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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Call It Stormy Monday | 9:00 | Album Only | |
| Play | 2. Old Times | 1:15 | $0.99 |  |
| Play | 3. Pride And Joy | 5:59 | $0.99 | |
| Play | 4. Ask Me No Questions | 5:02 | $0.99 | |
| Play | 5. Pep Talk | 0:52 | $0.99 | |
| Play | 6. Blues At Sunrise | 15:10 | Album Only | |
| Play | 7. Turn It Over | 0:51 | $0.99 | |
| Play | 8. Overall Junction | 8:20 | Album Only | |
| Play | 9. Match Box Blues | 7:39 | Album Only | |
| Play | 10. Who Is Stevie? | 0:44 | $0.99 | |
| Play | 11. Don't Lie To Me | 8:57 | Album Only |
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Customer Reviews
Most Helpful Customer Reviews
29 of 31 people found the following review helpful
Format:Audio CD
This meeting of two blues masters took place in a Hamilton, Ontario Canada TV studio in late 1983, just after Vaughan had made his first splash as the guitarist on David Bowie's album Let's Dance. Stevie had idolized Albert King, and even lifted some of his licks. But on this night, the two stood side by side as blues masters, and the results were jaw-dropping. King was clearly leading this session, as all the songs (with the exception of Pride & Joy) were sung by King and were part of his usual repertoire. However, Vaughan was not simply a sideman here; his playing was electric and the interplay between the two guitarists is amazing. Blues at Sunrise, with Vaughan imitating Jimi Hendrix, Call It Stormy Monday, and Don't Lie to Me are just a few highlights.
The sound on this hybrid SACD is phenomenal. Both guitars are crisp, the vocals are clear, and the tight rhythm section is deep and warm. The SACD has a breathtaking presence that evelopes your listening area. This is another terrific George Horn mastering job.
Whether you are a fan of Vaughan, King, or just a fan of great blues guitar, this is a must own on SACD!
The sound on this hybrid SACD is phenomenal. Both guitars are crisp, the vocals are clear, and the tight rhythm section is deep and warm. The SACD has a breathtaking presence that evelopes your listening area. This is another terrific George Horn mastering job.
Whether you are a fan of Vaughan, King, or just a fan of great blues guitar, this is a must own on SACD!
17 of 20 people found the following review helpful
Format:Audio CD
Word has it that Albert "King" Nelson didn't know the man with whom his manager had arranged for him to play on the night of December 6, 1983.
29-year-old Stevie Ray Vaughan had released the succesful "Texas Flood" earlier that year, but the name Vaughan supposedly didn't ring a bell with Albert King.
He did recognize Stevie Ray, however, but King knew him as "Little Stevie", a kid from Texas who had attended numerous of his concerts, occationally even sitting in with him when he (King) passed through Austin.
At first, Stevie Ray Vaughan seems a little bit in awe of the legendary 60-year-old bluesman...it is almost two minutes into "Stormy Monday" before Vaughan's guitar can be heard for the first time. But once he gets going, the concert evolves into one of the one of the best jam sessions you'll ever hear.
Backed by Albert King's world-class touring band, the two guitarists lay down tight, muscular versions of some of King's best songs, as well as a blistering six-minute rendition of Stevie Ray Vaughan's "Pride And Joy", and a rollicking cover of Tampa Red's "Don't Lie To Me".
There is more great guitar playing here than most artists record in a liftetime, but the jamming never gets out of hand or trail off into meaningless shredding. "In Session" never evolves (devolves?) into a mere cutting contest. Instead the two musicians complement each other beautifully, somehow managing not to tread on each other's toes when soloing.
Bits of dialogue between King and Stevie Ray Vaughan has been preserved on this release, and the sound is excellent, crisp and clear. For fans of either guitarist, this album is more than just worth a listen, it is a record that sounds as fresh and exciting on each subsequent listen as does the first time through.
29-year-old Stevie Ray Vaughan had released the succesful "Texas Flood" earlier that year, but the name Vaughan supposedly didn't ring a bell with Albert King.
He did recognize Stevie Ray, however, but King knew him as "Little Stevie", a kid from Texas who had attended numerous of his concerts, occationally even sitting in with him when he (King) passed through Austin.
At first, Stevie Ray Vaughan seems a little bit in awe of the legendary 60-year-old bluesman...it is almost two minutes into "Stormy Monday" before Vaughan's guitar can be heard for the first time. But once he gets going, the concert evolves into one of the one of the best jam sessions you'll ever hear.
Backed by Albert King's world-class touring band, the two guitarists lay down tight, muscular versions of some of King's best songs, as well as a blistering six-minute rendition of Stevie Ray Vaughan's "Pride And Joy", and a rollicking cover of Tampa Red's "Don't Lie To Me".
There is more great guitar playing here than most artists record in a liftetime, but the jamming never gets out of hand or trail off into meaningless shredding. "In Session" never evolves (devolves?) into a mere cutting contest. Instead the two musicians complement each other beautifully, somehow managing not to tread on each other's toes when soloing.
Bits of dialogue between King and Stevie Ray Vaughan has been preserved on this release, and the sound is excellent, crisp and clear. For fans of either guitarist, this album is more than just worth a listen, it is a record that sounds as fresh and exciting on each subsequent listen as does the first time through.
