(III)

November 7, 2012 | Format: MP3

$8.99
Song Title
Time
Popularity  
30
1
4:55
30
2
3:12
30
3
3:06
30
4
2:36
30
5
2:58
30
6
3:27
30
7
1:46
30
8
3:04
30
9
4:21
30
10
3:54
30
11
2:38
30
12
3:33

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Product Details

  • Original Release Date: November 7, 2012
  • Release Date: November 7, 2012
  • Label: Casablanca
  • Copyright: (C) 2012 Polydor Ltd. (UK)
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 39:30
  • Genres:
  • ASIN: B009YU9J0E
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (82 customer reviews)
  • Amazon Best Sellers Rank: #24,678 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

And it sounds damn good.
ForkEatsKnife
I like all 3 albums, but this one it great to listen to all the way through.
jesse eichbauer
One of the best albums of 2012.
Lane Neuroth

Most Helpful Customer Reviews

22 of 23 people found the following review helpful By Amazon Customer on November 8, 2012
Format: MP3 Music Verified Purchase
Although this is not the lengthy, pulsating, driven, and at times bewildering chaos that made (II) such a massive follow-up to (I), (III) stands its ground. True to their nature, Ethan and Alice have made a spasmodic and rapturous collection of tunes to throw into the vault. Tonally and thematically their most cohesive album, by no means can the same be said for flow or structure. These are separate tracks that speak of discord, trauma, beauty, and violence. Alice is more muted and twisted in her vocals, but it doesn't come off as childish. There is a method to the madness. I'm slowly falling in love with these songs as much as any of their other tracks, and if you're a fan, it probably won't take you too many listens to get into the album either.

For people just coming into the fold, this may be a great introduction. There is emotion and emphasis sized down for the average listener whereas their first two albums can be over-whelming to take in at once.

If anything I'm left, as always, wanting more from a duo who seem to try to give everything of themselves to their audience. Each album is a different monster. This monster seems to be hiding in the shadows- small, sharp, desperate, and willing to run away with you if you let it.
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13 of 16 people found the following review helpful By Brian E. on November 14, 2012
Format: Audio CD
It's an age old question. There are those among us who feel like music should strive to be cheerful in nature: that it should be something to lift our spirits and should always provide a rosy disposition. Yet there are others who see beauty in the bleakness, who view despair as a delicacy. If you're one of these, Crystal Castles has an album for you.

They haven't taken long to leave their mark. After a promising debut in 2008, the Canadian electronic duo struck gold with their sophomore album II, one of the most distinctive electronic albums of the past several years. The release of III reinforces a striking fact about Crystal Castles that every album they have released are markedly different from one another.

Their debut was a visceral, aural experience rife with clinking and clunking of old video game machines, while their sophomore release drew much more heavily from IDM and refined their production; the electronics on that record were as sharp as a razor's edge. Main composer Ethan Kath has ensured that III shares little in common with those, so it's tough to make a direct comparison. But it doesn't take long to determine that it's much more atmospheric and even more dream like than its predecessor.

Crystal Castles have typically been a tough nut lyrically, with most of the vocals being glitched beyond comprehension. But would you have guessed Alice Glass as defender of the downtrodden? It seems to be what she's going for. In numerous interviews, she's spoken extensively on issues pertaining to women's rights and equality as well as flagging quality of life and limited rights of people around the world. These themes heavily inform III.
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4 of 4 people found the following review helpful By K. Kwon on November 12, 2012
Format: Audio CD Verified Purchase
Of the albums thus far, this III one feels the most focused of the bunch. Without any over-layered tracks, each song has a unique feel independent of the other tracks. Alice's lyrics are darker, while the driving beats by Ethan suit her vocals perfectly.

I was hoping to not be disappointed, and this album is excellent! The first time I heard Affection was while I was driving with the bass up, and DAMN, what a great song. Ethan is surely underrated as a producer, and what's not to love about Alice's use of her voice?

My favorite album of the year with only a month left to go.

Notable tracks: Affection, Plague, Child I Will Hurt You, Wrath of God
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3 of 3 people found the following review helpful By Kenny on December 25, 2012
Format: MP3 Music Verified Purchase
I never liked them before I heard a song from this off pandora and it haunted me to the very core of my soul. I couldn't get it out of my head. After noticing my life was incomplete without this piece of music in my collection I hopped on here in hopes of putting it on my wish list for the holidays, however I noticed it was 4$ and almost did 2 consecutive backflips. I've listened to it an unimaginable amount of times since I bought it 2 days ago. Seriously, just get this album. It's almost stupid not to.
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6 of 8 people found the following review helpful By Shaun E. Phillips on November 13, 2012
Format: Audio CD
If you haven't realized by now Crystal Castles are not satisfied with making the same album over and over again, then maybe you shouldn't listen. If you get what Crystal Castles are all about then this is another amazing album.

III takes the overall dark feel of II and expands on it, wallows in it and celebrates it. I feel like I am listening to the soundtrack to someone's beautifully haunting dream. Like the last album it wasn't what I was expecting, but like the last album it gets better with every listen. In some ways III reminds me of their first album, it's a little more raw and many of the sounds have a vintage feel due to Ethan using analog equipment. The only problem I have with the album is overt use of reverb on Alice's vocals, it get a little monotonous after awhile. Like the last album, it leaves some of the old CC behind and picks up something new. The greatest asset to the album is the melody and hooks buried beneath the atmosphere. I feel like I'm in a room filled with fog trying to find my way through and that really sums up how I feel about this album. Everything I love about CC is here and that's really all i need.
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