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The Image, the Icon, and the Covenant
 
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The Image, the Icon, and the Covenant [Paperback]

Sahar Khalifeh (Author), Aida A. Bamia (Translator)
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

September 2007
In this award-winning novel (Naguib Mahfouz Medal for Literature 2006), the celebrated Palestinian writer Sahar Khalifeh has penned what is at once a re-casting of the story of the Holy Family, a lyrical ode to Arab Jerusalem, and a call for liberation, not just of a nation but for the individual women and men who inhabit it.

After abandoning his beloved Mariam when she falls pregnant, and escaping her brothers' bullets, Ibrahim abandons his own ideals and dreams of becoming a novelist, opting instead to follow his father's wishes and seek wealth and commercial success abroad. Thirty years later, lonely and disillusioned, Ibrahim returns to Ramallah to retrace the past he tried to leave behind. He sets out on a long and frustrating quest to track down Mariam, which takes him from the West Bank to Israel. Along the way he encounters his son, Michael, a young man with spiritual powers that enable him to see what is unknown and find what has gone missing.

Moving and lyrical, Khalifeh's novel weaves religious and political symbolism into a story of love and loss. At its core is Ibrahim's--the Palestinian's--agonizing but unrelenting search for a home.


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Editorial Reviews

From Publishers Weekly

In the mid-1960s, Ibrahim, a Palestinian-Muslim school teacher with literary ambitions, takes a job in a small Jordanian village and falls in love with Mariam, a Christian raised in Brazil who has returned to her home village. The problem with this love affair, as Ibrahim realizes in the retrospective voice that dominates the novel, is that he has loved his image of Mariam and has never understood her as a real person. Reality intrudes, however, when Mariam becomes pregnant: Ibrahim is paralyzed by the difficulties a Muslim-Christian marriage presents, and jealous of Mariam's prior adoration of a Brazilian priest. His growing commitment to Palestinian liberation after the 1967 war allows him to justify his return. When he returns to Jordan in 2000—a wealthy, twice-divorced and disillusioned secular Arab—he becomes obsessed with finding Mariam and his unknown son. The title's complexities mirror those of this fugue-like novel, which finds Ibrahim cycling among versions of himself and of Mariam. As Ibrahim's realizations pile up, their irreconcilability becomes a delicate and powerful allegory for Middle Eastern conflict. Palestinian novelist Khalifeh (Wild Thorns), who won the 2006 Naguib Mahfouz medal for literature, offers a challenging take on vexing territory. (Jan.)
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Review

"Her characters are so real you can actually relate to them by mistaking them for someone you know." -- The Daily Star, Jordan

"Sahar Khalifeh is the Virginia Woolf of Palestinian literature." -- Börsenblatt

"The one Arab novelist who has written one novel after another to show the inseparability of feminist issues from social and political concern is the Palestinian novelist Sahar Khalifeh, whom I consider the best Arab woman novelist in the twentieth century." -- Dr. Bouthaina Shaaban

Product Details

  • Paperback: 264 pages
  • Publisher: Interlink Books (September 2007)
  • Language: English
  • ISBN-10: 1566566991
  • ISBN-13: 978-1566566995
  • Product Dimensions: 8.1 x 5.3 x 0.8 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,681,657 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:
4.0 out of 5 stars Thought-provoking, February 17, 2008
This review is from: The Image, the Icon, and the Covenant (Paperback)
Sahar Khalifeh writes with a poet's touch. Her passages are vibrant and descriptive, providing a playground for the imagination. This book is a heartrending reminder that no one can live in the past. Specifically, the novel targets the Palestinian people, dealing with the issues of exile, belonging, and disillusionment. According to the summary on the back of the book, this novel is a love story; however, I did not feel like Khalifeh's work was primarily meant to be about love. She instead intertwines political, religious, and social issues in a wonderful novel that should not be overlooked.
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