Illuminations: Essays and Reflections [Paperback]

Walter Benjamin (Author), Hannah Arendt (Editor, Introduction), Harry Zohn (Translator)

Book Description

Release date: January 13, 1969

Walter Benjamin was one of the most original cultural critics of the twentieth century. Illuminations includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and Benjamin's theses on the philosophy of history.

Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in dark times. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times.

Editorial Reviews

Review

The literary-philosophical works of Walter Benjamin (1892-1940) rank among the most quietly influential of the post-war era, though only since his death has Benjamin achieved the fame and critical currency outside his native Germany accorded him by a select few during his lifetime. Now he is widely held to have possessed one of the most acute and original minds of the Central European culture decimated by the Nazis. Illuminations contains his two most celebrated essays, 'The Work of Art in the Age of Mechanical Reproduction' and 'Theses on the Philosophy of History', as well as others on the art of translation, Kafka, storytelling, Baudelaire, Brecht's epic theatre, Proust and an anatomy of his own obsession, book collecting. The essay is Benjamin's domain; those collected in this now legendary volume offer the best possible access to his singular and significant achievement. In a stimulating introduction, Hannah Arendt reveals how Benjamin's life and work are a prism to his times, and identifies him as possessing the rare ability to think poetically. --This text refers to an out of print or unavailable edition of this title.

Language Notes

Text: English, German (translation)

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Product Details

• Paperback: 288 pages
• Publisher: Schocken; First Edition edition (January 13, 1969)
• Language: English
• ISBN-10: 0805202412
• ISBN-13: 978-0805202410
• Product Dimensions: 5.3 x 0.7 x 8 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (19 customer reviews)
• Amazon Best Sellers Rank: #11,972 in Books (See Top 100 in Books)
  • #8 in Books > Politics & Social Sciences > Philosophy > Modern
  • #48 in Books > Literature & Fiction > History & Criticism > Criticism & Theory
  • #75 in Books > Literature & Fiction > Poetry

More About the Author

Walter Bendix Schonflies Benjamin (1892 -- 1940) was a German-Jewish Marxist literary critic, essayist, translator, and philosopher. He was at times associated with the Frankfurt School of critical theory and was also greatly inspired by the Marxism of Bertolt Brecht and Jewish mysticism as presented by Gershom Scholem.

Most Helpful Customer Reviews

68 of 70 people found the following review helpful

5.0 out of 5 stars One of the great, unclassifiable writers of the century March 4, 1998

By Robert Moore HALL OF FAMETOP 500 REVIEWERVINE™ VOICE

Format:Paperback

Walter Benjamin is easily one of the great German prose writers of our century, despite being almost impossible to classify. His subject matter is frequently literary, but he always transcends his subject matter to touch upon issues in philosophy, art, history, Marxism, and Western culture, illuminating (no pun intended) all he discusses. His essays on Proust and Kafka are priceless, and his essays on "The Work of Art in the Age of Mechanical Reproduction" and the theses on the philsophy of history, are classic.

But the best reason to read Benjamin is his prose. There are images in his essays on Proust and Kafka that are as superb as anything in Proust and Kafka. That is saying a lot, but it is true. As a philosopher, I value his example which proves that one can write meaningfully on philosophical topics, and yet write well. This collection of his essays, ILLUMINATIONS, is preferable to the second collection to appear in English, REFLECTIONS, though that one is also worth the time and effort.

111 of 120 people found the following review helpful

5.0 out of 5 stars Wonderful, every sentence an insight November 25, 2000

By Dave Shickle

Format:Paperback

Benjamin is one of the few 20th century philosophers who can convey profound thoughts in language that isn't at all opaque. His sentences are always perfectly clear - no pretentious literary or Marxist jargon (thank God). The only thing that makes it slow reading is that you always want to stop, put the book down, and think about what he's just said.

For example, a passage from his essay on Kafka:

'The definition of it which Kafka has given applies to the sons more than to anyone else: "Original sin, the old injustice committed by man, consists in the complaint that he has been the victim of an injustice, the victim of original sin." But who is accused of this inherited sin - the sin of having produced an heir - if not the father by the son? Accordingly the son would be the sinner. But one must not conclude from Kafka's definition that the accusation is sinful because it is false. Nowhere does Kafka say that it is made wrongfully. A never-ending process is at work here, and no cause can appear in a worse light than the one for which the father enlists the aid of these officials and court offices . . . '

This is not opacity for the sake of being opaque; he is trying to get at something incredibly complex, something that (unlike most literary criticism) actually helps you appreciate Kafka and understand him a little better. Benjamin doesn't peel away layers of an onion to arrive at a single shining insight; he presents a simple idea, expands on it a little, and lets you put on the layers of complexity yourself. Read these essays carefully, and it will be obvious why entire schools of thought have sprung up around single paragraphs, why people have devoted their lives to figuring out the ramifications of a single sentence . . .

Benjamin accomplishes something rare: in writing about art, he succeeds in telling us something about life in modern times. And his insights never seem forced; they flow naturally from what he is discussing. For example, his essay on Leskov, "This process of assimilation, which takes place in depth, requires a state of relaxation that is becoming rarer and rarer. If sleep is the apogee of physical relaxation, boredom is the apogee of mental relaxation. Boredom is the dream bird that hatches the egg of experience. A rustling in the leaves drives him away. His nesting places - the activies that are intimately associated with boredom - are already extinct in the cities and are declining in the country as well. With this the gift for listening is lost and the comminity of listeners disappears. For storytelling is always the art of repeated stories, and this art is lost when the stories are no longer retained."

A simple little paragraph on storytelling, but soon you start thinking about how the art of writing has changed since Benjamin's time, and what effect television and the movies have had on the way we live, on "boredom" and mental relaxation . . . anyway, I'm probably starting to get pretentious which Benjamin, thankfully, never does.

Above all this entire collection is filled with something increasingly rare nowadays, a genuine love of books. Forget all the Marxist stuff in other reviews, all Benjamin is really doing, finally, is talking about some books that he likes. That he succeeds in doing much more is a testament to his brilliance.

26 of 27 people found the following review helpful

5.0 out of 5 stars Just a quick note June 30, 2005

By MK

Format:Paperback

I have nothing to add to the reviews below except to note for scholarly interest that the essay 'The Work of Art in the Age of Mechanical Reproduction' included in this collection is not Benjamin's final version. (Neither is this title a good translation of the German: 'Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit'. Zohn's translation in the selected writings is better: 'The Work of Art in the Age of its Technological Reproducibility'.) The text in this collection is the 1935 manuscript, as originally published in 1936; the text collected in the Selected Writings, Vol. 4 is the final 1939 version that, as far as I can tell, was not published in Benjamin's lifetime. The difference between the two texts is slight, consisting mainly of some additional sentences here and there and some changed words. At least one of these revisions is, I hypothesize, the result of Adorno's criticisms of his letter to Benjamin of 18 Mar 1936.

Otherwise, for most purposes, this is the best collection of Benjamin's essays available for an introduction to his thought. This volume collects some of the best of his essays that are otherwise spread throughout the selected writings published by the Harvard U.P.