6 of 6 people found the following review helpful
Format:Audio CD
While Albert King never rose to the massive popularity of Stevie Ray Vaughan, as far as blues players go though, he was one of the more familiar to rock fans, thanks to his work being covered by Clapton and Hendrix ("Born Under A Bad Sign").
No modern guitarist was more influenced by King than Stevie Ray Vaughan, whose admiration and praise allowed him to share the stage in a Hamilton, Ontario TV studio right around the time of the release of Vaughan's "Texas Flood". This summit was long overdue, and is absolutely critical for Vaughan and King fans.
Mind you, there are many rehashes, repackagings and other posthumous releases of SRV, most of which are unforgivable, offering nothing new, only capitalizing on the myth and making a fortune off his memory.
"In Session", however, like "The Sky Is Crying", is one CD that does offer a fresh look at both masters.
King is still the star of this show, and his band provides the powerful backing music as the two titans trade off solo after solo, each careful to not overplay, but not hide behind their amps, either.
Vaughan sounds a lot like King, showing us the bedrock of his style. He was a little flashier, and could control feedback ala Hendrix, but when all is said and done, SRV was the best white blues player period. Brit players like Clapton and Page pale in comparison.
Prime cuts include "Pride And Joy" as handled by King's band, and it thumps and grinds mightily. "Overall Junction" is a King jam and indeed it does. Perhaps the best is "Matchbox Blues", with an absolutely wicked swing beat that allows both guitarists to soar, reaching blues nirvana over and over.
SRV fans will delight in this CD when he was probably at his greatest, and will come away King fans as well, after finding out who got this party started in the first place.
No modern guitarist was more influenced by King than Stevie Ray Vaughan, whose admiration and praise allowed him to share the stage in a Hamilton, Ontario TV studio right around the time of the release of Vaughan's "Texas Flood". This summit was long overdue, and is absolutely critical for Vaughan and King fans.
Mind you, there are many rehashes, repackagings and other posthumous releases of SRV, most of which are unforgivable, offering nothing new, only capitalizing on the myth and making a fortune off his memory.
"In Session", however, like "The Sky Is Crying", is one CD that does offer a fresh look at both masters.
King is still the star of this show, and his band provides the powerful backing music as the two titans trade off solo after solo, each careful to not overplay, but not hide behind their amps, either.
Vaughan sounds a lot like King, showing us the bedrock of his style. He was a little flashier, and could control feedback ala Hendrix, but when all is said and done, SRV was the best white blues player period. Brit players like Clapton and Page pale in comparison.
Prime cuts include "Pride And Joy" as handled by King's band, and it thumps and grinds mightily. "Overall Junction" is a King jam and indeed it does. Perhaps the best is "Matchbox Blues", with an absolutely wicked swing beat that allows both guitarists to soar, reaching blues nirvana over and over.
SRV fans will delight in this CD when he was probably at his greatest, and will come away King fans as well, after finding out who got this party started in the first place.
Most Recent Customer Reviews
Two of the best electric blues guitarists ever to have played the "Git...
Stevie Ray Vaughan and Albert King (R.I.P to both), what else is there to say? Albert King, one of the original three "Kings" of the blues along with up and coming new master, at... Read more
Published 17 months ago by QuadFather
Masterpiece
While listening to this SACD I felt like I was in a live private jam session with King and Vaughan. In between songs Albert is talking to Stevie and you can hear the hum from their... Read more
Published on February 2, 2010 by Ian Brydon
Great Blues; Audiophiles win-win
Just great considering the sittin' and pickin' style of production that is. Surround freak that I am I would have been happy with a good surround mix; granted that it would be... Read more
Published on November 24, 2009 by Shai L. Jordan
Easy decision
I've owned this album for years. If you are even considering it, it is worth every penny of the full price. The temporary $2 price is a steal. Read more
Published on June 18, 2009 by M. Frades
Killer Licks
Two types of SRV fans: blues lovers and classic rockers. If you're the former, you will get no better SRV blues than on this CD. If you're the latter, get In Step
Published on June 16, 2009 by Kavity Killer
Stellar Set
How cool it must have been for SRV to sit down and play with his hero and key influence, Albert King. Usually these so called jam sessions end up as a letdown, but not here. Read more
Published on March 17, 2009 by J. Grant
An absolute treasure
Buy this and as you listen to these two artists, you will realize how lucky we are that this "session" was recorded so that we can enjoy such mastery over and over again.
Published on January 16, 2009 by Saber
no talk just music please
Great music but the talking breaks the spell. Tracks 2,5,7,10 should have been omitted from this album because they are just talk. Four stars because of talking.
Published on December 28, 2008 by Gandalf the Grey
Will Bring a Tear of Joy to your Eyes
If you love the blues then these recordings are a must have. The pairing of the legendary Albert King with the blues virtuoso Stevie Ray Vaughan was a match made in heaven. Read more
Published on September 29, 2008 by Chuck Finley
Excellent Moments and a Very Enjoyable Listen! Recommended for Any...
This album, IN SESSION by Albert King and Stevie Ray Vaughan, is a very interesting listen for any serious fans of Stevie Ray, or any fans of the blues. Read more
Published on January 26, 2008 by Bryan E. Leed
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