The Image and the Eye: Further Studies in the Psychology of Pictorial ... [Paperback]

E.H. Gombrich (Author)

Book Description

Publication Date: September 29, 1994

These essays on the pychology of pictorial representation form a companion volume to the author's influential "Art and Illusion". Writing on the central problems of perspective, on visual discoveries in art, on the representation of movement, expression, gesture and action, on the role of visual images in communication, on standards of truth in representation, Professor Gombrich combines the insights of the art historian with the rigorous approach of the experimental psychologist. In these complementary essays the fruitful dialogue between art history and science is continued, with the author's characteristic wisdom, enthusiasm and clarity.

Product Details

• Paperback: 320 pages
• Publisher: Phaidon Press (September 29, 1994)
• Language: English
• ISBN-10: 071483243X
• ISBN-13: 978-0714832432
• Product Dimensions: 9.5 x 6.5 x 0.9 inches
• Shipping Weight: 1.8 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #981,065 in Books (See Top 100 in Books)

More About the Author

Sir Ernst Hans Josef Gombrich, OM, CBE (30 March 1909 - 3 November 2001) was an Austrian-born art historian who spent most of his working life in the United Kingdom. He is the author of many works of art criticism and art history. (Photograph: Pino Guidolotti)

Customer Reviews

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1 of 1 people found the following review helpful:

4.0 out of 5 stars On how we perceive visual input and how our brain processes it, September 20, 2008

By 

A. Panda (Guadalajara, Mexico) - See all my reviews

This review is from: The Image and the Eye: Further Studies in the Psychology of Pictorial ... (Paperback)

This book explains how we perceive and how sensory input from the eye is interpreted and "shaped" by our brains. The author makes emphasis on how our brains put perspective onto the visual input they receive. He explains how the image is formed and sometimes "completed" by our brains, explaining a bit how the brain's tendency to abstraction works. He mentions why a drawing of the outline of an object can be perfectly interpreted by our brains like corresponding to the object and even mentions that we consider art more beautiful when it corresponds with our "abstraction" capacity than when it corresponds to reality, since it "appeals" more to our brains.

The author has a great knowledge of the visual arts and of the history of art, so he uses examples from the artistic world (including photography) to illustrate his points. He gives various examples with pictures in which you can see them with different perspectives, thereby changing the image you "see". He was probably a pioneer in trying to merge his knowledge of art (at which he is a reknown authority - See The Story of Art, 16th Edition (Gombrich, Ernst Hans Josef//Story of Art)) with the emerging neurosciences.

This is a highly recomendable book. There are probably a lot of new discoveries in this area, since neurosciences have seen a great development in recent years and since the book is not new. However, I have not seen a more recent book on these topics and definitely not one that combines these studies with art. So although probably dated I found the book very refreshing and with new insights.