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Immortal Paperback – January 29, 2008


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Product Details

  • Paperback: 528 pages
  • Publisher: Delta (January 29, 2008)
  • Language: English
  • ISBN-10: 0385339747
  • ISBN-13: 978-0385339742
  • Product Dimensions: 8.3 x 5.1 x 1.2 inches
  • Shipping Weight: 13.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Best Sellers Rank: #1,084,721 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Traci L. Slatton is a graduate of Yale and Columbia, and she also attended the Barbara Brennan School of Healing. She lives in Manhattan with her husband, sculptor Sabin Howard, whose classical figures and love for Renaissance Italy inspired her to write a novel set during that time period. Immortal is her first novel.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One


my name is luca and i am dying. It's true that every man dies, that cities fade and principalities ebb and whole brilliant civilizations are snuffed out into thin scrims of gray smoke. But I have been different-the blessing and the curse of a Laughing God. These last one hundred eighty years, I have been Luca Bastardo, Luca the Bastard, and if I knew little about my origins, I knew about myself that I was exempt from death's call. It was not my doing; my life simply flowed on through the shining city of Florence like the volatile river Arno. The great Leonardo da Vinci once told me that capricious nature took pleasure in creating a man with my lasting youthfulness, to watch the spirit imprisoned within my body struggle with its longing to return to its Source. I don't have the Maestro's brilliance, but in my small opinion, my life has amused the Lord. And if it weren't for the hand of the Inquisitor claiming to do His work, life would use me still.

But now the burns and broken bones, the gangrene putrefying my leg and nauseating me with its odor, curtail my time. It's just as well. I have no wish to ramble on like a braggart, boasting about the great men he befriended, the beautiful women he touched, the battles he fought, the marvels he witnessed, and his one incomparable love. Those things are true, and they mark my life, as have wealth and hunger, sickness and war, victory and shame, magic and prophecy. But they are not the reason for my story. My story must be told for other purposes. I offer it to those whose souls long to know the soul of the world. From almost two centuries of living may be learned what matters in life, what is truly valuable upon this earth, and in what music the voice of the Laughing God leaves behind irony and becomes immortal song.

i never knew where i came from. It was as if I woke up on the streets of Florence in 1330, a boy already grown nine years. I was smaller than most physically, perhaps because I never had enough to eat, but alert, of brutal necessity. In those days I slept in alcoves and under bridges and scrounged for dropped soldi during the day. I begged alms from rich women and slid my fingers into the pockets of well-dressed men. I spread a rag at the feet of elders alighting from their carriages on rainy days. I emptied chamber pots into the Arno and cleaned brushes for grooms and chimney sweeps. I climbed up onto high roofs and repaired terra-cotta tiles. I ran errands for a peddler who knew me to be quick and dependable. Sometimes I followed a priest around, chanting Hail Marys and long sections of the Mass in Latin, because I was a natural mimic who could repeat whatever I heard, and it amused the priest into rare Christian charity. I even let some of the older men pull me under the bridge and stroke me, holding my breath while their greedy hands roamed over my back and buttocks. Anything for a coin for a meal. I was always hungry.

One of my favorite activities was scouring the ground at the market for fruit that rolled off carts and stands. Usually it was abandoned as bruised, dirty, and worthless, but I was never that finicky; I always thought a few dark spots made anything more interesting. Sometimes I found dropped coins, and once a pearl-studded bracelet that, sold, kept me in bread and salted meat for a month. I couldn't visit the same market often, because the ufficiale della guardia were always on the lookout for ragamuffins like me and would beat us, or worse, if they caught us. But every week or so I would go early to one of the dozens of markets that served the hundred thousand inhabitants of Florence and let myself be dazzled by the wares. The markets were voluptuous in both scent and appearance: sweet-smelling red apples and piquant speckled apricots, golden rows of thick-crusted breads exuding the warm fragrance of yeast, herb-cured haunches of pig and pink ribs of beef and pale, soft cuts of lamb that smelled like field lavender, thick aromatic wedges of cheese, and clots of yellow-white butter. I glutted my gaze and my nose, promising myself I would one day feast until sated in all of my being. I also calculated how to score precious morsels immediately. Even a few crumbs would stave off the restless night of a groaning belly. Every bite mattered.

My family in those days consisted of two other street urchins of whom I was fond, Massimo and Paolo. Massimo had a clubfoot, droopy ears, and a milky eye that spun off in all directions, and Paolo had the dark cast of a gypsy, reason enough for them to be cast out onto the street. Florence never tolerated imperfection. I myself never knew why I'd been abandoned. Massimo, who was clever, claimed I must be the son of a nobleman's wife by the family friar, a not uncommon mishap. It was he who laughingly dubbed me "Luca Bastardo."

