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Identity And Memory: The Films of Chantal Akerman Hardcover – Bargain Price, April 21, 2003


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Hardcover, Bargain Price, April 21, 2003
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Product Details

  • Hardcover: 216 pages
  • Publisher: Southern Illinois University Press; 1st edition (April 21, 2003)
  • Language: English
  • ISBN-10: 0809325128
  • ASIN: B007K4YY4W
  • Product Dimensions: 8.7 x 5.7 x 0.7 inches
  • Shipping Weight: 12.8 ounces
  • Amazon Best Sellers Rank: #4,468,295 in Books (See Top 100 in Books)

Editorial Reviews

Review

“The project of estimating the relentlessness with which Akerman’s work is marginalized, yet also building the strongest fortifications against marginalizing it, is very handily realized in Gwendolyn Audrey Foster’s signally erudite and championing collection, Identity and Memory: The Films of Chantal Akerman.”Film Quarterly  

About the Author

Gwendolyn Audrey Foster is a Professor of English at the University of Nebraska and Editor of Quarterly Review of Film and Video. She is the author of Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity; Troping the Body: Gender, Etiquette, and Performance; and Captive Bodies: Postcolonialist Subjectivity in the American Cinema, as well as a number of other volumes.


For complete information on Foster's publications visit gwendolynaudreyfoster.com


More About the Author

Gwendolyn Audrey Foster attended Douglass College for Women, part of Rutgers University in New Brunswick, NJ. Foster teaches at the University of Nebraska, Lincoln, where she is a Professor in the Department of English.

Foster has published many volumes on gender, race, and class in the cinema and popular culture. Her most recent book is entitled "Hoarders, Doomsday Preppers, and the Culture of Apocalypse."

Foster and Dixon's co-authored textbook, "A Short History of Film," was issued in a Second Edition in 2013. "A Short History of Film" is the first to include many women and minorities who were previously written out of film history. For fifteen years, Foster and Dixon Co-Edited Quarterly Review of Film and Video. Foster and Dixon also serve as Series Editors for the book series 'New Perspectives on World Cinema' published with Anthem Press, UK.

Foster teaches a broad variety of courses that reflect her diverse interests: Ozu and Asian Cinema, Bresson and French Cinema, Spanish and Mexican cinema, The Films of Luis Buñuel, Experimental filmmakers, Pre-Code Cinema and Film Censorship, Women Filmmakers in History, Feminist and Marxist Approaches to Film Theory, Apoco-tainment, Eco-Horror and Environmentalism in TV and Film, The Woman's Picture and Melodrama, Female Spectatorship, Race and Postcolonialism in Film, Queer Theory, Feminist Film Theory, Gay and Lesbian Filmmakers, Masculinity in Film and Media, Marxist cinema, and many other courses.

For complete information of Gwendolyn Audrey Foster's books and publications, visit gwendolynaudreyfoster.com

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