100 Ideas that Changed Graphic Design [Paperback]

Steven Heller (Author), Veronique Vienne (Author)

Book Description

Publication Date: April 18, 2012 | Series: 100 Ideas That Changed

New in the "100 Ideas that Changed..." series, this book demonstrates how ideas influenced and defined graphic design, and how those ideas have manifested themselves in objects of design. The 100 entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and methods (paper cut-outs, pixelation).

Editorial Reviews

Review

FROM COOL HUNTING: "The scope is broad but intelligently refined, connecting all aspects of graphic design, from the age-old technique of text ornamentation to the relatively nascent appearance of pixelated images and digital type."

"...a feast for the eyes...As a survey of the many changes in graphic design and the dialogs between competing schools of thought, 100 Ideas is an entertaining, often insightful read." ~ Geoff Hart, STC Technical Communication Journal

About the Author

Steven Heller is the co-chair of the MFA Designer as Author program and co-founder of the MFA in Design Criticism program at SVA, New York. For 33 years he was an art director at the New York Times. He is editor of AIGA VOICE and contributing editor to Print, Eye, Baseline and I.D. magazines. He is the author of more than 120 books on design and popular culture. He is the recipient of the 1999 AIGA Medal for Lifetime Achievement. Véronique Vienne has worked at a number of US magazines as art director, and is the author of The Art of Doing Nothing and The Art of Imperfection. A frequent contributor to Graphis and Metropolis magazines, she lives in Paris.

Product Details

• Paperback: 216 pages
• Publisher: Laurence King Publishers (April 18, 2012)
• Language: English
• ISBN-10: 1856697940
• ISBN-13: 978-1856697941
• Product Dimensions: 8.3 x 0.8 x 10.6 inches
• Shipping Weight: 2 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #13,567 in Books (See Top 100 in Books)
  • #20 in Books > Arts & Photography > Graphic Design > Techniques

More About the Author

Steven Heller, author and editor of over 130 books on graphic design, satiric art and popular culture, is the co-founder and co-chair of the MFA Designer as Author program at the School of Visual Arts, New York. He is also co-founder of the MFA in Design Criticism, MFA in Interaction Design, MFA Social Documentary Film and MPS Branding programs. Although he does not hold an undergraduate or graduate degree he has devoted much of his career to fostering design education venues, opportunities and environments.

On the editorial side, for over 40 years he has been an art director for various underground and mainstream periodicals. For 33 years he was an art director at the New York Times (28 of them as senior art director New York Times Book Review). He currently writes the "Visuals" column for the Book Review and "Graphic Content" for the T-Style/The Moment blog (http://tmagazine.blogs.nytimes.com/author/steven-heller/). He is editor of AIGA VOICE: Online Journal of Design, a contributing editor to Print, EYE, and Baseline, and a frequent contributor to Metropolis and ID magazines. He contributes regularly to Design Observer and writes the DAILY HELLER blog for Print Magazine (http://blog.printmag.com/dailyheller/). His 135 books include "Design Literacy, " "Paul Rand," "Graphic Style" (with Seymour Chwast), "Stylepedia" (with Louise Fili), "The Design Entrepreneur" and "Design School Confidential" (both with Lita Talarico), "Iron Fists: Branding the Twentieth Century Totalitarian State", and the most recent, "Born Modern: The Life and Design of Alvin Lustig."

He is the recipient of the 1999 AIGA Medal for Lifetime Achievement. His website is www.hellerbooks.com and his blog, The Daily Heller sponsored by Print magazine is http://imprint.printmag.com/daily-heller/

