Buy Used
$3.99
FREE Shipping on orders over $35.
Used: Very Good | Details
Condition: Used: Very Good
Comment: Crisp, attractive copy. FREE SHIPPING w/AMAZON PRIME!
Add to Cart
Have one to sell? Sell on Amazon
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

I, Tituba, Black Witch of Salem Paperback – January 3, 1994


See all 5 formats and editions Hide other formats and editions
Amazon Price New from Used from
Paperback, January 3, 1994
$7.08 $0.01
Unknown Binding
"Please retry"
$18.00

Customers Who Bought This Item Also Bought

NO_CONTENT_IN_FEATURE

The Bone Clocks
David Mitchell's hypnotic new novel crackles with invention and sheer storytelling pleasure. Learn more

Product Details

  • Paperback: 256 pages
  • Publisher: Ballantine Books; Reprint edition (January 3, 1994)
  • Language: English
  • ISBN-10: 0345384202
  • ISBN-13: 978-0345384201
  • Product Dimensions: 8 x 5.1 x 0.6 inches
  • Shipping Weight: 7.2 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (27 customer reviews)
  • Amazon Best Sellers Rank: #401,498 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

The author of the highly recommended intergenerational saga Tree of Life (Fiction Forecasts, June 29) moves from her native Guadeloupe to colonial New England in this potent novel. Revising the legend of a slave woman accused of practicing witchcraft and imprisoned in Salem, Mass., in 1692, Conde freely imagines Tituba's childhood and old age, endows her with what Davis calls a contemporary social consciousness, and allows her to narrate the tale. Her pointedly political story indicts the Puritans' racism and hypocrisy and their contemporary manifestations. Conceived when an English sailor rapes an Ashanti captive on the slave ship Christ the King , Tituba grows up in Barbados but follows her beloved, John Indian, into servitude in America when he is sold to minister Samuel Parris. Charged with witchcraft when she heals Parris's wife and daughters, she shares a jail cell with Hester Prynne, who helps her plan her testimony before the Salem judges. Eventually reprieved, Tituba is bought by a Jew, himself persecuted, who frees her and gives her passage to Barbados. At once playful and searing, Conde's work critiques ostensibly white, male versions of history and literature by appropriating them.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In 1692, a Barbadian slave named Tituba was arrested for witchcraft in Salem, Massachusetts. From this historical fact, Conde, an acclaimed writer from Guadeloupe, invents Tituba's life story from childhood to old age. As a child, Tituba sees her mother executed. She is then raised by an old woman who teaches her the African art of healing and communicating with spirits. As a young woman, she is sold to a Puritan minister who leaves Barbados for America. Tituba uses her powers for good purposes, including the healing of her master's family. But her powers are misunderstood by the narrow-minded Puritans, who can only associate witchcraft and the blackness of her skin with evil. Far more than an historical novel, Conde's book makes a powerful social statement about hypocrisy, racial injustice, and feminism through the use of postmodern irony. With a foreword by Angela Davis. Highly recommended.
- Joanne Snapp, Virginia Commonwealth Univ., Richmond
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

The journey of Tituba was very captivating, sad, and inspirational.
Lily
Like Jesus, Tituba discovers early in life that she has a command of the supernatural, a power which she uses exclusively for healing and for good.
Theresa Burns
I truly loved this book, I sat and read it through in one day - and I'll probably read it again.
Cathleen M. Walker

