Idlewild [Audiobook, Unabridged] [Audio Cassette]

NICK SAGAN (Author)

Book Description

Publication Date: August 11, 2003

Idlewild is stylish and clever fiction set in the day after tomorrow. It opens with a young man awaking with amnesia; the only thing he knows is that his memory loss has been caused by an attempt to kill him. Unsure who he can trust, he is reacquainted with eight companions, all of whom are being trained at a special school, run by an enigmatic man named Maestro. As he tries to uncover the identity of the person who has tried to murder him, he will quickly begin to unravel a series of truths, making it clear that there is much more than his life at stake.

Editorial Reviews

From Publishers Weekly

Billed as a near-future thriller, Sagan's first novel plods through terrain all too familiar to SF readers. The narrator awakens with amnesia in a mysterious realm easily identified as a computer-generated virtual reality, fraught with metaphors and symbols. He slowly grasps that his name is Halloween, and that he may have murdered someone called Lazarus. Eventually, he realizes he's one of a handful of high school students attending "Immersive Virtual Reality" classes at the Idlewild IVR Academy, sponsored by the Gedaechtnis Corporation, a multinational biotech company. Intimidated by the villainous teacher, Maestro, and wary of his fellow students, Halloween is determined to recover his memory, apparently damaged in a power surge that threatened to destroy the IVR, and learn what really happened to the missing Lazarus. Despite a compelling twist near the middle, the low tension and meandering plot will likely frustrate the primary target audience, mainstream fans of such futuristic action films as The Matrix and Minority Report. Sagan may not be the next Philip K. Dick or William Gibson, but he shows enough talent here to suggest he can improve on pacing in the promised sequel.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

The tension is palpable from the first page as a young man recovering from a powerful electrical shock realizes that all he knows is that he's about 18 and a student of some kind--and that Lazarus is dead. Halloween, as he is known, becomes certain that someone wants him dead, too. He is one of 10 students attending an exclusive Immersive Virtual Reality boarding school while their bodies lie in a hospital attached to IVs and virtual-reality equipment. Add to the mix a hard-nosed virtual schoolmaster, virtual nannies, and sophisticated computer hacking as the teens try to manipulate the system. In his first novel, the son of Carl Sagan captures perfectly the voice and actions of a rebellious, extremely intelligent teenager. Though its appeal is much wider, recommend this mesmerizing, multilayered futuristic tale to fans of Card's Ender novels. Sally Estes
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Audio Cassette
• Publisher: Highbridge Audio; Unabridged edition (August 11, 2003)
• Language: English
• ISBN-10: 1565117905
• ISBN-13: 978-1565117907
• Product Dimensions: 7.2 x 4.1 x 2.7 inches
• Shipping Weight: 9.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.9 out of 5 stars  See all reviews (53 customer reviews)
• Amazon Best Sellers Rank: #4,713,638 in Books (See Top 100 in Books)

More About the Author

At age six, Nick Sagan's greeting, "Hello from the children of planet Earth," was recorded and placed aboard NASA's Voyager spacecraft. Launched with a selection of terrestrial greetings, sights, sounds and music, Voyager has since left the solar system; it is now the most distant human-made object in the universe.

The son of astronomer Carl Sagan and artist/writer Linda Salzman, Nick was born in Boston, but grew up in Ithaca and Los Angeles. Frustrated with his junior high and high school experience, he spent his teenage years operating The Freehold, an electronic bulletin board system dedicated to role-playing games. By the mid-eighties, The Freehold had become the largest game-related BBS in Los Angeles, though this success came at the expense of Nick's grades--the time he could have spent studying, he wrote online fantasy and science fiction instead. Inspired to become a filmmaker by Patrick McGoohan's subversive and surreal television series, "The Prisoner," Nick dropped out, took his high school proficiency exam, and enrolled in Santa Monica College. Finally able to study the subjects that interested him, his grades improved dramatically, allowing him to transfer to UCLA's school of Film and Television. Before graduating summa cum laude, Nick wrote a script that the screenwriting chairman, Richard Walter, liked enough to send on to an agent. Within days, a production company optioned that screenplay and hired Nick to adapt Orson Scott Card's classic science fiction novel, Ender's Game.

