29 of 34 people found the following review helpful:
3.0 out of 5 stars
Zoology of the Imagination - Literary Compilation by Borges, November 11, 2003
Borges has compiled a zoology of the imagination under the title The Book of Imaginary Beings. He arranges these fantastical creatures from world literature alphabetically, but urges the reader to skip around, looking for subjects of interest. Some are familiar creatures: centaurs, nymphs, harpies, sirens, banshee, phoenix, hippogriffs, minotaur, mandrakes, and unicorns. Others I failed to recognize: A Bao A Qu, lamed wufniks, kujata, nagas, odradek, catoblepas, and others.
Ctesias, physician to the Persian emperor Artaxerxes Mnemon, compiled a deficient description of distant India in the fourth century B.C., in which he mentions the crocotta, a blend of a dog and a wolf. The Roman writer Pliny expands on this work by describing a cross between the hyena and antelope.
Kafka tells about an unnamed creature, that is half cat and half lamb, not only in appearance, but also in behavior. C. S. Lewis describes chilling monsters in his fantasy fiction Perelandra. Dante paints a vivid, horrifying picture of Cerberus, a creature with clawed hands that rip the skin of the souls of the damned as they file past him. In The Time Machine H. G. Wells predicts the future split of mankind into the weak, aristocratic Eloi living on the surface, and the carnivorous Morlocks, a race of underground proletarians that feast on the Eloi.
While I enjoyed perusing The Book of Imaginary Beings, this little collection is not among his best works. Perhaps, his structured approach, that of assembling accurate depictions of creatures from literature, unduely prevented Borges from freely exercising his own uniquely creative imagination. Nonetheless, the reader familiar with Borges will find this little book an interesting addition to a larger collection of his works. The Book of Imaginary Beings was co-authored with Margarita Guerrero.
The first edition with 82 topics was published in Mexico in 1957 and titled Handbook of Fantastic Zoology. In 1967 a second edition with 34 additional entries was published in Buenos Aires. My 1969 yellowed paperback edition (Penguin Books, UK) is slightly larger with 120 subjects. Newer editions are available.
In 1971-72 Robert Parris composed a chamber work, a suite of seven musical portraits and a final reprise, based on this book and sharing the same title, The Book of Imaginary Beings. The first performance was on May 7, 1972 at the National Gallery of Art in Washington, D.C. during the American Music Festival under the direction of Richard Bales.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Great Addition to a Grand Tradition, December 22, 2006
Other reviewers have commented that Borges is too far removed here, or that it's a "minor work from a major author" -- all of which is true. If you're looking for serious *Borges*, this may not be of much interest. But if what you're looking for is a bestiary in the medieval tradition (with roots going back even further, to the 2nd Century Greek Physiologus), this is a great addition to the literature.
Wry and clever on some pages, deliciously ambiguous and foggy on others, Borges' compendium of curious creatures makes for enjoyable perusal. The only thing missing, of course, is more creatures. Borges himself begins the work with a disclaimer that any such undertaking can never be complete, yet there was plenty of room for more here. Some omissions are surprising. But in any case, for what it is (and not for what it's not), I can recommend the book without reservation.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars
Not the best Borges but still Borges, January 11, 2005
A much more full and informative review of this book is made by a Mr.Wischmeyer on the Amazon site. I recommend it.
I remember reading this book with disappointment. It seemed to me as dictionary- like works often do constructed in a formula- like fashion. Of course it has Borges tremendous learning, and his capacity to search through literatures no one else gets to , to find for the reader certain treats and insights. Yet on the whole like the fantastic creatures themselves the work does not have real life, and the deepest kind of human feeling. A minor work of a great master.
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