Most Helpful Customer Reviews

13 of 16 people found the following review helpful By Cathleen M. Walker VINE VOICE on October 29, 2006
Format: Paperback
I truly loved this book, I sat and read it through in one day - and I'll probably read it again. I don't do that often. "I, Tituba" does not claim to be a historical treatise - what it is, is a work of insightful imagination. I've been to Salem, I've read just about everything there is to read about the witch trials, and it is true that Tituba gets short shrift. It's also true that there is probably very little in the way of documentation to prove anything about her. It's the nature of the beast called Slavery. That anyone cared enough to give her form and substance is a tribute to her story and her life. There is far too much invisible history for very similar reasons. May there be more authors with the craft and the wisdom to bring it to life.
2 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
23 of 31 people found the following review helpful By Tracy Davis on August 4, 2003
Format: Paperback
I have a hard time reviewing this work: on the one hand, the background of this sometimes lyrical novel provides an insight into one of the slighted players in the infamous Salem Witch Trials of the 17th C, Tituba, the slave of Rev. Samuel Parris; on the other hand, although purporting to 'use' history to explore broader themes, Conde takes many liberties with actual events and other elements, which distort the narrative. To me, the best parts of this novel are the beginning and the end (the created 'history' of Tituba); also, the characterizations of Tituba, John Indian (her husband), Benjamin Cohen (a Jewish immigrant who becomes both Tituba's owner and lover), and the 'spirits' to whom Tituba talks, are vividly drawn. We see Tituba's origin in the brutal rape of her mother, Abena, by a Englishman while she is on her way to Barbados enslaved, and Abena's hanging for rebelling against another sexual assault. This has a profound effect on Tituba, and on her relations with men generally and whites in particular. As the story progresses, factual elements come into play: Tituba ends up in the service of Samuel Parris; she befriends his wife, daughter, and niece, only to be betrayed in Salem by everyone, including her faithless husband; she is found guilty in the trials (of which Conde includes an actual transcript of Tituba's deposition, but little else about the trials themselves). Conde adds fictional narrative to fill out the next stage of Tituba's life: sold to Benjamin Cohen, who frees her; her return to Barbados, where she encounters 'maroons'(free black men and women who live in hiding, plotting to overthrow the white regime) and where she will meet the same end as her mother.Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
7 of 9 people found the following review helpful By Emily on October 9, 2004
Format: Paperback
This book was excellent! I was required to read it for an english class in college and I literally couldn't put the book down! I loved the fact that Conde chose to write her novel on Tituba's life before and after the witch trials, instead of just another book about the trials. Conde gave Tituba a personality, character and above all, a life. Before reading this novel, all I knew about Tituba was that she may have been a leading cause in the commencement of the witch trials. I had never thought about what her life was like before she came to the "new" world, or what her life was like after the witch trials. I recommend this book to anyone, even if you don't enjoy reading, Conde will interest even the least of readers.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
2 of 3 people found the following review helpful By Andrew J. Yarrows on October 14, 2013
Format: Paperback
Why this book receives positive reviews boggles my mind. It is utterly absurd, anachronistic garbage. Not only is Tituba given a ridiculously far-fetched 20th Century state of mind for 17th century times, she has a lesbian fling with Hester Prynne from "The Scarlet Letter" while in the Salem county jail. Need I say more? Unfortunately, that's just the tip of the iceberg with this drek. God awful!
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
By lover of Poetry on April 12, 2014
Format: Paperback Verified Purchase
Ok read. I didnt love the ending. Half way into the novel I couldve guessed how it would end. But I dont regret reading it.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
By Casey on October 6, 2013
Format: Paperback Verified Purchase
This was a great, easy read. Conde's version of Tituba sparked a lot of debate amongst my classmates. I loved the subtle admonishment of modern society.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
9 of 14 people found the following review helpful By A Customer on May 3, 2000
Format: Library Binding
I was glad to see that this book was about Tituba and her life instead of just about the Salem Witch Trials. She had a life before and after that tragedy, and the author has made that life one that kept me interested until the end. I probably didn't need all the references to penises, but I did enjoy reading about a life so different from mine. I liked Tituba very much as presented by this author. I think Americans need to read more international literature for the exposure to other cultures, and this book is a good place to start. Even though she was from Barbardos, Tituba is a woman, and I share that bond with her. I liked the way she doubted, but never completely lost faith in her fellow human beings. I've been to Salem, and what the author says is true: Tituba as a real person has really been forgotten. This book reveals her, finally.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
2 of 4 people found the following review helpful By Theresa Burns on April 3, 2008
Format: Paperback
Commonly in Carribean literature, authors attempt to illustrate `the other side of the story' and I, Tituba, Black Witch of Salem sets out to do the same. Just as Jean Rhyss gave Jane Eyre's Bertha Mason a voice, Maryse Conde has breathed life into the one-dimensional Tituba of Arthur Miller's The Crucible. And as such, the novel is refreshing and indeed `novel'. The narrative language is purposely simplistic and makes for a very easy read.

But all is not tropical bliss, for the further along in the novel one goes, the more troubling the story and character become. The reader gradually realizes that although Tituba is a self-proclaimed mature woman, she remains in most aspects quite child-like. Her trust in strangers, her openness, her failure to be embittered by her harsh experiences, and her quick and complete love for all make her too good to accept as realistic. Indeed, this version of Tituba is not the one that is likely to be more true than Miller's; this version of Tituba is the one that contemporary society might collectively like her to be. Ironically, this only serves to subtract from the fullness and potential as a human being we sense that Conde is trying to achieve.

In Salem, Tituba adores the children who accuse her of being a witch, she shows compassion for her jailers and co-inmates, she forgives those who torture her, and she falls in love over and over again, despite the pain and injustices she suffers at the hands of those she loves. Almost nowhere in literature can such a faultless and blameless character be found - except in the Bible. And as we close the cover, we realize that Conde has not based Tituba so much on Arthur Miller as she has on Old and New Testament stories.

Tituba becomes a modern-day composite of Job and Jesus.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Customer Images

Most Recent Customer Reviews

Search

What Other Items Do Customers Buy After Viewing This Item?