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The Imaginary Signifier: Psychoanalysis and the Cinema
 
 
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The Imaginary Signifier: Psychoanalysis and the Cinema [Paperback]

Christian Metz (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

February 22, 1986

"... less about film than about the psychology of the viewing experience." —American Film

Employing Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.


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The Imaginary Signifier: Psychoanalysis and the Cinema + The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference) + Feminism and Film (Oxford Readings in Feminism)
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Product Details

  • Paperback: 340 pages
  • Publisher: Indiana University Press (February 22, 1986)
  • Language: English
  • ISBN-10: 0253203805
  • ISBN-13: 978-0253203809
  • Product Dimensions: 8.3 x 5.4 x 0.9 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #481,832 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
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15 of 17 people found the following review helpful:
4.0 out of 5 stars Psychoanalytic film theory, May 22, 2000
By A Customer
This review is from: The Imaginary Signifier: Psychoanalysis and the Cinema (Paperback)
Metz's work is generally considered to be essential reading for the study of film theory. When I first read this particular text, I found myself disagreeing with the psychoanalytic interpretation of the relationship that exists between film (the immaginary signifier) and the spectator. My frustration came from the apparent reduction of the cinema down to psychoanalytic terms and ideas that appear to limit our understanding of this complex artistic medium. If the reader agrees with the Lacanian model of the development of the subject, then these problems will not develop, however it seems that this particular interpretation leaves alot of questions unanswered. Putting these disputes aside, I think that this work is monumental because of Metz's penetrating (no pun)insight into the nature of the signifier. Even if the reader does not agree with his particular method of interpretation, his ideas that come from his deep critical examination make the text a very worthwhile one to read.
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5 of 10 people found the following review helpful:
5.0 out of 5 stars An essential film theory text, July 20, 1999
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This review is from: The Imaginary Signifier: Psychoanalysis and the Cinema (Paperback)
Metz attempts to compare the structures of the motion picture with the structure of language. In practice it doesn't always succeed, but this is considered a critical work in the field of film theory.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
metapsychological supplement, filmic state, perceptual transference, film and phantasy, diegetic film, cinema signifier, conscious phantasy, cinematic signifier, film and dream, cinematic institution, textual system, psychical apparatus, secondary revision, cinematic codes
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Interpretation of Dreams, Gérard Genette, Jean-François Lyotard, Melanie Klein, Octave Mannoni, Marie-Claire Ropars, The Four Fundamental Concepts of Psycho-analysis, Sarah Bernhardt, The Hogarth Press, Film Language, Jean-Louis Baudry, Raymond Bellour, Emile Benveniste, Charles Bally, Introductory Lectures, True Illusion
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