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Images of the Medieval Peasant (Figurae: Reading Medieval Culture) [Paperback]

Paul Freedman (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

January 1, 1999 0804733732 978-0804733731 1
The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil.

Yet, at the same time, the peasantry was not viewed as “other” in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined “monstrous races” of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite perspective: peasants were not a minority, their work in the fields nourished all other social orders, and, most important, they were Christians. In other respects, peasants could be regarded as meritorious by virtue of their simple life, productive work, and unjust suffering at the hands of their exploitive social superiors. Their unrewarded sacrifice and piety were also sometimes thought to place them closest to God and more likely to win salvation.

This book examines these conflicting images of peasants from the post-Carolingian period to the German Peasants’ War. It relates the representation of peasants to debates about how society should be organized (specifically, to how human equality at Creation led to subordination), how slavery and serfdom could be assailed or defended, and how peasants themselves structured and justified their demands.

Though it was argued that peasants were legitimately subjugated by reason of nature or some primordial curse (such as that of Noah against his son Ham), there was also considerable unease about how the exploitation of those who were not completely alien—who were, after all, Christians—could be explained. Laments over peasant suffering as expressed in the literature might have a stylized quality, but this book shows how they were appropriated and shaped by peasants themselves, especially in the large-scale rebellions that characterized the late Middle Ages.


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Editorial Reviews

Review

“Freedman’s command of material drawn from all over Europe is impressive and anyone interested in the medieval or early modern German peasantry will profit greatly from reading this book.”—Central European History

From the Inside Flap

The medieval clergy, aristocracy, and commercial classes tended to regard peasants as objects of contempt and derision. In religious writings, satires, sermons, chronicles, and artistic representations peasants often appeared as dirty, foolish, dishonest, even as subhuman or bestial. Their lowliness was commonly regarded as a natural corollary of the drudgery of their agricultural toil.
Yet, at the same time, the peasantry was not viewed as “other” in the manner of other condemned groups, such as Jews, lepers, Muslims, or the imagined “monstrous races” of the East. Several crucial characteristics of the peasantry rendered it less clearly alien from the elite perspective: peasants were not a minority, their work in the fields nourished all other social orders, and, most important, they were Christians. In other respects, peasants could be regarded as meritorious by virtue of their simple life, productive work, and unjust suffering at the hands of their exploitive social superiors. Their unrewarded sacrifice and piety were also sometimes thought to place them closest to God and more likely to win salvation.
This book examines these conflicting images of peasants from the post-Carolingian period to the German Peasants’ War. It relates the representation of peasants to debates about how society should be organized (specifically, to how human equality at Creation led to subordination), how slavery and serfdom could be assailed or defended, and how peasants themselves structured and justified their demands.
Though it was argued that peasants were legitimately subjugated by reason of nature or some primordial curse (such as that of Noah against his son Ham), there was also considerable unease about how the exploitation of those who were not completely alien—who were, after all, Christians—could be explained. Laments over peasant suffering as expressed in the literature might have a stylized quality, but this book shows how they were appropriated and shaped by peasants themselves, especially in the large-scale rebellions that characterized the late Middle Ages.

Product Details

  • Paperback: 484 pages
  • Publisher: Stanford University Press; 1 edition (January 1, 1999)
  • Language: English
  • ISBN-10: 0804733732
  • ISBN-13: 978-0804733731
  • Product Dimensions: 9.2 x 6.1 x 1.1 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,025,312 in Books (See Top 100 in Books)

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5 of 5 people found the following review helpful:
5.0 out of 5 stars An Eminently Readable Scholarly Monograph, January 25, 2008
By 
Helena Napier (London, England) - See all my reviews
This review is from: Images of the Medieval Peasant (Figurae: Reading Medieval Culture) (Paperback)
Freedman's "Images of the Medieval Peasant" has a virtue truly uncommon to modern scholarly publications. A pleasure to read, and yet rigorous enough to use even in my graduate courses as an example of social history writ large, this volume appeals across varying academic readerly spectra--including non-specialists and undergraduates. Freedman's prose is lucid and engaging, with a flair for the literary that suits his topic well. Particularly outstanding are the chapters in which he treats Biblical justifications for peasant oppression, and I would not hesitate to assign these chapters as stand alone reading in my undergraduate lecture, given that the purchase price of the book is relatively affordable.

The accompanying bibliography, though dated slightly by the book's 1999 release, is still very much a useful source. The copious endnotes, too, serve as excellent jumping-off points for further research. The author's use of art historical material is admirably broad, and serves to compliment his arguments nicely. Essential reading is the text of Freedman's introduction and conclusion, which eloquently bookends the volume with a sense of purpose and overriding structure.

For specialists, a fundamental monograph worth owning, and for the casual reader, a rewarding challenge, "Images of the Medieval Peasant" occupies a well-earned place on even the most crowded of office shelves.
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Inside This Book (learn more)
First Sentence:
Medieval observers could not consistently maintain that peasants were marginal. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
seigneurial mistreatment, satira contro, ius maletractandi, oppressive lordship, arbitrary lordship, peasant humanity, rustic labor, peasant agency, medieval pastourelle, correctione rusticorum, complet des fabliaux, peasant servitude, miseria condicionis humane, rustic girl, original equality, military summons, pious peasant, servile tenants, monstrous races, unfree persons, peasant virtue, didactic writers, original liberty, peasant labor, peasant demands
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Middle Ages, Felix Hemmerli, Gregory the Great, Hugo von Trimberg, John Ball, Petrarch Master, Domesday Book, Norman Conquest, Reformatio Sigismundi, Adalbero of Laon, Honorius Augustodunensis, Isidore of Seville, Stephen Langton, Berthold von Regensburg, John Gower, Andreas Capellanus, Andrew of Fleury, British Library, Brother Ludovicus, Corpus Christi, Der Ring, Eike von Repgow, God Himself, Heinrich Wittenwiler, Marc Bloch
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