In the Palm of Your Hand: The Poet's Portable Workshop [Paperback]

Steve Kowit (Author)

Book Description

Publication Date: June 1, 2003 | ISBN-10: 0884481492 | ISBN-13: 978-0884481492 | Edition: 1

An illuminating and invaluable guide for beginners wary of modern poetry, as well as for more advanced students who want to sharpen their craft and write poems that expand their technical skills, excite their imaginations, and engage their deepest memories and concerns. Ideal for teachers who have been searching for a way to inspire students with a love for writing--and reading--contemporary poetry.

Editorial Reviews

Amazon.com Review

Steve Kowit believes, and rightly so, that poetry should show, not tell. The same could be said for good teaching, which is what makes this volume so remarkable. In In the Palm of Your Hand Kowit employs more than 100 poems and excerpts to illustrate his discussions on everything from metaphor to meter to metaphysics. Working your way through this book--and it is work--is like sitting in on a terrific creative-writing seminar, minus the criticism (both constructive and destructive) of fellow students. If you go by the book, you'll have written at least 69 poems by the end. Because of its explication of the basic tenets of poetry, In the Palm of Your Hand might be mistaken for a beginners' book only. That would be a shame. There are so many good ideas here that more experienced poets won't want to miss out; Kowit has lots of exciting ways to invigorate one's writing. (Here's a favorite quick tip: "A good rule of thumb is never to use a word that you're proud of.") In the Palm of Your Hand is also recommended for members of writing groups who are interested in imposing some kind of structure on their meetings.

From Booklist

Kowit really delivers what his title promises, so that reading the book is like taking a workshop with a generous poet willing to share everything he has learned about the creative process and the craft of poetry. Conversational in tone, it reads rather like an informal lecture. Kowit covers a lot of technical material on metrical variations and line breaks and sound, and he balances it by attending to the sources of poetry in dream and emotion, in longing and loss. Although likely to find its largest audience among aspiring poets, Kowit's effort is substantial enough to be of use to more practiced poets and to poetry readers, too. Patricia Monaghan

See all Editorial Reviews

Product Details

• Paperback: 288 pages
• Publisher: Tilbury House Publishers; 1 edition (June 1, 2003)
• Language: English
• ISBN-10: 0884481492
• ISBN-13: 978-0884481492
• Product Dimensions: 6 x 1 x 9.1 inches
• Shipping Weight: 14.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (31 customer reviews)
• Amazon Best Sellers Rank: #26,700 in Books (See Top 100 in Books)
  • #10 in Books > Education & Reference > Encyclopedias > Literature
  • #56 in Books > Literature & Fiction > Poetry > American

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Most Helpful Customer Reviews

148 of 151 people found the following review helpful

5.0 out of 5 stars One of the books I would never be without. December 14, 1999

By talesin

Format:Paperback

I bought this book just on a whim. It sounded interesting, the reviewers thought it was pretty good and so I sent off for it. That was two years ago, and I have read and reread it pretty much constantly ever since.

His style is friendly, engaging, encouraging, occasionally chiding (in the nicest possible way) and very very inspiring. Each section focuses on specific aspects of writing - writing from memories, working with imagery and metaphor, how (and why) to revise, word music, experimental forms, traditional forms etc etc. Even a section on "Aweful Poems"! And believe it or not, that section was one of the most enlightening.

He uses copious examples from contemporary poets to illustrate the points he is trying to get across, and ends each chapter with a series of exercises to make certain that you understand what you've been reading. Sounds tame, sounds boring, sounds mechanical, but oh, it is not!

The final section - Nuts and Bolts - deals with the business of poetry as a business; the pros and cons of Poetry Workshops, where, when and why to start submitting your poetry. That sort of thing. And one of the nicest touches is the poem selected to end the book - Fleur Adcock's "Future Work" (on page 263, go on, have a look). It pretty much sums up the whole feeling of this book.

The only downside is the certainty of writers cramp afterwards ...

45 of 46 people found the following review helpful

5.0 out of 5 stars Wonderful Book November 19, 2004

By Papa

Format:Paperback|Amazon Verified Purchase

What a helpful, inspiring book. The author really helps to make the writing process more productive and less intimidating. He clearly explains how to write different types of poems and gives excellent examples of the types of poems that he talks about. He makes the process much less mysterious and in the process, he inspires the reader. I hadn't had the courage to write any poetry for years. This book has helped me to finally start writing again.

32 of 33 people found the following review helpful

5.0 out of 5 stars My poetic savior! September 17, 1999

By A Customer

Format:Paperback

As a writing major and tutor at UCSD, I have toted Kowit's book in my backpack as my constant and faithful companion. I've enjoyed witnessing my own as well as others' poetry, and writing in general, improve through the insightful suggestions in this book.

As an instructor, Kowit encouraged me to "have fun" with my writing. This book echoes his personally delivered sentiment, since it masquerades as a fun way to approach writing, but actually is a serious tool for poets who are serious about their craft.

This book helped me to examine my old, bad writing habits and ruts. Now, I hold my trite lines up for my own students to scoff at. If I improved, so could they. Under the tutelage of Kowit's warmth and wisdom, I finally am able to churn out good poetry that my professors compliment me for. No one can stop me now.

Thank you, Steve Kowit, for putting this one in the palm of my hand!