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27 of 27 people found the following review helpful:
3.0 out of 5 stars
Not bad for a transitional album, March 14, 2003
Although "Illusion" is billed as the second album by the original lineup of Renaissance (guitarist/vocalist Keith Relf, his sister Jane on vocals, drummer/vocalist Jim McCarty, bassist Louis Cennamo and keyboardist John Hawken), it's actually more complicated than that. The founding members did complete the first three songs and "Face of Yesterday". But then the band began to fall apart, with McCarty, then Keith Relf, and then Cennamo, leaving in rapid succession. But the band had begun to develop a following in Europe, so Hawken made what would turn out to be a key personnel change, guitarist Michael Dunford. Dunford in turn brought in Terry Crowe on male vocals, Neil Korner on bass and Terry Slade on drums. This lineup recorded "Mr. Pine" and hit the road with Jane. However, the original band was still under contract, so while Hawken toured, Keith Relf assembled the rest of the originals (with Cennamo bringing in pianist Don Schinn) to record "Past Orbits of Dust".With all this internal turmoil, one would expect "Illusion" to be very uneven. As it turns out, though, in many ways, it's a better album than their debut. The band cuts down on the winding jams and concentrates more on melody. Keith's two contributions, "Love is All" and "Love Goes On" are delightfully catchy pop songs, with nice vocal harmonies and rather dated hippy-dippy lyrics, but that's OK. Jim, on the other hand, sticks more to the original vision of the band -- classical/rock hybrids. "Golden Thread" is a forerunner of what the band would do in the 70's, with an extended piano intro, vocalese by Jane Relf, apocalyptic harmonies. Plus, words by another key addition to the team, lyricist Betty Thatcher. Jim's high, thin lead vocal leaves a lot to be desired. His other contribution, "Face of Yesterday", is a highlight. Hawken's gentle piano compliments Jane Relf's soothing alto lead voice singing a sad lyric of regret. "Mr. Pine", written by Dunford, is the most sophisticated but least cohesive of the songs. Hawken's harpsichord leads the verses, but then it changes into an extended electric organ jam based on Jehan Alain's piece "Littanies", followed by a folky guitar buildup. Finally, Keith and Jim come up with the 14-minute "Past Orbits of Dust", a space-rocker similar to Pink Floyd songs of the era, with more far our lyrics by Thatcher and nice three part harmonies. Unfortunately, they make the same mistake here as with the first album's "Bullet", with the driving rock trailing off into ambient, directionless noodling on bass and electric piano -- filler, and the album's low point. Keith's production sounds echoey and distant, which might sound disconcerting to those used to the fuller arrangements of 70's Renaissance. Still, it will appeal to people who like melodic progressive rock, with Jane Relf's vocals worth the price. By the time this was released in 1971,(in Germany only!),she and Hawken had also left. They, and the new Renaissance, would move on to bigger things. For those interested in the band's roots, "Illusion" is probably a more accessible introduction than the first album. New fans, though, should try the fourth album, "Ashes are Burning" before working their way backwards to here.
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