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Impatience
 
 
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Impatience [Paperback]

Scott Zieher (Author)

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Book Description

September 1, 2009
The voices in IMPATIENCE are a friendly squad of famished rats chewing through a stack of old magazines. Herein, some people die alone in the middle of the ocean, others buy the most fashionable dishwasher, some people sell wooden forks and others eat Bermuda onions with fresh New Jersey tomatoes and a touch of sugar. Small narratives, real and imagined, crop up throughout the poem's 52 sections-- there's a recipe for curried chicken and a receipt for fried bologna sandwiches delivered by a Manhattan hotel room-service bellboy named Chet. These are shuffled in with leaves from an obscure middle-western train stationmaster's dream diary complete with redheads from Yonkers in pencil skirts and a brief appearance of Three Martini Marlow in a road race with Road Hog Roger. Awards are given for salesmanship while open calls for summer swimming camp compete over first place with headlines for the death of a famous Hungarian magician who told reporters he was from Wisconsin. Reading this book you will scan all 50 of the United States and our two protectorates with a peripatetic gaze--dive into the brimming waters, the pace is brisk but the competition is cordial.

Based loosely on a map of the 1965 World's Fair, this is the second in a thirteen volume sequence of book-length works, following 2005's acclaimed Emergency Press Book Contest Award winner VIRGA. An interview with the poet follows IMPATIENCE, with insights into his fascination with the number thirteen and a disambiguation on the inherent contradictions in the concept of projective verse via Charles Olson's chain-smoking. To read this book sit back, open a can of beer and a foil-wrapped envelope of processed cheese food to smear on your wax-wrapped sleeve of enriched flour crackers and enjoy your heritage like a true patriot.


Editorial Reviews

Review

Today, luggage underwrites our prevailing metaphor for dealing with poetry: critics and readers, weaned on the lyric, "unpack" poems which are supposed to be compact, manageable, and crammed to a bulge with meaning. Imagining poetry as a bag of meaning has undoubtedly contributed to the low profile kept by the contemporary long poem: difficult to write, too lengthy for casual memorization, pedagogically impractical to "unpack." Lingering over a lyric is one thing, but several pages of a long poem can tire even the stouthearted. Nevertheless, the unwieldy long poem has a special attraction for poets, readers, and critics alike: it is an exercise in the sort of grand imagining reserved for novels and the best drama; also, long poems test the sustainability of a poet's range and technique by requiring a poet render sequence as well as feeling. Regarded as an expression of established talent, young poets do not usually cut their teeth in the long poem genre (Yeats did). Scott Zieher's long poem, Virga, is then doubly striking: both a compelling long poem and an exciting first volume of poetry. --The Believer, August, 2005.

About the Author

Scott Zieher was born in Waukesha, Wisconsin. He lives and works in New York City with his wife, where they are co-owners of ZieherSmith, an art gallery dedicated to the work of emerging artists in all media.

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