From Publishers Weekly
Starred Review. In this bleak and thrilling novel, the fifth from Booker Prize–nominee Galgut, the author creates an antipastoral, postapartheid noir that centers around Adam Napier, a depressed poet who retreats to a rural South African town to write. Rather than write, Adam drinks and wallows in depression. The story accelerates once he meets Canning, a former schoolmate who regards Adam as a personal hero even though Adam cannot remember him. As it turns out, Canning is a wealthy businessman with a vendetta against his dead father: he plans to transform an idyllic game preserve his father owned into a golf course. While Canning facilitates business between corrupt politicians and shady businessmen, Adam sinks deeper into a moral quagmire and continues to fail as a poet. At the heart of this tightly wound novel is a story of betrayal—within an individual, among friends and neighbors and within a society. With Adam, Galgut has created a transcendent loser, a contemporary cousin to Bellow's magnificent Tommy Wilhelm in
Seize the Day.
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Set in post-apartheid South Africa, this gripping novel explores the seamier aspects of reconciliation. Adam, adrift after losing his job to a young black candidate, moves to an isolated town to write poetry. Boredom sets in, relieved only by the appearance of an old school acquaintance, Canning, who invites Adam to spend weekends on his nearby game farm. There Adam meets Canning�s wife, Baby, who is both alluring and chillingly aloof, and begins to realize that no one�s motives are as pure as they appear. Galgut gives even seemingly innocuous details sinister overtones: the clicking of peacocks on a roof, the shuffling steps of Canning�s elderly black servants. Beneath a fairly standard thriller plot (affairs, corruption) runs a critique of contemporary South Africa, from the venality of those enriched by a reinvigorated economy to the stale pieties of the white liberal class.
Copyright ©2008
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