I'm Alright

Loudon Wainwright III

Product Details

• Audio CD (July 10, 2009)
• Original Release Date: 1984
• Number of Discs: 1
• Label: Rounder
• ASIN: B00000034C
• Also Available in: Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars See all reviews (5 customer reviews)
• Amazon.com Sales Rank: #236,993 in Music (See Bestsellers in Music)

Editorial Reviews

Product Description
Loudon Wainwright's third Rounder album was recorded in London in 1985, produced by kindred spirit Richard Thompson and includes backing by longtime Thompson associates Danny Thompson, Christine Collister and others. Includes Loudon's solitude song, "One Man Guy," his austere, serious account of the Lennon murder, "Not John," the bitterly hilarious title track, and more.

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

4.0 out of 5 stars Journeyman Loudon, May 26, 2002

By	Blake Watson "===Blake===" (Winnetka, CA USA) - See all my reviews (REAL NAME)

If LW3's albums of the '70s are uneven, his albums of the '80s are enlightening. In this album in particular, we get a taste of Loudon's range.

The opening tune is "One Man Guy". Loudon pokes fun at himself, at society, and ends with the sort of pathos that raises a gag-song to the level of classic.

It's a "folksy" tune, but it's followed on the album by a song that hearkens back to the '30s, by "the happy blues" of the title track, with the thrash rock of "How Old Are You?", the pre-school-ish "Animal Song", and the Dixieland Jazz "Daddy Take A Nap".

Looking over the list of songs, it's hard to say why this whole album doesn't get five stars. Any particular song would get a smile and raucous applause at a concert, but as a whole the album doesn't maintain the sort of emotional resonance and humor of the albums that would follow it.

But I'd guarantee that most intelligent listeners would find at least two or three songs on this album that they considered "indispensible".

2 of 2 people found the following review helpful:

5.0 out of 5 stars Simply ...His Masterpiece, February 26, 2005

By	Robert L. Giarrusso "mr.monstertoo" (Dante's Inferno, Washington, DC) - See all my reviews (REAL NAME)

I was introduced to Loudon like most of my generation, through the novelty tune "Dead Skunk," and a recurring role on M*A*S*H*. Then I forgot about him, but he never went away. This 1984 release found him teamed with one of my favorite guitar legends, Richard Thompson, and in top form. Running the emotional range from sincere and profound to his more tongue and cheek, quirky, and sardonic, there are several compositions on this album that rank with the best singer/songwriters of the last 30 years: Dylan, Springsteen, Graham Parker, Elvis Costello, Neil Young. Lost Love is a bittersweet, almost country ballad, complete with a great fiddle lead by Ric Sanders. The title cut features Thompson cutting loose with a growling, oily electric guitar lead that undercuts Loudon's firm denial that his life is falling apart and that he's barely hanging on by the skin of his teeth. Not John is a brilliant epitaph to Lennon, that echoed every fan's reaction to the news that he'd been murdered after returning to public life on that sad December night. Cardboard Boxes is a great ode to the phenomenon of moving oneself, with the help of "a few strong buddies," which anyone whose ever been through that ordeal should hear. Screaming Issue may be my favorite Loudon song ever, describing a father's helplessness trying to calm his crying newborn child. The Animal Song is a great singalong for the little ones, which shows he can be a lot of fun without cussing, cracking wise, or dripping sarcasm between the lines. And Out of this World is another epitaph, only this one somehow hopeful, if you accept it at face value, looking at it as a blessing, looking forward to brighter future in the next life. The last cut, Career Moves (also the title of a later live album that captures some of the best moments of this mid-eighties era) is a frank reflection on his own career- funny at turns, self-deprecating and insightful at others. Certainly, this album would stand out if only for the lyrics, which are incredibly moving and evocative throughout. The one fault I typically find with Loudon doesn't apply here- sometimes he can get too caught up in his own wordplay and overshadow his own story, but the delivery and musicianship blend together here to really propel this album into a level that ranks among the best. I only wish Richard Thompson had been coaxed into singing a few duets on this, or some of their other collaborations- still, these two did some real magic together, especially on this outstanding effort. I've never played I'm Alright for anyone that wasn't impressed by the depth, emotion, and power of this recording. A transcendent moment in a great career, bravo LWIII.

2 of 2 people found the following review helpful:

3.0 out of 5 stars Good but not my favourite of his, December 17, 1999

By	Alan Moore (Hong Kong) - See all my reviews

Several nice songs here, with his trademark amusing lyrics and thrashy guitar. I'm Alright (the song) is fun, and Not John can have you laughing and sad at the same time (John Lennon and his wife Yoko, Oh no, not John).

Probably my second favourite after More Love Songs