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16 of 18 people found the following review helpful:
5.0 out of 5 stars
Excellent first novel - hilarious and intriguing, March 13, 2006
This is Dustin Long's first novel Icelander and I can't recommend this book highly enough. Although the premise is slightly confusing, you are soon caught up in the plot and by page fifty or so it becomes that rarest of things: a literary page-turner. The book focuses partly on the discovery, commercialization, and quest for independence of a fictional underground Icelandic kingdom called Vanaheim. Most of the action, however, takes place in the U.S.A. in upstate New Uruk on "Bean Day," a local celebration of the deceased adventuress Emily Bean, who along with her family discovered Vanaheim. Despite the book's humorous tone, there are a number of surprisingly moving characters - French-Canadian ex-cop Blaise Duplain struggling to come to terms with and solve the murder of his wife; Jon Ymirson an aging adventure hero stricken with Alzheimers; and his daughter "Our Heroine," in a Hamlet-like state of indecision over following in her deceased mother's adventure-seeking footsteps. At many points in the book I laughed out loud or marveled at the author's clever use of language. (Also watch for hidden clues throughout the book). My favorite parts include overly self-conscious actor Nathan, philosophical investigators Wible and Pacheco, the fox-shirted Refurserkir (guardians of Vanaheim), and rogue library scientist Hubert Jörgen. If you love (but don't mind poking fun at) mysteries, Nabokov, Norse mythology, adventure novels, literary pretentiousness, and Hamlet (the Thomas Kyd version) order the book!
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7 of 9 people found the following review helpful:
3.0 out of 5 stars
How can something so creative end up sort of dull?, October 22, 2006
Icelander takes place in a sort of Scandinavia - obsessed alternate reality where there is a separate underground kingdom beneath Iceland. The book and its mystery are quite an interesting and creative concept, but unfortunately I found actually reading the book to be rather dull, and I didn't care greatly what happened to the characters, though I think I would have liked the dead woman, too bad she was dead for most of the book, except in flashbacks. I certainly enjoyed her two-story house. I have a clue as to which character is the author of the footnotes, was I supposed to be able to tell for sure?
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
An entertaining postmodern romp, November 6, 2008
This review is from: Icelander (Paperback)
A fun, whimsical and stylish postmodern journey replete with colorful characters, meta-narrative hi-jinks, and writing that isn't afraid to show its literary influences. Wible & Pacheco, the metaphysical investigating duo, are particularly enjoyable ("Typography cannot convey the essence of our subsequent screams"). At times, however, the homage devolves into tropes too blatantly unoriginal to ignore. To wit: Besides the protagonist, Our Heroine, who mirrors The Crying of Lot 49's Oedipa Maas, the novel directly summons Thomas Pynchon at several points, none more clearly than a floating paragraph on pp. 50-51, where Our Heroine watches the snowflakes and contemplates them as indecipherable hieroglyphics from the sky that escape her understanding. The segment recalls the famous paragraph early in The Crying of Lot 49 where Oedipa Maas looks out over the San Narcisso landscape and sees it as a printed circuit, riddled with hieroglyphics imbued with meaning but "just past the threshold of her understanding." Similarly, Long conjures up Paul Auster's deconstruction of the detective novel, City of Glass, when, among other things, he equates the winding ambles of his characters through the streets in coded symbolic terms when viewed from above. All in all, however, Icelander is an entertaining little romp.
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5.0 out of 5 stars
This book has narrative cuddling
An excellent book: a rollicking plot, screwball comedy, imaginative world building, insightful meta-fiction, tenderness, intrigue, love, war, peace, playfulness, seriousness, and...
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Published on April 3, 2008 by Peter McCafferty
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