Since then Nick Sagan has been steadily writing for Hollywood, crafting screenplays, teleplays, animation episodes and computer games. He has worked for a variety of studios and production companies, including Paramount, Warner Brothers, New Line, Universal, Disney, actor/producer Tom Cruise, and directors David Fincher and Martin Scorsese. Nick co-wrote the award-winning computer adventure game, Zork Nemesis: The Forbidden Lands, a story of alchemy, obsession and revenge. His film credits include adaptations of Ursula K. LeGuin's A Wizard of Earthsea, Pierre Ouelette's The Deus Machine, and Charles Pellegrino's Dust. His television credits include two episodes of "Star Trek: The Next Generation" and five episodes of "Star Trek: Voyager," where he worked as a story editor in 1999. At the turn of the millennium, astronaut Sally Ride recruited him to work for SPACE.com as Executive Producer of Entertainment & Games. During his tenure there, the spark for Idlewild came to Nick--but unsure whether to write it as a screenplay, a television series or a computer game, he chose instead to write it as a novel, and sold it to Penguin Putnam in 2002.

Idlewild went on to win a starred review from Kirkus, endorsements from acclaimed writers Neil Gaiman and Stephen Baxter, a Book Sense 76 pick, and selection from both Borders and Barnes & Noble as one of the best science fiction/fantasy novels of the year. His second book, Edenborn, hailed by SFX Magazine as "one of the best post-apocalyptic novels you will ever read," is now available in stores. The third book in the series, Everfree, will hit stands on May 18th, 2006.

Nick is married to his high school sweetheart, and spends most of his time in upstate New York.

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

5.0 out of 5 stars Spellbinding, September 24, 2003

By 

Pavla V. - See all my reviews

This review is from: Idlewild (Hardcover)

Neil Gaiman called this book a "roller coaster ride of fusion fiction" and it's easy to understand why. This delightful and diabolically intricate creation transforms from caterpillar to butterfly by way of gothic fantasy, mystery, apocalyptic science fiction, mythology, eschatology, a coming of age story, and even a romance. Ambitious novels like this run the risk of seeming all over the map, but Idlewild hangs together beautifully, with influences from each genre synthesized and reinvented through the pen of an imaginative and strikingly original storyteller.

Sagan begins with a pinpoint focus on his flawed but likeable antihero, who must solve the riddle of his amnesia, and gradually widens the scope to explore a deeper mystery that involves the whole of humanity. Multiple plotlines thread together seamlessly as hidden layers are revealed. This is a rich, dark, compelling tale that refuses to insult the reader's intelligence. Dialogue crackles and sparkles, and the protagonist's inner monologue builds to a furiously witty fever pitch.

My only complaint would be the pacing. It's one of the fastest novels I've ever read, and I tore through it so quickly that I'm left wanting more. That's about as negative as I can be here. Idlewild is simply that good, one of those rare books that stays with you long after you've closed it.

Highly recommended for everyone, and especially for fans of Neil Gaiman's Sandman series.

14 of 14 people found the following review helpful:

4.0 out of 5 stars A promising and assured debut, August 24, 2003

By 

Andrew Watkins (Hong Kong) - See all my reviews

This review is from: Idlewild (Hardcover)

A smooth blend of virtual reality and suspense, impressively reminiscent (to this reader anyway) of Iain M Banks (particularly The Bridge) crossed with Neal Stephenson (Snow Crash) with just a touch of Ender's Game thrown in. With the Author's heritage you might perhaps have expected a harder SF slant but this is set in the near future and is a more contemporary book touching on themes of genetics, AI/VR, and even, in an subtle way, certain comic book conventions which are used to good effect (groups of related 'special' people, each with defined characteristics and allegiances/rivalries).

I suggest that the book is best read knowing as little as you can about the plot (i.e. try and avoid reading the dust jacket description)...allowing you to enjoy unravelling events along with the main protoganist who starts the story with amnesia.

This is very much an 'origins' story and whilst it stands alone well (in the way the film Unbreakable does), I would be very surprised if a follow-up was not planned. I'm looking forward to it.

12 of 12 people found the following review helpful:

4.0 out of 5 stars The best book I've read in the past few months, March 12, 2004

By 

Anne K. Gray "Netmouse" (Ann Arbor, MI United States) - See all my reviews
(REAL NAME)   

This review is from: Idlewild (Hardcover)

Sagan's first novel surprised me in that I rather expected it to be fantasy, based on the cover. The first part of the book carried me along in that notion, but then I discovered it was so much more.

This is by no means a polished work, but it is very very good for a first novel. I've read a lot of sf, and this still managed to surprise me (plotwise). Which was refreshing.

It might not be knock your socks off good, but it's definitely worth reading. I'll be nominating Sagan for the Campbell award (best new SF Author) this year.