"At least they didn't suffocate you!" he teased me, and we had seen enough dead infants tossed into the gutters to know the truth of his words. Whatever my history, I was lucky to live. Physically, there was nothing wrong with me, other than being small and scrawny. I was perfectly formed in all my parts. My appearance was even pleasing. I'd been told many times that my yellow-red hair and peach skin were beautiful, that their contrast with my dark eyes was compelling. It was not the kind of thing I listened to when the old men were stroking me. I kept myself occupied dreaming about food, then I took their soldi and bought warm rolls and chunks of cured fish to salve my hunger and my unease.

Those early days were filled with simple intentions: to feed myself, to stay warm and dry, to laugh and to play whenever the opportunity arose. There was a purity to my life that I would experience only one other time, more than a century later, and I would prize those later years fiercely because I knew how life could be despoiled.

I often diverted myself by playing board games with clever Massimo and wrestling with strong Paolo, who had a fierce temperament that matched his gypsy heritage. I always lost to my adopted brothers, until one day when the three of us were playing in the grassy Piazza Santa Maria Novella in the western end of the city. It was a fine spring day, with a faint breeze puffing beneath an endless blue sky and playing in ripples across the silvery-blue Arno, the afternoon before the festival of the Annunciation. The powerful and zealous Dominicans liked to preach there, but that day the piazza had been taken over by throngs of people: boys running and playing; mercenary soldiers called condottieri gambling and catcalling; groups of women gossiping, with their girlchildren hanging on their full brocade skirts; wool-workers and shopkeepers strolling out for the midday meal; notaries and bankers manufacturing errands just so they, too, could enjoy the rare day of warmth and high sunshine during Marzo pazzo, crazy March. A group of noblemen's sons raced about, practicing swordplay with the sure prerogative of their station. I couldn't help but envy them, they had what every Florentine wanted: good food and well-made clothes, skill with swords and horses, and the certainty of a fine marriage to strengthen their position in society.

The boys wore fine woolen mantelli and were thrusting and feinting with blunt wooden swords under the watchful eye of their master, who was famed in Florence for his strategic swordplay. I scooted around to better hear his instructions-I had a thirst for learning, and I remembered whatever I heard. Paolo had other ideas. He picked up a stick from the grass and charged at me, chortling wildly and mimicking the boys.

"Bastardo, defend yourself!" Massimo called from a short distance away, tossing a stick to me. I caught it and spun around just in time to deflect Paolo's thrust. It was a lucky save; Paolo hadn't meant to hurt me, but he was slow in the head and often left bruises. He grinned and I gathered he meant to have some fun at the rich boys' expense, so I bowed, and he bowed back. We lofted our fake swords and danced around each other, pretending to be noblemen's sons, mocking them with exaggerated flourishes and foppish prancing. A nearby group of condottieri laughed, a coarse sound full of derision, and the noble boys bristled.

"Let's teach these street bastards a lesson!" the tallest boy cried, charging. Instantly Paolo and I were surrounded by five wooden swords chopping at our sticks. The condottieri cheered. Paolo had a bull's strength and he knocked down two of the boys. I didn't have his brawn, so I ducked under the blows, leaping out of reach. Paolo fell, blood spurting from his nose, and anger flared through me. I swung my stick at the boys in front of me, hacking futilely, and the stick broke in half. Taunting laughter rose up. Now the condottieri were laughing at me. It made me angrier and I lashed out wildly with what was left of my stick. It was a stupid move. Two boys cut sideways at me at the same time. I was thrown onto my back, ribs sore on both sides and the breath frozen in my chest. The condottieri guffawed.

"Boy, you're going to get yourself killed," said an old man, bending over me. By then a sizable crowd had gathered. Florentines relished nothing more than a lopsided brawl.

"Those boys hurt my friend!" I cried. "And they're laughing at me!" I pointed at the condottieri.

The old man was short and stout and homely, but had lively eyes that seemed to take in everything at once and to understand it all instantly. "Men laugh because God laughs, and right now, God is laughing at you," he said, with a clear-eyed look of empathy. It was a look I'd never before received, a look that made me almost feel like a real person, and his words were graven on my heart. God laughs, I thought with wonder. Yes, that makes sense of what I've seen on the streets. Those long-ago words have, in fact, made sense of my entire life.

"I don't like when anyone laughs," I sniffled, "and I want to make them stop hurting me and my friend!"

"That broke...

More About the Author

Traci L. Slatton is a graduate of Yale and Columbia. She lives in Manhattan, and her love for Renaissance Italy inspired her historical novel IMMORTAL. THE BOTTICELLI AFFAIR is a playful and suspenseful tribute to her delight in the Old Masters and rich passions. FALLEN is the first in a romantic trilogy set in end times permeated with love, loss, and strange psychic powers. THE ART OF LIFE, written with Sabin Howard, is a book about sculpture and the philosophy and history of art; DANCING IN THE TABERNACLE is her first book of poetry. COLD LIGHT furthers the dystopian tale begun in FALLEN, and FAR SHORE is Book 3 in this romantic cycle. THE LOVE OF MY (OTHER) LIFE is a bittersweet romantic comedy that addresses the question: What worlds would you move to be with your soulmate?

