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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Petition | 5:06 | $0.89 |  |
| Play | 2. Can't Help Myself | 6:03 | $0.89 | |
| Play | 3. A Narrow Cradle | 0:48 | $0.89 | |
| Play | 4. Justice Will Roll Down | 3:56 | $0.89 | |
| Play | 5. New Wonders | 3:10 | $0.89 | |
| Play | 6. Give Reviving | 3:38 | $0.89 | |
| Play | 7. This Is The Christ | 4:30 | $0.89 | |
| Play | 8. Bands Of Angels | 0:36 | $0.89 | |
| Play | 9. Hidden Place | 3:16 | $0.89 | |
| Play | 10. Eighty-eight | 2:06 | $0.89 | |
| Play | 11. In Feast Or Fallow (with Thad Cockrell & Derek Webb) | 3:41 | $0.89 | |
| Play | 12. I Glory In Christ | 3:35 | $0.89 | |
| Play | 13. 980 Anne Steele | 4:57 | $0.89 | |
| Play | 14. Sweet Sorrow | 3:55 | $0.89 | |
| Play | 15. Faith's Review & Expectation (Amazing Grace) | 4:22 | $0.89 | |
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Most Helpful Customer Reviews
10 of 10 people found the following review helpful
Format:MP3 Download|Amazon Verified Purchase
Martin Luther once famously said "Next to the Word of God, the noble art of music is the greatest treasure in the world." The writer of the classic hymn "A Mighty Fortress is Our God", Luther understood much of the power and beauty of music.
Throughout the history of God's people, music has been a profound means and vehicle for worship of God. From the Psalms of David and the Sons of Korah, to the hymns of the early Church to hymns like "Be Thou My Vision", "Amazing Grace" and "In Christ Alone", music has played a powerful role in how God's People worship Him.
In recent years, the evangelical Contemporary Christian Music industry has "rediscovered" the role that hymns can play in worship. Following along in the wake of the praise and worship sub-genre, hymns have found a strong niche and small appreciation amongst CCM consumers. Formerly relegated to dusty old hymnals, "dead and dying" churches and youthful ridicule, hymns have found something of a renaissance in the evangelical world through the work of the Michael W. Smiths and Chris Tomlins of the world. Fortunately for CCM, such remakes and covers struck a chord and a money-making sub-genre of a sub-genre of a pseudo-genre was birthed and bloated to the point of mockery, shameless profiteering and ugly self-promotion.
Thankfully, not everybody involved in the writing and remaking of hymns have been sucked into the dark CCM vortex. Through the efforts of artists and groups such as Stewart Townend, The Gettys, Sovereign Grace Music, Indelible Grace and Sandra McCracken, true, respectful, worshipful and artistic hymn-writing has made a genuinely strong comeback.
Of particular note is Sandra McCracken's beautiful "In Feast or Fallow". A collection of new hymns, old hymns, old hymns remade and even a classic in its original form and with its original title, "In Feast or Fallow" is a solid exploration of plenty and need, and a worthwhile expression of praise to God; in times of feast and even in times when life's ground must for a time remain fallow. Describing the context of the hymns, McCracken says "There are life seasons of palpable spiritual springtime, when the flowers burst with color and new leaves shoot out of every stem. There are seasons of desert isolation and winter darkness. There are whole years when you have so much stored grain and wine that you forget who you are and where you came from. And there are other times when you have barely enough, and your soul is still and satisfied." This theme is carried throughout the album with songs born of grief ("Petition", written by Anne Steele, as a response to her fiancé's untimely death a day before they were to be wed), a song praying for God's blessing ("Give Reviving"), a song celebrating life ("Hidden Place", derived from a journal entry McCracken wrote 10 days before the birth of her daughter), a song celebrating Advent (Martin Luther's "This is the Christ"), a song born of study of the book of Judges ("Sweet Sorrow"), a song about justice ("Justice Will Roll Down", pulled from Amos 5:24) and a classic about the amazing Grace of God ("Faith's Review and Expectation" by John Newton). Throughout the album McCracken calls herself and the listener to look to Christ for Hope to the Father for unyielding love and to the Spirit for the strength to carry on, even in the midst of profound suffering and sorrow.
McCracken teamed up with her producer husband, Derek Webb, for recording the album and the result in a perfect blend of worshipful music and lyrics. Blending the old and the new, the sound moves from traditional to a nuanced (and greatly subdued) expression of the electronica sound that Derek utilized more obviously in "Stockholm Syndrome". What is clear is that McCracken and Webb are a dynamic and effectively creative team. Marriage serves to strengthen two people as individuals, even as both become one. This truism is quite evident in McCracken and Webb, as both have become better artists through each other.
