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Imagining Virginia Woolf: An Experiment in Critical Biography
 
 
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Imagining Virginia Woolf: An Experiment in Critical Biography [Hardcover]

Maria DiBattista (Author)

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Book Description

December 29, 2008

Where other works of literary criticism are absorbed with the question--How to read a book?--Imagining Virginia Woolf asks a slightly different but more intriguing one: how does one read an author? Maria DiBattista answers this by undertaking an experiment in critical biography. The subject of this work is not Virginia Woolf, the person who wrote the novels, criticism, letters, and famous diary, but a different being altogether, someone or something Maria DiBattista identifies as "the figment of the author." This is the Virginia Woolf who lives intermittently in the pages of her writings and in the imagination of her readers. Drawing on Woolf's own extensive remarks on the pleasures and perils of reading, DiBattista argues that reading Woolf, in fact reading any author, involves an encounter with this imaginative figment, whose distinct, stylistic traits combine to produce that beguiling phantom--the literary personality.

DiBattista reveals a writer who possessed not a single personality, but a cluster of distinct, yet complementary identities: the Sibyl of Bloomsbury, the Author, the Critic, the World Writer, and the Adventurer, the last of which, DiBattista claims, unites them all.

Imagining Virginia Woolf provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers.



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Editorial Reviews

From Publishers Weekly

Taking an approach that combines biography and literary criticism to draw out an abstract of the author's life and personae, independent of historical fact, Princeton English professor DiBatistta (Fast-Talking Dames) pieces together a portrait of Virginia Woolf as experienced by readers. Taking one of modern writing's most famous authors, DiBatistta examines the "figment of the author" that coalesces through the author's presence in her own writings, and how readers get to know this representative Woolf. The personae DiBatttista identifies and examines are the Author, the Critic, the World Writer, the Adventurer and the youthful Sibyl of the Drawing Room. For general fans of literary criticism or of Woolf's writing in particular, DiBattista's experiment will offer an intriguing perspective on Woolf's relationship to her art and her audience, but casual readers will find it frustratingly cryptic; it doesn't help that Woolf herself is an author who elicits extreme reactions, further limiting the work's appeal.
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Review


DiBatistta (Fast-Talking Dames) pieces together a portrait of Virginia Woolf as experienced by readers. . . . For general fans of literary criticism or of Woolf's writing in particular, DiBattista's experiment will offer an intriguing perspective on Woolf's relationship to her art and her audience. -- Publishers Weekly



Like Anne Fernald's Virginia Woolf: Feminism and the Reader, DiBattista's study extends understanding not only of Woolf's craft and intellectual life but also of reading practices in general. -- Choice



What interests Maria DiBattista is not who Woolf actually was--the flesh and blood woman--but the multiple personalities that emanate from her books. Reading a writer familiar to us is, in many ways, no different from seeing people we know, she says. In both cases, the person we think we know is a composite of the various facets of them we have glimpsed. -- Fiona Capp, The Age



[W]hen people ask me about biographies about Woolf, I will recommend this one. Certainly, it cannot replace the more traditional biographies DiBattista acknowledges in her introduction, but it is an important supplement to them. My own understanding of the traditional biographies is more nuanced, a result of reading DiBattista's book. -- Molly Youngkin, English Literature in Transition



[T]his short book is full of insights. . . . I recommend it to you; it is a pleasure to read. -- Stuart N. Clarke, Virginia Woolf Bulletin



[T]he more vivid impressions generated by DiBattista's study: namely, the reader's sensation of having been shown 'Virginia's Room' in a new light, as well as the realization that Woolf's 'room of one's own' is now a multitude of rooms, imaginative spaces where her readers have the freedom to hang looking-glasses in whatever odd corners they may choose. -- Rosemary Joyce, Tulsa Studies in Women's Literature

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
writerly personality
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Virginia Woolf, Hyde Park Gate, Gordon Square, Miss Willatt, Room of One's Own, Old Bloomsbury, The Years, Sir Thomas Browne, Jane Austen, The Waves, Human Personality, Pointz Hall, The Cherry Orchard, Lily Briscoe, Thoby's Thursday, Life's Adventure, Whole Personality, Mary Carmichael
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Front Cover | Table of Contents | First Pages | Index | Surprise Me!
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