, but doesn’t feel it. And perhaps that is the point. Her separation from everyone, even the reader, is her strongest characteristic. Her aloneness gives her the distance she both wants and fears. Therefore this potent novel is captivating in the way watching a car wreck might be. It is not easy or comfortable or for the faint of heart. --Danise Hoover

Product Details

  • Paperback: 194 pages
  • Publisher: Two Dollar Radio (December 1, 2008)
  • Language: English
  • ISBN-10: 0976389592
  • ISBN-13: 978-0976389590
  • Product Dimensions: 7.3 x 5.2 x 0.9 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (22 customer reviews)
  • Amazon Best Sellers Rank: #1,386,100 in Books (See Top 100 in Books)

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Customer Reviews

22 Reviews
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4 star:
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3 star:
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Average Customer Review
4.4 out of 5 stars (22 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
5.0 out of 5 stars affluent housewife destroys her own life in raw, exceptional second novel, November 18, 2008
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This review is from: I Smile Back (Paperback)
It doesn't take long for readers to understand that Laney Brooks, an alienated and affluent suburban housewife, suffers from a disastrous self-image. Promiscuous, alcoholic and drug-addicted, Laney careens on a self-destructive course in Amy Koppelman's exceptional second novel, "I Smile Back." Koppelman does not shy away from depicting the latent despair and existential loneliness her protagonist embraces; in brutally frank and often graphic descriptive passages, the author suggests that Laney is an unspoken, if often disregarded, archetype for a significant number of disaffected American women. "I Smile Back" is an unusual "novel in acts," and the intermission, during which readers may catch their breath from the awful wreckage of Laney's life, provides illumination as to why Laney suffers so.

In what appears to be a cryptic anecdotal recounting of a significant childhood event, Laney despondently admits the internalization of her father's reaction to a relatively innocuous incident regarding the bullying of her brother. His advice -- to act as if the hurtful incident did not even occur, transforms itself in Laney's mind. In advising her to swallow anger, her father indirectly encourages Laney's tendencies towards self-abasement. After her father divorces her mother and leaves the family, Laney perceives herself as "something not worth fighting for." Perniciously, this sense of worthlessness intertwines itself with an anguished feeling of abandonment, and Laney, as a mother, feels doomed that she will repeat the same process with her own children.

Koppelman is relentless in her discussion of the emotional consequences of childhood trauma. Are we in effect programmed to repeat the mistakes of our childhood in our adult experiences? To what extent do children, and the adults they become, have genuine choices in remaking their pasts? Is our tendency towards self-destruction greater than our capacity to nurture? It is with abject horror that Laney discovers her young son's propensities towards personality disorganization. Will his "mechanism of choice," a muffling of anger and compensation with forgiveness, cause him to "forget that he ever cried himself to sleep" while his mother spent nearly a month hospitalized in a half-way house after a suicidal episode.

Koppelman is at her very best when she compels her readers to look at life through Laney's eyes. A devoted husband becomes an insufferable bore; her doting children become tasks to be worked through, jobs to be completed. As Laney depersonalizes others, she does the same to herself. What could be a vibrant, enticing personality emerges as a husk. However, the novel does have some minor problems. There are far too many staccato-like paragraphs, too many sudden changes of voice. Even the final paragraph contains commentary as if written by a stage director.

Yet these flaws are few compared to the enormous emotional power of "I Smile Back." Amy Koppelman's sophomore novel compares favorably to her first. Both are unflinching commentaries on the vacuity of modern American life, and each features women who are lost and may never find their way back. It is a rare writer who tackles the complex and agonizing topic of trans-generational transmission of trauma. Koppelman has the talent to make the bleak seem relevant; her dark worldview ironically may inspire resolve rather than resignation.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Emotional High Wire Act, February 3, 2009
This review is from: I Smile Back (Paperback)
In her latest novel "I Smile Back", Amy Koppelman conveys through Laney a state of emotional strangulation that may be best described as a psychological version of "locked-in syndrome", the neurological condition in which the body is almost completely paralyzed, but by some cruel form of grace, the intellect is spared. Laney is imprisoned inside a body that is not inert but that cannot stop itself from a self-destructive cycle of drug taking, alcohol abuse and promiscuous sex. Unlike most people with these psychological symptoms, however, she is not a narcissist who uses these activities to avoid emotional connection and feeling. Laney has a crystalline insight, into herself and those in her midst, that never deserts her. So she is the helpless witness to her own downward spiral, and to the impact of that spiral on others, especially her young son and daughter. A prisoner as well of the memory of her own childhood, she knows full well that her children's evolving selves will grow up with different shapes, no longer straight but bent, no longer whole but with empty spaces that cannot be filled in later, as they feel the impact of that spiraling descent. This unusual empathic ability, conveyed through Ms. Koppelman's precise and economical prose, is so completely on target that it takes one's breath away---especially the breath of anyone who has ever been a mother. Ms Koppelman is a writer of enormous artistic and psychological gifts, who can take us through Laney to visit some very dark places in the soul---places that probably exist to some extent within most of us--- but who also makes sure she is there to accompany us on the return trip.

Carla M. Solomon
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2 of 2 people found the following review helpful:
4.0 out of 5 stars Not So Happy Housewife, December 29, 2008
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This review is from: I Smile Back (Paperback)
Warning: This book is exceptionally sexually explicit. The details fit the character, but the novel is not for the squeamish. "I Smile Back" is a spare, odd book, written in a modern-style with a modern, twisted story. The protagonist, Laney, has more problems than the average suburban mom: drugs, alcoholism, a propensity for self-destruction, numerous, numbing affairs. Still, the reader keeps hoping for Laney to see the light, to see the love her children have for her, the bright hope they represent. Kellerman's style, though sleek and witty, is also beautiful and apt: "If the castle is hope, memory is the moat that surrounds it." From page to page, the reader never knows if Laney will turn things around or go under for the final time. This is not a happy hockey mom story. It is vivid, and probably, far too true.
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