Finally, it is heartening to see the respect and sobriety with which McCracken approaches her material and the material of Saints long dead, as she adds her own magnificent contributions to the voluminous tome of work that came before. Respecting the Tradition, yet confidently adding to it, McCracken shows great sensitivity and artistry. The closing song in the album, "Faith's Review and Expectation" is a brilliant cover of Newton's famously classic "Amazing Grace", sung with tact, class and true to its original form and intent.
Perhaps there is not better compliment to McCracken than to say that Luther and Newton (and the host of hymn-writing saints who came before and after) would undoubtedly be proud and would give a hearty amen to the chorus of the song "In Feast or Fallow":
In the harvest feast or the fallow ground
My certain hope is in Jesus found
My lord, my cup, my portion sure
Whatever comes we shall endure
Whatever comes we shall endure
Throughout the history of God's people, music has been a profound means and vehicle for worship of God. From the Psalms of David and the Sons of Korah, to the hymns of the early Church to hymns like "Be Thou My Vision", "Amazing Grace" and "In Christ Alone", music has played a powerful role in how God's People worship Him.
In recent years, the evangelical Contemporary Christian Music industry has "rediscovered" the role that hymns can play in worship. Following along in the wake of the praise and worship sub-genre, hymns have found a strong niche and small appreciation amongst CCM consumers. Formerly relegated to dusty old hymnals, "dead and dying" churches and youthful ridicule, hymns have found something of a renaissance in the evangelical world through the work of the Michael W. Smiths and Chris Tomlins of the world. Fortunately for CCM, such remakes and covers struck a chord and a money-making sub-genre of a sub-genre of a pseudo-genre was birthed and bloated to the point of mockery, shameless profiteering and ugly self-promotion.
Thankfully, not everybody involved in the writing and remaking of hymns have been sucked into the dark CCM vortex. Through the efforts of artists and groups such as Stewart Townend, The Gettys, Sovereign Grace Music, Indelible Grace and Sandra McCracken, true, respectful, worshipful and artistic hymn-writing has made a genuinely strong comeback.
Of particular note is Sandra McCracken's beautiful "In Feast or Fallow". A collection of new hymns, old hymns, old hymns remade and even a classic in its original form and with its original title, "In Feast or Fallow" is a solid exploration of plenty and need, and a worthwhile expression of praise to God; in times of feast and even in times when life's ground must for a time remain fallow. Describing the context of the hymns, McCracken says "There are life seasons of palpable spiritual springtime, when the flowers burst with color and new leaves shoot out of every stem. There are seasons of desert isolation and winter darkness. There are whole years when you have so much stored grain and wine that you forget who you are and where you came from. And there are other times when you have barely enough, and your soul is still and satisfied." This theme is carried throughout the album with songs born of grief ("Petition", written by Anne Steele, as a response to her fiancé's untimely death a day before they were to be wed), a song praying for God's blessing ("Give Reviving"), a song celebrating life ("Hidden Place", derived from a journal entry McCracken wrote 10 days before the birth of her daughter), a song celebrating Advent (Martin Luther's "This is the Christ"), a song born of study of the book of Judges ("Sweet Sorrow"), a song about justice ("Justice Will Roll Down", pulled from Amos 5:24) and a classic about the amazing Grace of God ("Faith's Review and Expectation" by John Newton). Throughout the album McCracken calls herself and the listener to look to Christ for Hope to the Father for unyielding love and to the Spirit for the strength to carry on, even in the midst of profound suffering and sorrow.
McCracken teamed up with her producer husband, Derek Webb, for recording the album and the result in a perfect blend of worshipful music and lyrics. Blending the old and the new, the sound moves from traditional to a nuanced (and greatly subdued) expression of the electronica sound that Derek utilized more obviously in "Stockholm Syndrome". What is clear is that McCracken and Webb are a dynamic and effectively creative team. Marriage serves to strengthen two people as individuals, even as both become one. This truism is quite evident in McCracken and Webb, as both have become better artists through each other.
Finally, it is heartening to see the respect and sobriety with which McCracken approaches her material and the material of Saints long dead, as she adds her own magnificent contributions to the voluminous tome of work that came before. Respecting the Tradition, yet confidently adding to it, McCracken shows great sensitivity and artistry. The closing song in the album, "Faith's Review and Expectation" is a brilliant cover of Newton's famously classic "Amazing Grace", sung with tact, class and true to its original form and intent.
