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Most Helpful Customer Reviews
244 of 277 people found the following review helpful:
5.0 out of 5 stars
All Is Not What It Seems / Is That All There Is?,
By "The Illusionist" directed by Neil Burger is a powerful film that tells the darkly, romantic story of an "Illusionist", Eisenheim, played by Edward Norton who falls in love as a teenager to Sophie von Teschen, Jesscia Biel. Because Eisenhiem was poor and Sophie from a wealthy upper-class family the union was not to be. We return to the Vienna of the 1900's, Eisenheim is now a famous Illusionist and he finds Sophie is engaged to Crown Prince Leopold, one who is said to be a sadist with his ladies. In the opening scene, Eisenheim is found alone on the stage. The dark, simple, dreary, stage that comes to life when Eisenheim displays his art. This magic is worrisome to Crown Prince Leopold, played by Rufus Sewell and he orders Chief Inspector Uhl, Paul Giamatti, to arrest Eisenheim for fraud. This dark, sinister plot adds to the feel of the film, it is as if the dim light hides a glow. The magic of an orange seed that blooms into a full orange tree bearing fruit. And, the ghosts that fade into view and then disappear. We want it to be so, we want to believe that "all is not what it seems", and then again "is that all there is?" The plot thickens as Sophie faces danger and Eisenheim accuses Crown Prince Leopold of misdeeds. A game of cat and mouse ensues and it is Chief Inspector Uhl who becomes the centrist trying to decide who "The Illusionist" is and what is real. Paul Giamatti steals this movie, in my opinion. He is ruthless and thoughtful and in the end we discover he is also a man of the law. We discover, through Chief Inspector Uhl that this film is a moral story about power and deception. The photography and film are powerful. The old Austria is well represented. The feel of the early 1900's and the era of Prince Joseph Franz and what is to come, spring to life through the scenes of the richness of Crown Prince Leopold's surroundings compared to a simple hunting lodge. We are able to feel the darkness and the glow that survives. The soundtrack to "The Illusionist" recorded by Philip Glass is a marvelous score. The music becomes a large part of the movie, telling the story when there is no dialogue. The music is eerie and telling and lovely and matches the darkness that starts to glow. This is a movie to remember, a movie to ruminate -is this real, is that all there is? The wooden necklace that Sophie wears was made by Eisenheim just for Sophie, and is an allegory of this film. It is made in such a way that when opened, becomes a heart with a picture of a young Eisenheim inside. Think about this- when opened, the truth is revealed. "This is a movie in which the future doesn't exist -- all that matters is the misty golden halo of its own present, a vibrant city standing at the edge of a new century. Blink and it's gone. But at least the glow remains." salon.com Highly Recommended. prisrob 08-21-06
67 of 76 people found the following review helpful:
5.0 out of 5 stars
Sepia-toned Beauty in Mystery and Passion,
By Kelly L. Norman "li'l rock & roller" (Plymouth, MI United States) - See all my reviews (VINE VOICE) (REAL NAME) As the tale unwinds (and it does ever more quickly as it moves toward the end), we do learn more and more about what lies behind Eisenheim's sad eyes. When Sophie's body turns up in the river after an argument with Leopold, Eisenheim's shows take on a dark change and he becomes kind of a "John Edwards" of the 19th century...but this John Edwards can summon holographic ghosts onto the stage, much to the delight of his audience. Is he becoming more and more obsessed and perhaps insane as Sophie begins to appear in these seances? In a twinkling, we find out as much about Eisenheim as we have during the entire film, and the lines in the Sophie-Leopold-Eisenheim triangle between the innocent and the devious aren't so clear. A film to be savored.
39 of 43 people found the following review helpful:
5.0 out of 5 stars
Film example of great storytelling,
By
This review is from: The Illusionist (Widescreen Edition) (DVD)
This is an excellent gothic thriller based on the short story by Steven Millhauser, Eisenheim The Illusionist, set in late 19th century Vienna about the son of a young cabinetmaker who falls in love with a young Viennese aristocrat and is banned from seeing her as he is a basic commoner. As the legend goes about the young lad, he meets a travelling magician on the road who shows him the secrets of illusion, where he sets off to exotic lands to learn the mysteries of life. He returns to Vienna after his travels and opens a show in the great city to astonish not only Vienna's common public with his quasi supernatural illusions, but also Crown Prince Rudolf, son of Emperor Franz Josef who then reigned over the Austrian Hungarian Empire.
Originally the short story was written as a political criticism of the Monarchy, based on the scandalous incident, where the bodies of Rudolf and his mistress, Baroness Mary Vetsera were found shot in a Royal hunting lodge, apparently a murder suicide which the Royal family kept from the public for many years. Edward Norton as Eisenheim is understated and brilliant, as the many sleight of hand tricks in the film were actually done by the gifted actor. Norton must have practiced for months to reveal such confidence and skill needed for these types of trick. However, Norton's character portrayed a perfect man of mystery, begging the question, are these mere illusions or does Eisenheim possess supernatural power, controlling matter, energy, space and time itself. The special effects in this film are well done. My favourite illusion in the film, (and they're many) is the Excalibur Sword illusion where Eisenheim borrows Rudolf's sword, somehow magnetizes it to the stage standing straight up, asking the various aristocrats' in the audience to release it from its position. Of course none can release the sword, as they, like the Arthur legend, are not meant to be king. When Prince Rudolf attempts to pull the sword from its stationary stance, he finally does so with great effort; by causing the ruthless Prince some embarrassment, Eisenheim is now a targeted enemy of the Crown. Paul Giamatti as the corrupt Inspector Uhl really shows what a versatile and gifted actor he really is, able to do comedy, tragedy, fantasy...a very impressive performance. The overall look of the film had the atmosphere as if we are viewing a primary historical source, the director using 80 year old editing techniques etc., this was unusual but effective for such a mixed genre film - fantasy, thriller, supernatural thriller and fairy tale romance. When first seeing this film I was spellbound and the ending, a perfect twist, making The Illusionist a perfect example of skilful storytelling. This is an excellent film.
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