Amazon.com Review
What is it about the Great Lakes State? In this searingly dark and funny first novel, Reid, once a lineman for the University of Michigan Wolverines, puts the college gridiron to the fire the way former Dallas Cowboy Pete Gent, once a receiver for the Michigan State Spartans, did years ago for the pros in his rollicking classic,
North Dallas Forty. Reid's protagonist, Elwood Riley, like Reid himself, is a block-of-granite, working-class kid who assumes he's reached life's end zone when his high school exploits nab him a football scholarship to Michigan. But he's got brains to match his brawn, and a growing awareness of himself and beyond himself that's desperate to break free. In the locker rooms and huddles of Big College, Cash Cow, move-'em-through-the-system football, even a little awareness encroaches into rah-rah values; it sends the metaphysical penalty flags flying.
What Riley sees around him is that the system stinks. Winning isn't just everything, it's the Holy Grail. His small-minded coaches will stop at nothing--steroids, humiliation, pain, abuse--to grab it, nor will his teammates (with nicknames like Napalm, what do you expect--serenity and circumspection?), and the university sees him as little more than fuel for the "Big Blue" machine on its ineffable march to the Rose Bowl. The Six of the title is a reference to both 86-ing, screwing up so you lose your scholarship, or deep-sixing, getting killed trying to hold onto it. Reid's biting prose and insider's ability to bring an outsider into the often unreal absurdity of big-time college sports will have readers alternately rooting for Riley to beat the system and rooting for him to get out alive and in one piece. It's that textured complexity that sends Six deep, elevating it to a higher number. --Jeff Silverman
From Publishers Weekly
Elwood Riley, a high-school hulk with a fondness for philosophy, uses a football scholarship to get out of Cleveland but comes to hate the brutality of big-time college football in this lightly fictionalized expose. Punishing his body on the field and off, Elwood commits increasingly self-destructive acts as he searches for a kindred soul in the locker room, someone who shares his disapproval of the bullying and woman-hating atmosphere of jock life at the University of Michigan. Unfortunately, the most interesting character?an upperclassman who beats the system, shows Elwood how to balance team respect with personal humanity and in the process calls Elwood's bleakness into question?only shows up in a couple of scenes. Elwood's ambivalence toward the game continues until the last page; in the meantime, Reid gives his readers a harrowing (if sometimes exhaustingly detailed) description of the politics and logistics of daylong football practices and parties at which fights and rapes are commonplace. The problem here is Elwood himself, whose pious horror at these events seems tacked on and meretricious. Reid lets his fictional alter ego drift passively along, mouthing repentance and outrage at his teammates' behavior and his own acts of thuggery, without quite owning up to the game's powerful attraction to the bullies who play it; the result is either a flawed character or inconsistent writing (or possibly both) at the center of an otherwise smart, gritty tale. Agent, Gordon Kato; editor, Bill Thomas; author tour; film rights to MCA for New Line Cinema. (Sept.) FYI: Reid played offensive line for the University of Michigan.
Copyright 1998 Reed Business Information, Inc.