"An elegant essay on traditional Japanese aesthetics by the great novelist. A delight to read" Independent on Sunday "A highly infectious essay lauding all things shady and subtly hidden" Guardian "The outstanding Japanese novelist of this century" -- Edmund White "This is a powerfully anti-modernist book, yet contains the most beautiful evocation of the traditional Japanese aesthetic... More like a poem than an essay" Building Design "I am convinced that Tanizaki is one of the few great writers of our time. He is an author of outstanding stature and deserves to be far better known outside Japan than he is" -- Ivan Morris
About the Author
Junichiro Tanizaki was born in 1886 in Tokyo, where his family owned printing establishment. He studied Japanese literature at Tokyo Imperial University, and his first published work, a one-act play, appeared in 1910 in a literary magazine he helped to found. Tanizaki lived in the cosmopolitan Tokyo area until the earthquake of 1923, when he moved to the gentler and more cultivated Kyoto-Osaka region, the scene of The Makioka Sisters. There he became absorbed in the Japanese past and all his most important works were written from this point, among them Some Prefer Nettles (1929), Arrowroot (1931), The Secret History of the Lord Musashi (1935), several modern versions of The Tale of Genji (1941, 1954 and 1965), The Makioka Sisters (1943-48), Captain Shigemoto's Mother (1949), The Key (1956) and Diary of a Mad Old Man (1961). By 1930 he had gained such renown that an edition of his complete works was published and he was awarded an Imperial Award for Cultural Merit in 1949. In 1964 he was elected an honorary Member of the American Academy and the National Institute of Arts and Letters, the first Japanese citizen ever to recieve this honour. Tanizaki died in 1965.