The Idiot (Modern Library Classics) [Paperback]

Fyodor Dostoevsky (Author), Anna Brailovsky (Editor), Constance Garnett (Translator), Joseph Frank (Introduction)

Book Description

Publication Date: April 8, 2003 | Series: Modern Library Classics

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original.

Editorial Reviews

Review

“Nothing is outside Dostoevsky’s province. . . . Out of Shakespeare there is no more exciting reading.” —Virginia Woolf

Language Notes

Text: English (translation)
Original Language: Russian

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Product Details

• Paperback: 720 pages
• Publisher: Modern Library (April 8, 2003)
• Language: English
• ISBN-10: 0679642420
• ISBN-13: 978-0679642428
• Product Dimensions: 5.1 x 1.5 x 8 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #912,612 in Books (See Top 100 in Books)

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14 of 14 people found the following review helpful:

4.0 out of 5 stars sublimely inaccessible, July 25, 2004

By 

Frikle - See all my reviews

This review is from: The Idiot (Modern Library Classics) (Paperback)

This is one of the more famous of Dostoyevsky's novels, and quite rightly so as it has his very-unique blend of psychology, philosophy and an unrelenting view of the bleakest recesses of the soul.

I read the novel in the original Russian, so this isn't a review of any particular translation but the work itself.

In brief, the book centres around a Prince who has returned to Russia after being treated for mental illness in Switzerland since his childhood (hence the idiot). He quickly becomes involved within the upper-middle eschellons of St Petersburgian society, as people become fascinated by his direct honesty, simplicity and compassion. He becomes emotionally involved with a Fallen Woman, and this develops into a love triangle with another woman, ultimately ending in --- you guessed it! - tragedy. The Idiot is portrayed as the symbol of a child-like innocence: he genuinely wants everyone to live in harmony and love. However, the falseness, politics and backstabbing of the world of Russian middle-nobility will have none of that.

The plot is quite complicated - but not in terms of twists. The story is quite simple in terms of what happened, however much of it is told inside-out, focusing on the internal world of the characters. So, if you feel like you've missed something - a reason for a character's comment, an event etc, chances are, this will be revealed later on.

Dostoyevsky dwells on the extreme minute aspects of the emotional lives of his charactes. This is the richest aspect of the novel - and these emotions possess all the contradiction and chaos that real people have. There are no total heroes in the book - but I found a part of myself identifying with the Prince, as the grown child who just doesn't want to accept the "adult" behaviour of interpersonal relationships. I think it's expected in reading the book that some characters will be loathed, some found amusing and admired, some arousing interest - but not loved. This is because the world portrayed within the book is very inaccessible. It's hard to identify with anyone in terms of more than the generality of emotion - not just because the setting is remote, but because the characters experience thoughts and ideas that are so different to what most people would. I think this inaccessability was deliberate - as we feel not-quite-at-home in the world of the book, so it highlights how the Prince is not quite at home there - and that's where the sublime feeling is derived from.

On a side note, be prepared for the difficulty of keeping track of names, as people are called by their surnames on certain occasions and the rest is first name and father's name. With heaps of characters and many Russian names, it all becomes a mess. But with some concentration (perhaps making a cast of characters?) that can be overcome and a great read will be had.

A great book that will interact with your emotional world - if you don't mind heavy reading.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Ironic Title? Myshkin is introspective and innocent, February 17, 2008

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fra7299 "fra7299" (California, United States) - See all my reviews
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This review is from: The Idiot (Modern Library Classics) (Paperback)

Dostoevsky wrote The Idiot after his much praised Crime and Punishment, so it is only fitting that this novel wouldn't have received the same acclaim of this masterpiece. And, while this novel doesn't have the sharp, precise narration and pull that Crime and Punishment had, it still is a significant work for what it strives to accomplish--the depth of the individual spirit.

Dostoevsky once wrote, "They call me a psychologist. That is not true, I'm only a realist in the higher sense; that is, I portray all the depths of the human soul." It's fitting he said this, because this novel exacts this same belief in many ways--many of the characters save the hero Prince Myshkin are greedy, shallow, conceited, scandalous, and back-stabbing. Yet with all the negative aspects of society, Myshkin brings a benevolent force and reaction to those who encounter him--some are affected in a positive light, if only for a small amount of time, while others remain without change. The great contrast gives credence to the depth of Prince Mushin, and for the most part makes his title "the idiot" quite ironic. His soul is examined and tested in many facets of life.

