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The Importance of Being Earnest (Longman Literature) (Paperback)

by Oscar Wilde (Author), Trevor Millum (Editor) "The Importance of Being Earnest was first performed on 14 February 1895..." (more)
Key Phrases: Miss Prism, Aunt Augusta, Miss Fairfax (more...)
4.7 out of 5 stars See all reviews (61 customer reviews)


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Editorial Reviews

Review
(in full The Importance of Being Earnest: A Trivial Comedy for Serious People) Play in three acts by Oscar Wilde, performed in 1895 and published in 1899. A satire of Victorian social hypocrisy, the witty play is considered Wilde's greatest dramatic achievement. Jack Worthing is a fashionable young man who lives in the country with his ward Cecily Cardew. He has invented a rakish brother named Ernest whose supposed exploits give Jack an excuse to travel to London periodically. Jack is in love with Gwendolen Fairfax, the cousin of his friend Algernon Moncrieff. Gwendolen, who thinks Jack's name is Ernest, returns his love, but her mother, Lady Bracknell, objects to their marriage because Jack is an orphan who was found in a handbag at Victoria Station. Jack discovers that Algernon has been impersonating Ernest in order to woo Cecily, who has always been in love with the imaginary Ernest. Ultimately it is revealed that Jack is really Lady Bracknell's nephew, that his real name is Ernest, and that Algernon is actually his brother. The play ends with both couples happily united. -- The Merriam-Webster Encyclopedia of Literature --This text refers to the Mass Market Paperback edition.

Product Description
This volume is part of a series of novels, plays and stories at GCSE/Key Stage 4 level, designed to meet the needs of the National Curriculum syllabus. Each text includes an introduction, pre-reading activities, notes and coursework activities. Also provided is a section on the process of writing, often compiled by the author.

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Product Details

  • Paperback: 112 pages
  • Publisher: Longman Group United Kingdom (April 1993)
  • Language: English
  • ISBN-10: 0582077842
  • ISBN-13: 978-0582077843
  • Product Dimensions: 7.5 x 5 x 0.2 inches
  • Shipping Weight: 5 ounces
  • Average Customer Review: 4.7 out of 5 stars See all reviews (61 customer reviews)
  • Amazon.com Sales Rank: #2,226,619 in Books (See Bestsellers in Books)

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Customer Reviews

61 Reviews
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Average Customer Review
4.7 out of 5 stars (61 customer reviews)
 
 
 
 
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20 of 23 people found the following review helpful:
5.0 out of 5 stars The wittiest play ever written in the English language, July 11, 2004
By Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews
(TOP 10 REVIEWER)    (COMMUNITY FORUM 04)      
"The Importance of Being Earnest: A Trivial Comedy for Serious People" is one of the first plays written in English since the works of Shakespeare that celebrates the language itself. Oscar Wilde's comedy has one advantage over the classic comedies of the Bard in that "The Importance of Being Earnest" is as funny today as it was when it was first performed at the St. Jame's Theater in London on February 14, 1895. After all, enjoying Shakespeare requires checking the bottom for footnotes explaining the meaning of those dozens of words that Shakespeare makes up in any one of his plays. But Wilde's brilliant wit, his humor and social satire, remain intact even though he was a writer of the Victorian era.

Wilde believed in art for art's own sake, which explains why he emphasized beauty while his contemporaries were dealing with the problems of industrial England. "The Importance of Being Earnest" is set among the upper class, making fun of their excesses and absurdities while imbuing them with witty banter providing a constant stream of epigrams. The play's situation is simple in its unraveling complexity. Algernon Moncrieff is an upper-class English bachelor who is visited by his friend Jack Worthing, who is known as "Ernest." Jack has come to town to propose to Gwendolen Fairfax, the daugher of the imposing Lady Bracknell and Algy's first cousin. Jack has a ward named Cecily who lives in the country while Algernon has an imaginary friend named "Bunbury" whom he uses as an excuse to get out of social engagements.

Jack proposes to Gwendolen but has two problems. First, Gwendolen is wiling to agree because his name is Ernest, a name that "seems to inspire absolute confidence," but which, of course, is not his true Christian name. Second, Lady Bracknell objects to Jack as a suitor when she learns he was abandoned by his parents and found in a handbag in Victoria Station by Mr. Thomas Cardew. Meanwhile, Algernon heads off to the country to check out Cecily, to whom he introduces himself as being her guardian Jack's brother Ernest. This meets with Ceclily's approval because in her diary she has been writing about her engagement to a man named Ernest. Then things get really interesting.

Wilde proves once and for all time that the pun can indeed be elevated to a high art form. Throughout the entire play we have the double meaning of the word "earnest," almost to the level of a conceit, since many of the play's twists and turns deal with the efforts of Jack and Algernon to be "Ernest," by lying, only to discover that circumstances makes honest men of them in the end (and of the women for that matter as well). There is every reason to believe that Wilde was making a point about earnestness being a key ideal of Victorian culture and one worthy of being thoroughly and completely mocked. Granted, some of the puns are really bad, and the discussion of "Bunburying" is so bad it is stands alone in that regard, but there is a sense in which the bad ones only make the good ones so glorious and emphasize that Wilde is at his best while playing games with the English language.

