Amazon.com: I Vitelloni: Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste, Federico Fellini: Movies & TV

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I Vitelloni (1956)

Franco Interlenghi , Alberto Sordi , Federico Fellini  |  Unrated |  DVD
4.7 out of 5 stars  See all reviews (25 customer reviews)

Price: $19.98 & eligible for FREE Super Saver Shipping on orders over $25. Details
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I Vitelloni + 8 1/2 (The Criterion Collection) + La Dolce Vita (2-Disc Collector's Edition)
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Product Details

  • Actors: Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste
  • Directors: Federico Fellini
  • Format: NTSC
  • Language: Italian
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: IMAGE ENTERTAINMENT
  • DVD Release Date: October 19, 2011
  • Run Time: 108 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (25 customer reviews)
  • ASIN: B000777ITM
  • Amazon Best Sellers Rank: #139,743 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "I Vitelloni" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

Federico Fellini's breakthrough film, the 1953 I Vitelloni, is one of the cinema's seminal stories about slacker males, and a highly entertaining one at that. Following the unfortunate failure of his comedy The White Sheik, Fellini prepared to shoot La Strada (he would release that early masterpiece in 1954), but decided at the last minute to make an autobiographical feature about mischievous, drifting, 30-ish losers in a small, seaside town. I Vitelloni clicked with international audiences and remains an obvious influence on such later classics as Breaking Away and Diner. But there's nothing like Fellini's almost self-mocking fusion of gritty neo-realism with the audacious, illusionary style he would later be entirely linked. The ensemble comedy follows the ever-diminishing fortunes of five young men who can't define, let alone jump-start, their dreams, particularly the caddish Fausto (Franco Fabrizi), who thinks nothing of molesting the wife of his father-in-law's best friend. --Tom Keogh

Product Description

In the first major masterpiece from director Federico Fellini, a group of rootless and directionless middle-class young men in a small town searches for fulfillment. The leader, Fausto, is forced to marry a girl he has impregnated, while perpetual child Alberto, writer Leopoldo, and rebellious Moraldo deal with their family and the stagnant culture that surrounds them. Even more powerful today than upon its original acclaimed release, this remains one of Fellini's most emotionally powerful achievements.

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Customer Reviews

25 Reviews
5 star:
 (18)
4 star:
 (7)
3 star:    (0)
2 star:    (0)
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Average Customer Review
4.7 out of 5 stars (25 customer reviews)
 
 
 
 
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33 of 33 people found the following review helpful:
5.0 out of 5 stars A Candid and Warm Cinematic Event..., September 12, 2004
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Trapped in a timeless sphere without pressure of accomplishment, maternal love nurses five men way past their adolescence in a small tourist town by the Adriatic Sea in post-war Italy. These five men drift around dreaming of an escape from the town, but a lack of motivation keeps them prisoners at the seaside location. The mutual motivations for the five men that keeps them adrift are women, wine, and the stories they tell each other. However, each character has his own motivating factor that drives him forward in daily life.

The group of the five men consists of Fausto (Franco Fabrizi), Alberto (Alberto Sordi), Leopoldo (Leopoldo Trieste), Riccardo (Riccardo Fellini), and Moraldo. The group's leader Fausto, a perpetual flirter, has gotten a young beautiful woman pregnant. Fausto's father insists that he do the right thing and marry the girl before she is disgraced in public. The lazy Alberto is the groups clown who is dependent on his mother whom he will never leave. Alberto frequently pleads for money from his sister as he is continuously broke. Eventually Alberto finds out that his sister has a married lover and it angers him. Leopold an aspiring writer and the intellectual of the group dreams of fame and success. The singer Riccardo follows the group on its nightly adventures. Moraldo is a philosophical moralist that wanders the streets at night deep in thought as he sees faults in the way they all live life. However, Moraldo has not yet found the courage to leave the small seaside town.

I Vitelloni is the second film that Fellini directed by himself which he also co-wrote with his talented brother, Riccardo Fellini. Riccardo and Federico based the script on semi-autographical accounts from their home town and a life which they both were very much inclined to depict. Unlike many of Fellini's later films I Vitelloni displays some of the Italian neo-realistic cinematic qualities that were common in the period when the film was shot. The realism brings an honest and warm atmosphere to the film which emphasizes the true nature of the characters. Realism in the script allows the audience is to experience an examination of the different characters in the film. This character study brings the audience candid emotions and a brilliant cinematic experience that warms the heart as there are hopes and dreams for us all.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars neorealism hits a comfortable stride, December 18, 2004
By 
Heavy Theta (Lorton, Va United States) - See all my reviews
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A group of middle class "yoots" hang out together, bonded by common roots and experience, but also by the process of self-discovery as the onset of adulthood face them with the coming of responsibility and the isolation of individuality. The focus of this fracturing process falls on one guy who discovers that his girlfriend is pregnant. If the plot sounds familiar, well it's because coming of age is a universal experience that crosses generations and cultures, and rarely fails to to produce an intense sense of nostalgia.

What differentiates Fellini's film (beyond the fact that it pre-dates similar fair from the French New Wave, British 60's, Graffiti-Flatbush-Diner, etc. whose original accessibility make them more familiar) is simply the sheer talent of the story-teller. The man could present characters and situations that still move and enlighten us. His later, more famous epics of excess were well grounded in this same exquisite sense of humanity. This is the first excellent film by one of film's most excellent directors.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars The Master Looks Back To His Roots, February 3, 2005
By 
Uncle Borges (Via Lungomare 6) - See all my reviews
Fellini's most intimate and most autobiographical film. Set in his hometown of Rimini, at the Adriatic coast, it masterfully captures the spirit of place then and now. Also, it's the key work to explain the Northern Mediterrenean phenomenon of the "mamma's boys" (the said I Vitelloni from the title): the relaxed, sophisticated boys of Southern Europe who just rather do nothing (la Dolce Vita) and stay at home, often well into their 30's and 40's. The wintertime of course brings with it the tedium of provincial life in which nothing happens, but lo and behold, come next spring, the wonderful women from the North will come once again and worship the race that knows how to live and enjoys life the way it finds it.
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