Dr. Parnassus (Christopher Plummer) is immortal. He made a deal with Mr. Nick, aka the devil (Tom Waits), that has kept him alive for over 1000 years, but at a price. Now Dr. Parnassus travels England with his daughter Valentina (Lilly Cole), Percy (Verne Troyer), and Anton (Andrew Garfield) inviting people into his Imaginarium, a place where you can peak into Dr. Parnassus's imagination where you are given a choice between light and darkness. When Mr. Nick shows up with a new challenge to collect five souls first by Valentina's birthday, Dr. Parnassus jumps at the chance. But when they save the allegedly amnesiac Tony (Heath Ledger, Johnny Depp, Jude Law, and Colin Farrell), Dr. Parnassus wonders if Tony's been sent by the devil or his chance to right a wrong he made when he gained immortality.
Terry Gilliam is one of the most visually unique directors of all time. From classic movies like Brazil to cult classics like Fear and Loathing in Las Vegas, the only American from the Monty Python troupe has generally bucked conventions working outside the studio system to create uniquely original works of art. As a result Gilliam is no stranger to controversy and issues with filming. Gilliam's take on Don Quixote was derailed from spectacular budget overruns, back injuries, freakish storms, and more; with the result being so catastrophic it became the subject of the 2002 documentary Lost in La Mancha. But even as devastating as that was, it could never have prepared Gilliam for what befell his 2009 movie The Imaginarium of Doctor Parnassus. Filming had to be shut down when Heath Ledger died mid-production. Fortunately, Gilliam and co-writer Charles McKeown were able to rewrite partsof the film, and Johnny Depp, Jude Law, and Colin Farrell stepped in to finish Ledger's role so the world is able to see his last performance.
The reslut is nothing short of amazing. Imaginarium represents a marked return to Gilliam's former visual style. Being the first movie that Gilliam storyboarded since 1988's The Adventures of Baron Munchasen, you can see the return of certain visuals that remind you of his directorial work with Monty Python as well as his great films like Time Bandits and Brazil. Visually this is one of Gilliam's most over the top films to date, but in the scheme of the Imaginarium it also represents his most successfully use of his visual style in years. The writing also represents one of his most original works in years, while also being one of his deeper works with more fully realized characters than has been present in his movies as of late. Also, the way they handled the passing of one of their main characters was also brilliant and possibly even serves the movie much better than expected and in the end just felt right.
The acting is naturally superb as you'd expect when you view the talent in this movie. Christopher Plummer is a veteran actor (The Philadelphia Story, Hamlet as well as newer movies such as 12 Monkeys, and voice parts in 9 and Up) you'd expect nothing less than a stellar, even Oscar worthy performance from on the screen. And, naturally, Heath Ledger was coming off an Oscar winning performance for his work as Joker in The Dark Knight and was formerly nominated for his role in Brokeback Mountain. While honoring the late Heath Ledger for this posthumously released role would seem the natural thing to do, I'd have to say that the best performances are delivered by Johnny Depp, Jude Law, and Colin Farrell. It's hard enough to play a real person, but to step into a role taking over for an actor that passed away, who still remains in the final film is beyond daunting. These three actors take his place in the film admirably, carrying on the spirit of Ledger to the fullest. Even among these Colin Farrell rises to the top in my mind as he ends Ledger's role, having to give the toughest performance of the character.
The only problem I can say that I have with this movie is that at times the plot can be impenetrable and even incoherent at times. For all of Gilliam's strengths, he has a tendency at times to be too in the moment without looking at the full picture, and particularly early on in the movie this can be slightly problematic. At first the movie seems like a series of vignettes rather than part of the whole. You'll also be lucky if, at the end of the movie, you can fully understand what the movie is all about. I'm one of those viewers that loves a movie with replayability, but as is the case with any viewer, it can be frustrating to watch a movie and wonder if it's just your ignorance or the fault of the filmmaker that I didn't completely understand what went on. While I think I have the movie pinned after hours of contemplation, I can't honestly say that I do until I rewatch it, which will be when it comes out on DVD.
Overall, though, I would have to highly recommend this movie. Yeah, it's a mindscrew (I would use other wording, but this is a family friendly publication), but it's a fun mindscrew. Visually stunning, superbly acted, and refreshingly original this is by far Terry Gilliam's best movie in years, and if you like any of his other movies (or Monty Python) you're most likely going to love this movie.
4.5/5