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An Ideal Husband [Unabridged] [Audio CD]

Oscar Wilde (Author), Yeardley Smith (Editor), Jacqueline Bisset (Author), Yeardley Smith (Author), Oscar Wilde (Author)
4.7 out of 5 stars  See all reviews (19 customer reviews)

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Book Description

October 10, 2001
A tender love story, a glittering setting in London society, and a shower of witticisms are only a few of the reasons this play has enjoyed hugely successful revivals. This 1895 drama is eerily prescient, as it explores the plight of a promising young politician, desperate to hide a secret in his past. With empathy and wit, Wilde explores the pitfalls of holding public figures to higher standards than the rest of us. Directed by Michael Hackett.

A L.A. Theatre Works full-cast performance featuring: Rosalind Ayres, Jacqueline Bisset, Paul Gutrecht, Martin Jarvis, Robert Machray, Miriam Margolyes, Alfred Molina, Jim Norton and Yeardley Smith.


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Editorial Reviews

Review

The L.A. Theatre Works performs plays tailored for a radio format before live audiences. The works are treats for the ear: Each features first-rate performances, rich but not overdone sound effects, evocative background music, expert engineering and the immediacy of an audience s live responses. AN IDEAL HUSBAND, Oscar Wilde's 1895 comedy, shows how a good adaptation of a classic play can speak to the present age. Martin Jarvis and director Michael Hackett have slightly streamlined Wilde's play about a rising politician with a secret in his past whose efforts to prevent exposure call attention to the hypocrisy of holding our leaders to higher standards than we ourselves live by. The large cast handles the witty dialogue with delicacy: Jacqueline Bisset charmingly plays one of dramatic literature's most polite blackmailers. The insouciance of the performances emphasizes rather than detracts from the play's serious theme of social hypocrisy. --AudioFile Magazine

About the Author

Oscar Wilde (1854 - 1900) was an Anglo-Irish playwright, novelist, poet, short story writer and Freemason. Known for his barbed and clever wit, he was one of the most successful playwrights of late Victorian London, and one of the greatest celebrities of his day.

Product Details

  • Audio CD: 1 pages
  • Publisher: L.A. Theatre Works; Unabridged edition (October 10, 2001)
  • Language: English
  • ISBN-10: 1580812155
  • ISBN-13: 978-1580812153
  • Product Dimensions: 7 x 5.8 x 1 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #2,121,578 in Books (See Top 100 in Books)

More About the Author

Oscar Fingall O'Flahertie Wills Wilde was born in Dublin in 1854. He was educated at Trinity College, Dublin and Magdalen College, Oxford where, a disciple of Pater, he founded an aesthetic cult. In 1884 he married Constance Lloyd, and his two sons were born in 1885 and 1886.
His novel, The Picture of Dorian Gray (1891), and social comedies Lady Windermere's Fan (1892), A Woman of No Importance (1893), An Ideal Husband (1895), and The Importance of Being Earnest (1895), established his reputation. In 1895, following his libel action against the Marquess of Queesberry, Wilde was sentenced to two years' imprisonment for homosexual conduct, as a result of which he wrote The Ballad of Reading Gaol (1898), and his confessional letter De Profundis (1905). On his release from prison in 1897 he lived in obscurity in Europe, and died in Paris in 1900.

 

Customer Reviews

19 Reviews
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3 star:
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Average Customer Review
4.7 out of 5 stars (19 customer reviews)
 
 
 