Perhaps there is not better compliment to McCracken than to say that Luther and Newton (and the host of hymn-writing saints who came before and after) would undoubtedly be proud and would give a hearty amen to the chorus of the song "In Feast or Fallow":
In the harvest feast or the fallow ground
My certain hope is in Jesus found
My lord, my cup, my portion sure
Whatever comes we shall endure
Whatever comes we shall endure
1 of 1 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
I've listened to Sandra McCracken's work so expected to enjoy her newest album. But I wasn't prepared for what I heard. In some ways it's of a piece, a reworking of good old hymns as well as new hymns with good old theology. And there are high points, like "Justice Will Roll Down." I was singing along the first time I heard it, because it's a singable celebration of God's justice on behalf of the weak and the oppressed. The title song is a quiet, powerful punch of confidence in God. Then, lo, she sings a new "Amazing Grace" (called "Faith's Review & Expectation") that's like no rendition ever heard...rhythmic and foot-stomping. I'm leaving out a couple of other favorites (love Anne Steele), but suffice it to say, if you appreciate the hymn revival going strong, you will love this album.
1 of 1 people found the following review helpful
Format:Audio CD
On In Feast or Fallow, Sandra McCracken makes hymns sound old and new. The lyrics could come out of any hymnbook, though all but one, "Faith's Review and Expectation (Amazing Grace)," are not the familiar ones so often covered. The production and electronic sounds (particularly various keyboards) give the basic acoustic instrumentation an alternative feel that is rooted in the past but also has a modern sensibility. It's a taste of Americana with a contemporary flavor.
It's a masterful and unique blend that combines the talents of McCracken and husband Derek Webb. The latter makes his presence known as producer and provider of back-up support without ever being intrusive. This is one of their finest moments both individually and as a couple.
This overflows with creativity. Listeners may scratch their heads wondering how a particular sound was produced. Webb's studio wizardry provides a quirky blend of retro and slightly off-kilter sounds. Diverse notes take their place without jostling each other or thinking it strange that they occupy the same place. They harmonize to create a sound that is both earthy and spiritual.
The music is both sparse and richly textured. It's a tapestry of sound worthy for such eloquent compositions.
This is not a run-of-the-mill hymns recording. It's probably not for those who just want conservative, straightforward renderings. However, those who appreciate the way an artist can create as she sees it will want to give this a try.
The opening "Petition" is a precursor of things to come. It starts with an intro, a common element on this CD, consisting of spindly synthesized sounds that seemingly bounce off the walls. Simple piano chords kick-in as McCracken begins to sing. It builds with layers of sound.
As she sings, "You raise your hand to still the storms / that rage inside my head /Revive my heart with gratitude /Love quell my doubt and dread," the only music you hear are the warm tones of an electric guitar. The rest of the music returns like a welcome friend on the chorus.
The layers go beyond the music. The words here and throughout this release plumb the depths of theology in a way seldom heard outside of hymns.
One of the more driving songs, "Justice Will Roll Down," with its memorable chorus and vision of equity will most likely be a favorite of many. The title song, another standout, is a folk anthem with multiple vocalists.
This is one of the best and most artistic hymn recordings ever conceived. McCracken's previous hymn effort, The Builder and the Architect, is also excellent and worth having.
It's a masterful and unique blend that combines the talents of McCracken and husband Derek Webb. The latter makes his presence known as producer and provider of back-up support without ever being intrusive. This is one of their finest moments both individually and as a couple.
This overflows with creativity. Listeners may scratch their heads wondering how a particular sound was produced. Webb's studio wizardry provides a quirky blend of retro and slightly off-kilter sounds. Diverse notes take their place without jostling each other or thinking it strange that they occupy the same place. They harmonize to create a sound that is both earthy and spiritual.
The music is both sparse and richly textured. It's a tapestry of sound worthy for such eloquent compositions.
This is not a run-of-the-mill hymns recording. It's probably not for those who just want conservative, straightforward renderings. However, those who appreciate the way an artist can create as she sees it will want to give this a try.
The opening "Petition" is a precursor of things to come. It starts with an intro, a common element on this CD, consisting of spindly synthesized sounds that seemingly bounce off the walls. Simple piano chords kick-in as McCracken begins to sing. It builds with layers of sound.
As she sings, "You raise your hand to still the storms / that rage inside my head /Revive my heart with gratitude /Love quell my doubt and dread," the only music you hear are the warm tones of an electric guitar. The rest of the music returns like a welcome friend on the chorus.
The layers go beyond the music. The words here and throughout this release plumb the depths of theology in a way seldom heard outside of hymns.
One of the more driving songs, "Justice Will Roll Down," with its memorable chorus and vision of equity will most likely be a favorite of many. The title song, another standout, is a folk anthem with multiple vocalists.
This is one of the best and most artistic hymn recordings ever conceived. McCracken's previous hymn effort, The Builder and the Architect, is also excellent and worth having.
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