Customer Reviews

There's no character development.
Jose L. F. Cardoso
I love historical fiction because I'm always fascinated by different times and places.
Michalyn
Once I finished the book I was pleased with the story and how it ended.
Sleven

Most Helpful Customer Reviews

11 of 12 people found the following review helpful By Kevin Joseph VINE VOICE on March 21, 2008
Format: Paperback
Traci Slatton's first novel, Immortal, is an impressive piece of historical fiction, with an intriguing fantastical bent. Growing up as an orphan on the streets of fourteenth-century Florence, Luca Bastardo realizes that he's different from ordinary boys. Blessed with extraordinary physical perfection, startling regenerative abilities, and a glacially-slow biological clock, Luca struggles in vain to track down information about his lost parents and a lineage that seems to be linked to the mysterious Cathars.

Betrayed by a friend, Luca is sold to a cruel brothel owner, forcing him to endure years of abuse and degradation. Only when Florence is decimated by the Black Death, decades later, does Luca manage to escape his bondage and turn his fortunes around. Luca's enjoyment of his newfound wealth and comfortable lifestyle is tempered, however, by a vivid prophesy in which he's forced to choose between immortality and the true love of a woman. As he cultivates friendships and alliances with various Renaissance figures like Leonardo da Vinci and the Medicis, seeks to master the secrets of alchemy, and searches for his soul mate, Luca's agelessness attracts the attention of sadistic persecutors at a time when the Renaissance is giving way to the Inquisition.

As one might expect in an epic spanning nearly two centuries that's brimming with authentic historical detail, Immortal has a density and pacing that requires patience and perseverance on the reader's part. The writing, while somewhat workmanlike, melodramatic, and overly-reliant on dialogue tags and explanation points to convey emotion, is precise and well-edited. I'm eager to see what this talented author will be able to accomplish once she sheds some of these conventional constraints and unleashes her full artistic talent.

-Kevin Joseph (as reviewed for TCM reviews)
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13 of 15 people found the following review helpful By Dr. Jonathan Dolhenty on February 27, 2008
Format: Paperback
I read quite a few popular new novels during the course of a year, but I generally don't write reviews of them. Now and then, however, a novel comes along that really impresses me and, indeed, I think may well become a classic piece of literature. "Immortal" by Traci L. Slatton, a first-class historical novel, is just such a work. It satisfies many of the criteria that I think a true classic must meet such as a great theme (or themes), deals with important human values, has memorable characters, has the potential to speak across time, and is written in fine prose. Whether or not this book becomes a genuine literary classic, of course, will depend on whether it is read by the generations to come. It does, in my opinion, have that potential.

The setting, for me, couldn't be better: the city of Florence and its environs during the Italian Renaissance. This is a period of history that I continue to study with particular interest. Combining a fictional protagonist, Luca Bastardo ("Luca the bastard"), with actual historical personalities, such as Giotto di Bondone, Leonardo da Vinci, the Medicis, and so forth, along with actual historical events such as the Inquisition and the terrible medieval plague, can be fraught with danger since all too often it results in a story with a mono-dimensional protagonist, shallow historical characters, a superficial plot, and a less than profound background against which the action plays. Fortunately, that is not the case in this story; Slatton has done her research.

The major themes in this delightful book are Luca's search for who he is, where he came from, and what his destiny is. These are the major themes of any truly "classical" work of literature. But that is not all that Slatton brings to this work.
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15 of 18 people found the following review helpful By Surya Reader on January 31, 2008
Format: Paperback
This is one of the best books I have ever read, of any time period, by any author! From start to finish, I couldn't put this book down. And for anyone looking for something deeper than your run-of-the-mill cheap, popular thrill - Immortal is definitely for you. This novel, set in 13th century Florence, follows the unnaturally long life of Luca Bastardo, an extraordinary man searching for love and the meaning of life. Luca is not your typical hero. He lives through the most horrible, depraved of sins and goes on to pave his winding path through the exciting worlds of art and alchemy, war and power, the most uplifting love and the agonizing pain of death. Along the way, he makes friends with many famed artists and political figures of the Renaissance. Let me emphasize though that you do NOT need a background in Art History to love this book! Slatton brings one of the most exciting periods of history to life and it stands completely on its own. No one could have created a better depiction of this time. Slatton does an impeccable job of merging a fascinating story with real historical events. And you'll fall in love with each and every character on the way!

This book takes a unique and interesting approach to historical fiction, one I haven't seen carried out with such artistic skill since Richard Powell's "Whom the Gods would Destroy," and that is placing a fictional character in a fantastical yet historically accurate world. Luca, by virtue of his long life, gets to meet and know some of the major figures of the Italian Renaissance, including Giotto, Boticelli, Lorenzo and Cosimo di Medici, and the great Leonardo da Vinci himself. Slatton creates such wonderful, true-to-life characters from these art history icons.
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