Most Helpful Customer Reviews

21 of 25 people found the following review helpful

5.0 out of 5 stars The Influences Producing Today's Graphics April 16, 2012

By R. Hardy HALL OF FAMETOP 500 REVIEWER

Format:Paperback

I wish that the book _100 Ideas That Changed Graphic Design_ (Lawrence King Publishing) had been bigger. That's a compliment, of course. The book is large format, with colored reproductions on almost every page, but still the text mentions a lot more examples than it includes. I found it handy to have my computer for consultation, so that when the authors mentioned, but did not illustrate, as an example of sequential narrative in pictures, "Trajan's Column (113 CE) in Rome, which is also the wellspring of Roman typography, telling the tale of the emperor Trajan through inscribed pictographs and words," I could easily see what they were talking about. Ditto for "the true forerunner of the modern sequence," a Suprematist book for children from 1922. There are two dandy included illustrations, though, one showing a Dubonnet ad, depicting a man drinking a glass of the aperitif and becoming sequentially more fulfilled thereby, and Milton Glaser's lighthearted take on Mozart silhouettes, _Mozart Sneezes_. The topic of sequential narratives is "Idea No. 58" of the hundred presented here, each of them on two pages, with brief, intelligent, and useful text to explain the idea and the two or three pictures that accompany it.

A reader realizes that the authors probably agonized over what to mention, to illustrate, and to leave out. They probably didn't want to stop at 100 ideas, and many of the ideas, like No. 58, could have their own books, not just two pages. I bet the authors, too, wanted their book to be bigger. We are in good hands; Steven Heller was an art director at the _New York Times_ for over three decades and Véronique Vienne has been the art director of various magazines. "Our aim," they say, is to determine, define, discuss, and illustrate the big ideas that created the critical mass that produced the art and craft of contemporary graphic design." The ideas are in more-or-less chronological order, with The Book coming first followed by Body Type (writing on or tattooing the body), and with Pixelation and Ambigrams coming toward the end. It is a wonderful tour, and often it is historic and sociological, rather than just graphic. For example, Sexual Taboo Busting, Propaganda, and The Universal Pricing Code all get their two pages here, and are of course concepts not limited to graphics. It isn't surprising that human anatomy is all over the place here. The pages on Pointing Fingers show one instance of the old time woodcut of a finger pointing for emphasis (but used in a modern poster). As well here are fingers pointing out of a poster, as in the famous "I Want You" style, which James Montgomery Flag copied from a British recruitment poster. Clinched Fist shows that this hand sign has been a symbol of military (and anti-military) power. Saul Bass's famous poster for _Anatomy of a Murder_ is here (on the pages for Primitive Figuration) showing a body dismembered. Funny Faces shows a delightful typography of bold, bulbous capital letters, each adorned with an eye spot or two, and a simple row of squares to represent teeth. It is amazing how much personality the letters have.

I have only mentioned a few themes in this wide-ranging book. There are pages for Dust Jackets, Rays (as in the ones behind the head of Mickey Mouse, and also behind that of Chairman Mao), Ransom Notes, Parody, Nostalgia, White Space, Tags, Psychedelia, Comix, Vibrating Color, and much more. It is a handsome book with lots to look at, well laid out and with informative text. It could serve as a sourcebook for designers, but we all see this sort of art every day; thinking about these hundred ideas can help us make artistic, technological, and social sense of what we are seeing.

5 of 5 people found the following review helpful

5.0 out of 5 stars Fascinating, beautiful book May 28, 2012

By D. M. Kemp

Format:Paperback|Amazon Verified Purchase

I bought this book for my daughter who will be studying graphic design in the fall. It is a wonderful book filled with examples of the author's top 100. From small concepts, such as font usage, to the large architectural realm, it is covered well within this book.

Each of these topics can be covered further through some simple research, in case you want more in-depth understanding. This book simply gives a brief overview of each of each subject area and a few examples. Makes for a great conversation starter as you can flip through the pages and be inspired or forced to look at a subject differently.

Overall - a great primer into the world of Graphic Design.

2 of 2 people found the following review helpful

5.0 out of 5 stars Amazing GIft! January 7, 2013

By Carol-Jean S. Boevers

Format:Paperback

This book is fascinating and makes an amazing gift for anyone, especially your science or sociology enthusiast. How many ideas do we now take for granted that didn't exist in human thought until someone tried to describe it through drawing? A great book for the thinker or just someone who likes to look at the pictures.