From Publishers Weekly
Raymond's ( How the Dead Live ) nightmarish and compelling tale, the fourth in his Factory series, explores London's sordid underbelly, where the law enforcers have to be as brutal as the criminals they hunt. As the novel opens, an ax-wielding psychopath carves young Dora Suarez into pieces and smashes the head of Suarez's friend, an elderly woman. On the same night, in the West End, a firearm blows the top off the head of Felix Roatta, part-owner of the seedy Parallel Club. The unnamed narrator, a sergeant in the Metropolitan Police's Unexplained Deaths division, develops a fixation on the young woman whose murder he investigates. And he discovers that Suarez's death is even more bizarre than g suspected: the murderer ate bits of flesh from Suarez's corpse and ejaculated against her thigh. Autopsy results compound the puzzle: Suarez was dying of AIDS, but the g pathologist can't tell how the virus was introduced. Then a photo, supplied by a former Parallel hostess, links Suarez to Roatta, and inquiries at the club reveal how vile and inhuman exploitation can become.
Copyright 1990 Reed Business Information, Inc.
Review
Praise for I Was Dora Suarez“Everything about
I Was Dora Suarez shrieks of the joy and pain of going too far.”
—Marilyn Stasio, The New York Times Book Review
"I Was Dora Suarez blew me away - beyond hard boiled."
—Patton Oswalt
Praise for Derek Raymond's Factory Series"It’s one of the darkest and most surrealistically hard-boiled things I’ve ever read. The detective is at least as scary as the murderers he’s chasing."
—William Gibson, bestselling author of Neuromancer"No one claiming interest in literature truly written from the edge of human experience, no one wondering at the limits of the crime novel and of literature itself, can overlook these extraordinary books."
—James Sallis, author of Drive "The Factory novels are certainly the most viscerally imagined of their kind that I've ever read, or reread multiple times. Derek Raymond wrote in a supposedly escapist genre in a manner that precluded any hope of escape."
—Scott Phillips, bestselling author of The Ice Harvest "There remains no finer writing – crime or otherwise – about the state of Britain."
—David Peace, author of "The Red Riding Quartet." "Carve Derek Raymond’s name into the literary pantheon. He is one of the rare authors who seek to understand evil, ferret out the darkness in human nature, and blast Noir fiction out of the genre ghetto and into Literature. His nameless detective's quest through the bleak streets gets under your skin. Amazing, painful and brilliant."
—Cara Black, bestselling author of Murder at the Lanterne Rouge "More Chandleresque than Chandler... [Raymond] could write beautifully...and, more importantly, what he i...
--This text refers to the
Kindle Edition
edition.