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Imagination and the Arts in C. S. Lewis: Journeying to Narnia and Other Worlds
 
 
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Imagination and the Arts in C. S. Lewis: Journeying to Narnia and Other Worlds [Hardcover]

Peter J. Schakel (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

 

Imagination has long been regarded as central to C. S. Lewis’s life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme—Surprised by Joy, An Experiment in Criticism, and The Discarded Image—and shows the important role of imagination in Lewis’s theory of education.
He then examines imagination and reading in Lewis’s fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative “voice,” the “storyteller” who becomes almost a character in the stories.
Imagination and the Arts in C. S. Lewis also explores Lewis’s ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well-rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis’s life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them.
            Schakel concludes by analyzing the uses and abuses of imagination. He looks first at “moral imagination.” Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis’s works, equally or more important to him was their moral dimension.
 Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children’s literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis’s creations with more recent imaginative works such as the Harry Potter series.


Editorial Reviews

About the Author

 

Peter J. Schakel is Peter C. and Emajean Cook Professor of English at Hope College in Holland, Michigan. He is the author, editor, or coeditor of numerous books, including four previous volumes on C. S. Lewis.

Product Details

  • Hardcover: 232 pages
  • Publisher: University of Missouri; 1 edition (July 1, 2002)
  • Language: English
  • ISBN-10: 082621407X
  • ISBN-13: 978-0826214072
  • Product Dimensions: 9.4 x 6.4 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,035,897 in Books (See Top 100 in Books)

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1 of 2 people found the following review helpful:
5.0 out of 5 stars One of the best books on CSL!, November 5, 2005
By 
Extollager (Mayville, ND United States) - See all my reviews
This review is from: Imagination and the Arts in C. S. Lewis: Journeying to Narnia and Other Worlds (Hardcover)
This is an exceptionally good discussion of the topics indicated in the title and a fine book for readers who want to think about qualities that make so much of Lewis's writing appealing. Schakel's case for reading the Narnian books in their original publication order (i.e. starting with The Lion, the Witch and the Wardrobe) would convince CSL himself that the current marketing of the series as beginning with The Magician's Nephew is a mistake). His book will get many readers to look beyond Lewis to music and pictorial art that Lewis cared about. I would rank this with George Sayer's biography JACK as one of my two favorite texts on Lewis.
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