Imaginary Television [Vinyl]

Graham Parker | Format: Vinyl

Product Details

• Vinyl (March 30, 2010)
• Number of Discs: 1
• Label: Bloodshot Records
• ASIN: B0036BDPS4
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #479,233 in Music (See Top 100 in Music)

Track Listings

1. Weather Report

2. Broken Skin

3. It's My Party (But I Won't Cry)

4. Bring Me a Heart Again

5. Snowgun

6. Always Greener

7. See Things My Way

8. You're Not Where You Think You Are

9. Head On Straight

10. More Questions Than Answers

11. 1st Responder

Editorial Reviews

Review

... I went off to write treatments to my own
imaginary TV shows which I would grace with the
correct theme tunes, not ones chosen by idiots.
(Instead of lyrics on the album cover, you get plots!) --Graham Parker

Product Description

Inspired by the grossly lame themes used for sitcoms and television dramas, "Imaginary Television" is Graham Parker thinking outside of "the box," or maybe inside it. Parker created his own TV treatments, wrote the tunes to go along with them, and rocking ensued.

Customer Reviews

Most Helpful Customer Reviews

29 of 31 people found the following review helpful:

5.0 out of 5 stars It's Not What You Think It Is, March 31, 2010

By 

Jeffrey Seeman (Santa Monica, CA USA) - See all my reviews

This review is from: Imaginary Television (Audio CD)

The ostensible premise behind Graham Parker's new studio release is that he created a batch of imaginary TV shows and then wrote the theme songs to accompany them. In the liner notes, he even provides a synopsis of each show rather than the song lyrics. It's an original, offbeat idea, befitting the witty Parker.

And it has absolutely nothing to do with the songs on this album. Not a damn thing. Yes, Imaginary Television is most certainly a concept album, but THAT isn't the concept. Rather than the collection of amusing novelty songs one might expect, Imaginary Television may be the most personal, vulnerable collection of songs Parker has ever released. It's a portrait of a man looking back over his life and re-evaluating everything, a man trying to come to grips with who he is---as an artist, a father, a husband, a human being.

Why the subterfuge? I suspect it's because some of these songs are so personal and cut so deeply for Parker that he felt he had to get a modicum of emotional distance from them before releasing them to the world. If I'm correct, then the entire television theme song concept is a mere fig leap to cover the emotional nakedness of the songs. Or, to borrow a phrase from the album itself, "a really cheap disguise."

And what songs they are. "Weather Report" concerns a man who feels out of step with the times; perhaps Parker's referring to his status as music industry outsider and this song is intended as his variation on John Lennon's "Watching the Wheels." "Broken Skin" is Parker reviewing the many disappointments he's experienced over the years and trying to lower his expectations ("We're all downsizing what we do with our lives"), something that must be challenging for an artist who once seemed destined to become (and, quite frankly, deserved to become) a huge rock superstar. In "It's My Party (But I Won't Cry)," he strives for resilience in the face of a broken relationship ("The wound is fatal, but I won't bleed") while "Bring Me a Heart Again" yearns for the romanticism of his youth ("I don't feel comfortable inside my own skin, it doesn't keep things in"). "Always Greener" addresses marital discontent and likens leaving a marriage to pulling the handle on a slot machine. And "1st Responder" is a refreshingly honest "tough love" song for his son, that's equal parts "I'll always be there for you" and "But try not to screw up too much, okay?"

But surely the emotional centerpiece of the album is a sequence of songs that each seems to pose the question "Who am I really?" in a different way. "See Things My Way" grapples with the impenetrable nature of personal identity, beginning with Parker's admission that, "There is more than one of me, so many I lose count," before concluding, "Everybody's head is filled with more than just one soul." That song then segues into "You're Not Where You Think You Are," in which Parker juxtaposes the physical dislocation of a musician on the road, waking up in a different city every morning, with the existential dislocation so many of us experience in our lives. Here Parker is at his most vulnerable and self-revealing: "This room got really weird, it changed before my eyes/And then I grew this beard, a really cheap disguise." And later, "The self I used to have has long since gone to waste, and in the coming years I will all be replaced/You're not who you think you are, you're not who you think you are anymore." It's a brilliant song, one of the finest Parker has even written, a poignant ode to anyone who's life didn't turn out the way he planned---in other words, just about everyone.

Next comes "Head on Straight," in which Parker seems to pull himself together, almost as if he's recovering from the two previous compositions, singing, "I had my week in the news, but now I'm old news now, I'm not the news they choose/But things are looking up alright, now I got my head on straight." Finally, the sequence concludes with a cover of Johnny Nash's "More Questions Than Answers." And while Nash's song isn't nearly strong enough to hold its own against Parker's original compositions, it does carry a certain emotional resonance, it's lyrics and reggae beat recalling Parker's own "Don't Ask Me Questions," a standout track from his 1976 debut album.

Or maybe I'm completely wrong. Maybe this really is just a random bunch of songs written around a clever but silly gimmick. Maybe if GP himself read this review, he'd laugh his ass off. But let's face it, if Dylan produced an amazing collection like this, people would be scouring every semicolon looking for meaning. So listen to the album and decide for yourself what you hear. What I hear is a collection of deeply personal songs---many poignant, some even profound---from a master songwriter. And one of the finest albums of Graham Parker's obviously still vibrant career.

7 of 8 people found the following review helpful:

4.0 out of 5 stars another quality Graham Parker album, March 27, 2010

By 

Mark Steven (Atlanta, GA USA) - See all my reviews

This review is from: Imaginary Television (Audio CD)

"Imaginary Television" is a worthy addition to Graham Parker's 30 + year catalog. While it's one of Parker's more mellow and laid-back efforts -- the great hooks, great melodies, great lyrics, and great singing are still here in abundance. It's a really cool album and every song is worthwhile, including a wonderful cover of the 1972 Johnny Nash classic "There Are More Questions Than Answers". There is also a concept to the album that some may find interesting and fun if they want to play along.

Graham Parker's first album was released in 1976. While Parker has never come close to achieving the commercial success he's deserved, few have released as many quality albums over such a pro-longed period of time. All the guy does is put out one fantastic album after another that so few are aware of. That's a shame.

One of the great philosophical riddles is: "If a tree falls in a forest and no one is around to hear it, does it make a sound?" Here's a riddle to rival that: "If Graham Parker has continually put out great album after great album after great album that so few hear, does that mean he isn't one of the all-time greats?"

1 of 1 people found the following review helpful:

4.0 out of 5 stars awesome as always but short, May 19, 2010

By 

Lanzarishi "lanzarishi" (NY) - See all my reviews

This review is from: Imaginary Television (Audio CD)

My only beef is the length of the CD (hence 4 *s). This is quality GP and I completely concur with the first reviewer on every line he has written. Awesome review bro! I couldn't help but reflect that it reminded me somewhat of Another Gray Area and Steady Nerves at times but I think it might just be the recording or that the voice is up in the mix. I kept hearing "When you Do That to Me" in spots. The lead guitar is awesome as well throughout.
But only GP can take me to places in my mind that no one else can. I always end up completely absorbed in the songs and hate to come out. Thank you for another top album Graham. Never disappointed!