Customer Reviews

Ills of Modern Man

5 star:		(6)
4 star:		(1)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

"The Ills Of Modern Man" shows us that Despised Icon remains one of the most interesting and diverse bands to come out during this current "deathcore" resurgence. It still retains the sound that "The Healing Process" had as well, so don't be looking forward to a disappointment. It seems in certain tracks that the band has taken more of their hardcore influence throughout the CD, but that doesn't take them a step down. Each song is diverse and won't bore you. Whether it would be the sick opening in "Furtive Monologue", the Cryptopsy-esque entrance to "Quarantine", the multiple tempo changes in "The Ills of Modern Man" or the surprising melodic riff in "Fainted Blue Ornaments", this CD has a lot of variety. Also, many of the band's native countrymen from Cryptopsy, Ion Dissonance, Neuraxis, Beneath The Massacre, and even their "Consumed By Your Poison" era female vocalist make guest appearances on this album. I almost forgot, remember the song "Oval Shaped Incisions" from the Bodies In The Gears of the Apparatus split? It's here again, re-recorded!

Overall, I recommend this album if you like extreme music, and if you also like a lot of variety. It may not be "tr00 death metal", but it's excellent, and this band could make a huge impact on the extreme music scene.

this album kills from the beginning, i remember first hearing of these guys on music choice metal with "as bridges burn" that honestly got me hooked. but this album kills you can tell this band really grew by just listening to the album. i prefer these guys more then job for a cowboy and dont get me wrong i like them to but genesis sorta... sucked? whats up with the 2 min songs lol. anyway pick this cd up if you love brutal breakdowns or just intense brutal metalcore or deathcore

Despised Icon are no doubt in my estimation, one of the most interesting, diverse, and best bands to come out of the current "deathcore" resurgence we have today in our extreme music scene, and they have definately earned my praise ever since the first time I've listened to them. Believe it or not, this Montreal six piece have risen to become one of my favorite new bands as of late. I bought their latest album 2007's "The Ills of Modern Man" over the summer, and I really like it alot. This album is also among one of my favorite albums of 2007, as well as being the band's best album thus far too. I practically listen to this album almost every week, and I also enjoy listening to this album especially while lifting weights at my local gym.

Like my review title says, "The Ills of Modern Man" is an absolute onslaught of sonic violence that just bludgeons, batters, and fries the listener from beginning to end. This album is an excellent follow up to the band's previous outing 2005's "The Healing Process" (great album BTW), and it's also very diverse and has lots of variety and some nice surprises as well. The producion is just excellent. The dual vocals courtesy of Alex Erian and Steve Marois are in top form here. Alex's hardcore screams and shouts are just brutal and intense, and Steve's death metal growls and pig squeals are just flat out wicked and intimidating. The guitarwork by Eric Jarrin and Yannick St.Ammand (who would leave the band and be replaced by Al Glassman after this album was recorded) is just intense. There's tons of heavy, chunky, lumbering riffs, massive earthshaking breakdowns, ear bleeding leads all over the place. Sebastien Piche's bass is also pretty darn good as well, and of course Alex Pelletier's drumming is very interesting yet intense, pummeling blast beats and clobbering double bass kicks galore.

Every song on this album is great and full of variety as well, but I'll review some of my favorite highlights anyway. Kicking off the album with a thunderous bang with the opening track "In the Arms of Perdition" which features wicked blast beats, groovy, plundering riffs, and catchy gang shout of FORGET THE MAN YOU WERE, and yes there's even a guitar solo, and a nice one too. This is no doubt my favorite song on the album. "Futive Monologue" is another favorite of mine that features some wicked pig squeals from Steve and some catchy pounding riffs and great drumming. Track three "Quarantine" is another favorite of mine which starts off with a violent barrage of plowing, rapid-fire riffage, and Cryptopsy-esque blast beats. Track four "The Ills of Modern Man" includes more slamming, battering riffs, clobbering double bass kicks, destructive blast beats, sick, wicked vocals, as well as multiple tempo changes especially near the end of the song, while the next track "A Fractured Hand" features slow, heavy, thunderous riffs, then at the 2:31 mark, the song garners up some speed with faster, vicious, plowing riffs, careening leads, and some fast pounding drums. "Fainted Blue Ornaments" is an excellent album closer that starts off at full blast with a barrage of pummeling blast beats, lumbering shredding riffs, and deadly vocal work, and a gang shout until at the 2:58 mark we head into an accoustic interlude, and then all of a sudden we have this awesome melodic guitar riff that just takes the listener by suprise.
Jeremy's song ratings:
1. In the Arms of Perdition (4:24) - 10/5 My favorite song
2. Furtive Monologue (3:22) - 5/5
3. Quarantine (4:07) - 5/5
4. The Ills of Modern Man (3:50) - 5/5
5. A Fractured Hand (4:35) - 5/5
6. Sheltered Reminiscence (3:12) - 5/5
7. Nameless (3:01) - 5/5
8. Tears of the Blameless (4:06) - 5/5
9. Oval Shaped Incisions (4:02) - 5/5
10. Fainted Blue Ornaments (5:01) - 5/5