Prince Myshkin's "immovability" is depicted in encounters with various scandals and controversies. He doesn't change to conform to the conditions of society, and often doesn't seem to be swayed by greed or other pleasures, which sometimes leads to a strange reaction for those who meet him. Consider his first encounter with Aglaia and her family, when Madame questions him about who he is. Rather than being typical, he relates a story about Maria in the Swiss village and this gives a clue as to his idea of what love is. He feels a genuine pity for a girl, despite the fact that he doesn't really "love" her in a serious sense. This tale illustrates the sacrifice that the Prince often makes for people. This story makes a deep impact on Aglaia, even though she often laughs at Myshkin for his simplicity. Dostoevsky does a fantastic job of making the Prince both innocent and introspective at the same time; he is more reflective than other characters and is driven by philosophy and good will rather than worldly gains.

The main crux of the story is Prince Myshkin and the love triangle between two distinctly different women--Aglaia and Nastassya Filippova. Aglaia, despite her childlike quality, seems to have instances where she is close to bursting forth into adulthood. However, her restlessness makes it difficult for anything to happen between her and the Prince. Meanwhile, Nastassya Filippova is a character who is outwardly a scandalous woman unfavorable and unequal to the Prince. Inwardly, she is has moments when it appears that there could be some genuine love for the Prince, but these are negated by her relationship with Rogozhin. One of the flaws of Prince Myshkin is trying to appeal and love both women in his singular way. He ultimately must choose, but cannot.

There are some moments when the novel gets a bit bogged down with its "soap opera" like quality or long winded-speeches, but, still, this is a novel with many redeeming qualities. I think this one will appeal much more to those who have already read Dostoevsky and understand his style.

4 of 4 people found the following review helpful:

5.0 out of 5 stars The Idiot is a work of genius by Fyodor Dostoevsky, June 12, 2007

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C. M Mills "Michael Mills" (Knoxville Tennessee) - See all my reviews
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This review is from: The Idiot (Modern Library Classics) (Paperback)

The Idiot of the title is Prince Myshkin. Myshkin suffers from epilepsy and is very highly strung! When the novel opens he is arriving in St. Petersburg following three years in an expensive Swiss Clinic. Myshkin's rich patron a Russian nobleman has provided to pay for the expenses of his psyciatric care. Upon arrival in St. Petersburg the Prince is soon involved with a wealthy middle class family; meets the evil Rogohzin and the mysterious beauty Natasya. Myshkin is also romantically linked with the beautiful but shallow Aglaya youngest of three daughters of a family to whom he is distantly related.

The plot involves Dostoevsky's look at love. Myshkin represents innocent, Christ-like love. Gavrin is a character representing greed seeking to wed a rich woman. Rogohzin the fiery noble with murder in his heart and passion in his love-hate for Natasya.He is symbolic of humankind's passionate nature. We also meet such interesting characters as Ippolit a young man dying of TB who writes a long (and at times boring) statement of his view of life.

The novel would probably be shortened by a modern editor! Long passages deal with philsophy evincing the author's disdain for Western culture and his strong Messianic Slavic beliefs in Russian orthodoxy.

The book can become mesmerizing as many of the characters are dreamy sorts wont to spin out their thoughts in long monologues reminiscent of the otiose figures populating the Chekhovian stage. Dostoevsky had been sentenced to Siberia for his participation in a plot to assassinate the Tsar. He, therefore, knew suffering and allows his characters to act in

accord with his own tormented, suffering character.

The novel is not the place to begin when delving into Dostoevsky. It is a flawed masterpiece usually rated below his "The Brothers Karamazov" and

"Crime and Punishment." Dostoevsky impresses this reviewer with his modern concerns with suffering, human angst and a deeply flawed society of secular skepticism. He is a Christian writer who is not afraid to inject his belief in the redemptive salvic work of Jesus Christ.

Myshkin is an innocent man who is unable to cope with modern society. At the end of the novel this butterfly of hope is forced backed into the cocoon of sanatarium care. Myshkin like Don Quixote has tilted his love against society and been defeated. Or has he? Dostoevsky would explore the Myshkin type in his greater novel "The Brothers Karamazov" through the Christ-like figure of Alyosha.

This is a long book which will test the reader's patience. One must deal with long Russian names that my be confusing. It is a worthwhile experience which you will never forget.