From Publishers Weekly
Edinburgh Insp. John Rebus is far and away the greatest creation of best-selling author Ian Rankin, but neither the brooding, dogged detective nor his creator is well-served by this amateurish book. Cabell begins with an interesting premise: "I'm simply interested in the man and his creation here and the parallels between them." There are parallels, and Cabell strives mightily to unearth how Rankin developed his popular character (Rebus was "retired" in the 2007 novel Exit Music) through a combination of close reading of the books and interviews. But the results are rarely satisfactory. The writing is sloppy, and the insight isn't insightful enough to really "explain" the riddle that is John Rebus. Some of the best observations come from Rankin himself ("I think Rebus joined the Police Force because it allowed him to be a voyeur-it allowed him to look into other people's lives rather than look into his own."). Cabell is better when he explores Rankin's other main character, Scotland, and, in particular, Edinburgh and the stark contrast between its public, tourist-friendly face and its background of crime and corruption. (He also provides some literary insight, pointing out the connections between Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde in the Rankin novels Knots and Crosses and Hide and Seek.) The volume includes nice photos of Rankin and Rebus's Edinburgh haunts as well as summaries of Rankin TV shows and a Rankin bibliography. END
This book, the author explains in the preface, lies somewhere between biography and literary criticism. It has bits of both, combining an overview of the life of celebrated crime novelist Rankin, the creator of the wildly popular Inspector Rebus, with some insightful commentary on and appreciation of the Rebus series. Cabell talks about both Rankin’s literary inspirations (Robert Louis Stevenson, Arthur Conan Doyle, Thomas Harris, Muriel Spark) and his cultural influences, including Edinburgh, where Rankin and Rebus live. While Cabell is clearly a fan of the Rebus books, he isn’t afraid of offering criticism, including the surprising claim that Rankin’s writing shows a “clear interest in plot and location and an almost disregard of characters.” Though Rankin’s fans may disagree with that position, they will find much to savor here, including Cabell’s generally sharp appraisal of the Rebus books and his explorations of little-known aspects of Rankin’s life and career (including some relatively unknown pseudonymous work). For Rebus readers, consider this one required reading. --David Pitt