From Publishers Weekly
Barrett has his work cut out for him on this audiobook. The novel, spanning several years during which Duluth Police Lt. Jonathan Stride investigates the disappearance and probable murder of a promiscuous teenage girl, has an extraordinarily large number of characters. Barrett moves efficiently through a variety of voices and accents, but he's stuck with a few sexually explicit sequences that sound a bit silly, especially coming from a single narrator. His smooth reading can't hide that the novel is simply too long and its plot too convoluted. A protracted segment in Las Vegas should have stayed in Las Vegas, and a subplot involving Stride's much too impulsive marriage doesn't merely derail the action, it suggests that the hero has the emotional maturity of a teenager. Barrett manages to take some of the tin out of Freeman's uninspired teenspeak dialogue by elevating his pitch when enacting the missing girl's contemporaries with boyish croaks and girlish squeaks.
Immoral may not be a thriller for the ages, but Barrett does make the most of it.
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Freemans debut, which Bookspan selected as International Book of the Month, resounded with its critics. His is a highly intricate story, veering with sharp turns and switchbacks. In fact, his acrobatic plot may be excessively so, overindulging in too many clever flips and flops. No doubt, his prose can be worthy cause for wincing ( "Tight black jeans, the kind you need a knife to cut yourself out of"), but Freeman paints the requisite cold, gray atmospheric tones for a tale of murder, sex, and intrigue. For an old-school visceral ride of thrills better than most, and for an introduction to a strong, new character,
Immoral is a pleasurable foray into the shadows of immorality.
Copyright © 2004 Phillips & Nelson Media, Inc.
--This text refers to an out of print or unavailable edition of this title.