 
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12 of 14 people found the following review helpful:
5.0 out of 5 stars Love, politics and forgiveness, May 26, 2003
Oscar Wilde gives us here one of his best plays. He explores the political world in London and how a young ambitious but poor man can commit a crime, which is a mistake, to start his good fortune. But he builds his political career on ethical principles. Sooner or later someone will come into the picture to blackmail him into supporting an unacceptable scheme, by producing a document that could ruin his career if revealed. His past mistake may come back heavily onto him. But he resists and sticks to his moral reputation. He prefers doing what is right to yielding to some menace. He may lose though his political ambition and career and his wife's love. But love is saved by forgiveness and the man's career is also saved by the work of a real friend who recaptures the dubious document and destroys it. In other words love and an ethical career are saved by the burrying of the old mistake into oblivion. In other words love and friendship are stronger than the scheming action of a blackmailer. This is a terrible criticism of victorian society which is based more on appearances than principles and yet able to destroy a man's absolutely ethical present life with a mistake from his youth, throwing the baby along with the water of the bath. It is also a criticism of the victorian political world where you cannot have a career if you are not rich, money appearing as the only way to succeed, at least to succeed fast. But it is a hopeful play because love and friendship are beyond such considerations and only consider the best interest of men and women, in the long run and in the name of absolute purity. Better be a sinner and be forgiven when you have reformed than see a reformed sinner destroyed by the lack of forgiveness. Oscar Wilde advocates here a vision of humanity that necessitates forgiveness as the essential fuel of any rational approach. Real morality is not the everlasting guilt of a sinner without any possible reform. Real morality is the recognition that forgiveness is necessary when reform has taken place. Otherwise society would be unlivable and based on hypocrisy and the death or rejection of the best people in the name of (reformed) mistakes. One must not be that sectarian, because man can learn from his mistakes and improve along the road : one can learn how to avoid mistakes and repair those oen has committed. If condemnation is absolute, no progress is possible. A very fascinating play, a very modern play. And yet when can one be considered as reformed, when can we consider one has really corrected one's mistakes and improved ? And who can deem such elements ? The very core of political and ethical rectitude is concerned here and Oscar Wilde embraces a generous approach.

Dr Jacques COULARDEAU, University of Perpignan

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9 of 10 people found the following review helpful:
5.0 out of 5 stars Chiltern: "You prefer to be natural?", December 2, 2005
Chevely: "Sometimes. But it is such a difficult pose to keep up."

Perhaps not so well known as "The Importance of Being Earnest," this has all the same banter, manners, and sharp-eyed look at the crumbling edge of the upper crust in Vistorian England. It pleases the attentive listener at many levels. Considered only as a stream of one-liners and clever quips, it delivers all you could ask for.

But because it's Wilde, it's also a wild tirade against the mannered (sometimes ill-mannered) gentry. Behind that, it has a good deal to say about tolerance for the flaws of any fallible human - and Wilde could speak on human flaws with rare authority. And, like any truly great work, its examination of honesty (and dis-) reveals a good bit about today's world, a century later.

I'm not normally a reader of plays. I don't have that inner ear that brings words on the page to life. Wilde gives me some idea what that experience must be like, and I'm grateful for it.

//wiredweird
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6 of 6 people found the following review helpful:
5.0 out of 5 stars One of the great masterpieces of English Drama, March 20, 2005
By 
My very favourite of Oscar Wilde's plays. Choc-a-bloc with wit, and humorous repartee, it also is an intriguing story, and fascinating to see how it plays out. No wonder it is still popular 112 years after is first produced with recent productions on video/DVD doing very well.
Member of Parliament Lord Robert Chiltern is blackmailed by the wicked Mrs. Cheverly, with a secret from his youth, leading to a crisis in his life, and in his marriage to the virtuous Lady Chiltern. It is up to his friend, the delightfully foppish Lord Goring to help extricate him. All is well that ends well, but not after much interplay and intrigue.
Every word in this play is well measured out for one of the great masterpieces of English Drama.
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Miss Mabel, Baron Arnheim, Sir John, Enter Mason, The Times, Prime Minister, Tommy Trafford, Argentine Canal, House of Commons, Lady Caversham, Miss Chiltern, Enter Phipps, Lord Radley, Foreign Office, Gertrude Chiltern, London Society, Lord Mortlake
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