But if Wilde's puns are the low road then his epigrams represent the heights of his genius, especially when they are used by the characters in an ironic vein (e.g., "It is very romantic to be in love. But there is nothing romantic about a definite proposal" and "I do not approve of anything that tampers with natural ignorance"). Jack is the male lead, but it is Algernon who represents the ideal Wilde character, who insists he is a rebel speaking out against the institutions of society, such as marriage, but with attacks that are so flamboyant and humorous that the cleverness of the humor ends up standing apart from the inherent point.

In the end, "The Importance of Being Earnest" is the wittiest play every written, in English or any other language, and I doubt that anything written in the future will come close. Wilde was essentially a stand-up comedian who managed to create a narrative in which he could get off dozens of classic one-liners given a high-class sheen by being labeled epigrams. Like a comedian he touches on several topics, from the aristocracy, marriage, and the literary world to English manners, women, love, religion, and anything else that came to his fertile mind. But because it is done with such a lighthearted tone that the barbs remain as timely today as they were at the end of the 19th-century and "The Importance of Being Earnest" will always be at the forefront of the plays of that time which will continue to be produced.

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7 of 8 people found the following review helpful:
5.0 out of 5 stars Clever and witty even today!, August 7, 2000
By Lesley West (St James, Western Australia) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
This is Wilde's best play, it is fast moving, has wonderful characters (especially the women), and funnily enough is still a pretty accurate observation of society. Perhaps nothing ever really changes! At the core of the play is the name Earnest, and all that it means to the various characters, and how their white lies and complicated lives catch up with them. And the lines - wonderful ones like "I always carry my diary - a lady should always have something scandalous to read on the train", and "if you are not too long, I shall wait for you forever!". Be assured, all works out well in the end, and all shall be revealed as to how important it is to be Earnest.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Absolutely AMAZING!, April 11, 2005
I just got finished reading this for class, and it's simply one of the best works I have read in the past year. It was such a joy to read, no dread factor at all (and there was no trouble keeping up with the characters). It is so witty and so well-written, it's just great. I recommend this to anyone who wants a good laugh. I can't see how anyone would not love it. This was the first time I was introduced to Wilde, and I look forward to reading more.
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Most Recent Customer Reviews

5.0 out of 5 stars Brilliantly Funny
This book has remained one of my favorites since reading it in high school ~5 years ago. I have re-read it multiple times, seen it live & as a movie, and never seem to tire... Read more
Published 13 months ago by PCS

5.0 out of 5 stars Hilarius!
I bought this script because I have so enjoyed the movie based on it. The English humor is brilliant and it is delightful to get to read it in probably less than an hour. Read more
Published 18 months ago by A. Williams

5.0 out of 5 stars Honestly...
I still smile when I think about this play. It was my first sampling of Oscar Wilde, and I found it pretty enjoyable. It's also been my only sampling of Oscar Wilde. Read more
Published on March 24, 2007 by Wobu Zhidao II

5.0 out of 5 stars Brilliant and Witty
I love this play. I love Oscar Wilde. The wit and humor of this play is astounding, and yet at the same time, it is so intelligent. I love it.
Published on May 6, 2006 by Megan Elizabeth

3.0 out of 5 stars Audio CD is abridged on one CD
I have not listened to this audio CD version. I purchased it and returned it without listening to it. Read more
Published on April 23, 2006 by Stuart Flicker

5.0 out of 5 stars Timeless Wit
This is an undeniable classic that I've enjoyed seeing over the years in both theatrical and film productions. Read more
Published on January 14, 2006 by oddsfish

5.0 out of 5 stars amazing play
Oscar Wilde never fails to intrest me. This is his most acclaimed and recognized work. The plot was everyday and trite, but with meticulous details Wilde was able to overplay the... Read more
Published on August 5, 2005 by Sammy

4.0 out of 5 stars Quick, Clever, and Amusing
I am not a very big fan of plays, but I picked this up while in Dublin and couldn't put it down. It is very amusing and can easily be read in one sitting. Read more
Published on June 30, 2005 by Sparrowhawk

5.0 out of 5 stars All is well that ends well
Still extremely popular 110 years after being first produced at the St James Theatre.
Full of Oscar Wilde's characteristic repartee, sparkling wit and epigrams... Read more
Published on March 16, 2005 by Gary Selikow

5.0 out of 5 stars Absolutely delicious!
(not a review of the sudio cassette, which I haven't heard) I've read this play many times. It is a great companion in times of trouble -- boredom, sadness, Weltschmerz. Read more
Published on March 13, 2005 by Adrienne Shirley

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