Bottom Line: If you're a fan a Despised Icon, deathcore, death metal, metalcore, grindcore, or just extreme heavy music in general, then by all means you must buy "The Ills of Modern Man, I guarantee, it'll earn your praise just like it earned mine. Well, later guys!!

Coming off of their good-but-with-room-for-growth debut, Montreal's Despised Icon have returned as a leaner, heavier, and more focused and confident band. This year's "The Ills of Modern Man" is an extremely mean, punishing, bludgeoning, and brutal album which possesses a stronger grindcore influence than 2005's "The Healing Process." Despised Icon's musicianship is also quite a bit improved and tighter this time around. The two guitarists (Eric Jarrin and new member Al Glassman) wrap their riffs and leads around each other so tightly that they sound like one person with four hands.

"The Ills of Modern Man" is more-or-less an explosive onslaught of sonic violence from start to finish. Darn near every second of this disc's thirty-nine minute running time is occupied by a visceral vocal, bludgeoning riff, devastating blast beat, huge breakdown, and/or earth-shaking rhythm. Thus, it should go without saying that this isn't the easiest stuff on earth to listen to. Plus, there is some song-to-song repetition, so the album may grow a bit stale in parts. But it is sure to get better with repeat listens; the more times you listen to "TIOMM," the more it becomes intricate and less monotonous.

Set opener "In the Arms of Perdition" and the title track are blastfests from beginning to end. The former is a definite album highlight because it also features some groovy riffs, a brief but nice harmonic solo, and a catchy gang shout. "Furtive Monologue" and "Tears of the Blameless" find vocalist Steve Marois laying down some wicked pig squeals over hefty, pounding riffs that would make Crowbar proud. "Quarantine" begins with breakneck, buzzsaw guitars, but when a breakdown kicks in, the song slows way down adopts chunky, booming riffs. "Fractured Hand" works in reverse order: beginning slowly, with thunderous, bottom-heavy power chords, but eventually the drummer speeds the tempo up, and the song climaxes in all-out blasting fury. "Sheltered Reminiscence" is backed by ultra chunky, lumbering riffs that fall on the listener's ear drums like cement blocks, more rapid-fire drumming, and even a prominent bass line near the end. Elsewhere, "Oval Shaped Incisions" evokes Converge, and "Nameless" boasts absolutely blistering guitar-drum interplay.

If you manage to make it to the end song, "Fainted Blue Ornaments," you're in for a real treat. It begins with a melodic riff before going full blast into double-time pummel that might just shake a few of the teeth in your head loose. Then, however, the listener is thrown a curveball when the song segues into an acoustic interlude/solo that's downright pleasurable!

All in all, "The Ills of Modern Man" does nothing to reinvent metalcore, deathcore, or death-grind, but it is still a very strong, solid, and satisfying album which is chock-full of impeccable, highly technical musicianship, and marks a substantial step forward for Despised Icon.

I was really blown away recently with the return of Dino Cazares' new group's CD (Divine Heresy- 'Bleed the Fifth') but after hearing Despised Icon's newest gem, I'm torn to shreds!! This is brutal death/hardcore metal & it's nice for me as an extreme metal fan because this CD reminded me of Suffocation at their best, Broken Hope but better, & even Decapitated with their latest slice of death 'Organic Hallucinosis.' My only small complaint is I'm not a huge fan of the indecipherable death vocals (I like brutal vocals that are somewhat listenable) but other than that this CD is perfect in every way in terms of extreme metal music playing & production. Don't pass this up!

this is one monster of an album. this is kind of what i was expecting, but not in a predictable way...if that makes sense. anyway, DI came through again and gave us an album that i havent stopped listening to since i got it.

This album is awesome. You should buy two of them so you can wear one around your neck.

i like all shall perish. job for a cowboy, black dahlia and for some reason i do not like these guys at all. the music is okay but all they play is breakdowns. boring. there singer sucks too....too much BREE. if they do what job for a cowboy did with their latest release it might be good stuff.