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Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges
 
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Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges [Hardcover]

Barbara Ehrlich White (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

October 8, 1996
In this extraordinary volume, art historian Barbara Ehrlich White considers the achievements of the Impressionists from an entirely fresh perspective.  She focuses on the personal and professional relationships between seven pairs of artists: Degas and Manet, Monet and Renoir, Cézanne and Pissaro, Manet and Morisot, Cassatt and Degas, Morisot and Renoir, and Cassatt and Renoir.  Looking at the work of each pair, she finds, in their treatment of identical subjects and in their portraits of each other, a new illumination of their art and lives...how they relied on each other for comradeship, support, inspiration, ideas, and techniques...how they were bound by the ties of friendship...and how, at times, these same associations could include envy, antagonism, and even deep dislike.

To tell this story Barbara Ehrlich White has assembled hundreds of illustrations, scores of which are reproduced here in full color for the first time.  All the canvases the artists painted of identical subjects are reunited side by side in this volume--many for the first time since they were created more than a century ago.  Moreover, in another publishing first, Impressionists Side By Side includes all the artists' portraits of one another, a marvelous means of conveying the emotional truth of their relationships.  And, by delving into hundreds of letters (some previously unpublished, some appearing in English translation for the first time), diaries, and interviews, the author enriches our sense of the artists' lives on the most intimate level.

Twelve years in the making, Impressionists Side by Side is a singular contribution to the world of art, presenting the lives and work of some of the most important Impressionist artists in a dramatic new context.

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Editorial Reviews

From Publishers Weekly

Impressionism, asserts Tufts art history professor White, was born of the synergistic friendship of Claude Monet and Pierre-Auguste Renoir, who pooled their expertise to develop a new style that combined Monet's feeling for nature with Renoir's coloristic gifts. Friendships, tense rivalries and working relationships among the impressionists are the focus of this revelatory, gorgeously illustrated study. Edgar Degas and Edouard Manet belittled each other to third parties, yet they pushed each other to greater heights of creativity. Apolitical conservative aesthete Paul Cezanne and magnanimous anarchist outsider Camille Pissarro shared a bohemian outlook and made 10 paintings each side by side. Mary Cassatt built her style on the manner of Degas, while Berthe Morisot leaned on Manet and Renoir for emotional support; both women, argues White, were pioneers but venerated their male mentors' work to the detriment of their own egos. Juxtaposing similar canvases by friendly duos, and quoting extensively from their letters and diaries, White shows that the impressionists were more interdependent and cross-pollinating than was hitherto suspected.
Copyright 1996 Reed Business Information, Inc.

From Library Journal

White (Renoir, Abrams, 1988) explores some one-to-one relationships among major Impressionists through their letters and other footnoted sources. In separate chapters, she links Degas and Manet; Monet and Renoir; Cezanne and Pissarro; Manet and Morisot; Cassatt and Degas; Morisot and Renoir; and Cassatt and Morisot. Manet, the aristocratic bourgeois, was the most refined of the group; Renoir, the aspiring peasant, the most sociable and reliable. Least intense was the cordial relationship between the beautiful, moody, upper-class Morisot and American outsider Cassatt, whose wealth, talent, and friendship with Degas helped her penetrate this circle of self-involved French painters. The book is replete with color reproductions demonstrating the artists' influences on each other, their differing points of view, and their development as artists as tastes diverged. Additional photographs from private albums provide unique glimpses of the people behind the art. Taken as a whole, the book allows the reader to experience these complex personalities in human dimension. Recommended for special and public collections that already possess collections of the individual artists' works.?Ellen Bates, New York
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 292 pages
  • Publisher: Knopf; 1 edition (October 8, 1996)
  • Language: English
  • ISBN-10: 0679443177
  • ISBN-13: 978-0679443179
  • Product Dimensions: 9 x 6 x 1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,043,236 in Books (See Top 100 in Books)

More About the Author

Barbara Ehrlich White was a member of the Tufts University faculty from 1965-2002, where she lectured on art history. In addition to Renoir: His Life, Art, and Letters, first published in 1984, White is the author of Knopf's Impressionists Side By Side and numerous journal articles. In the course of her career, she won many grants and awards, and wrote several television scripts on Renoir, one of which won an Emmy.

 

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19 of 19 people found the following review helpful:
5.0 out of 5 stars The best perspective on the innerworld of Impresionists., October 31, 1998
By A Customer
This review is from: Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges (Hardcover)
This is a remarkable book. The side by side comparisions of the paintings help you appreciate each artists differences and the impressionist movement as a whole. It is a perfect gift. And is unique as a coffee table book you would actually read. You must buy this book!
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Awesome book, June 27, 2009
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This review is from: Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges (Hardcover)
This is one of the best books about art and artists I've ever encountered. The format is great - paintings of a similar scene by two different Impressionists - sometimes painted at the same time, from the same vantage point - are presented side by side, with lucid text describing the differences in the artists' approaches.
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