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In a Silent Way [Original recording reissued, Original recording remastered]

Miles DavisAudio CD
4.7 out of 5 stars  See all reviews (129 customer reviews)

Price: $8.98 & FREE Shipping on orders over $35. Details
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MP3 Music, 2 Songs, 2002 $6.99  
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Samples
Song Title Time Price
listen  1. Shhh / Peaceful (LP Mix)18:14Album Only
listen  2. In a Silent Way (LP Mix)19:52Album Only


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Frequently Bought Together

In a Silent Way + Bitches Brew + Kind of Blue
Price for all three: $30.96

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  • Bitches Brew $14.99
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Product Details

  • Audio CD (August 20, 2002)
  • Number of Discs: 1
  • Format: Original recording reissued, Original recording remastered
  • Label: Sony
  • ASIN: B00006GO9Q
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (129 customer reviews)
  • Amazon Best Sellers Rank: #9,468 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Miles Davis's famous mid-1960s quintet, featuring saxophonist Wayne Shorter and pianist Herbie Hancock, was intact until just a few weeks before his new, electric ensemble recorded In a Silent Way. Legendary as a kind of line in the sand challenging jazz fans during the ascendance of electric, psychedelic rock, In a Silent Way hinted at the repetitive polyrhythms Davis would employ throughout the early 1970s. It also partook generously of electric piano and bass and rekindled the tonal palette that Davis had explored famously with Kind of Blue. But In a Silent Way remains a clearly electric jazz record, part ambient color exploration, part rock-inflected energy and vibe, and part outright maverick creativity. Davis takes many long, breathy solos, and they glisten in a burnished blue against his new group's strange admixture of musical moods. --Andrew Bartlett

Product Description

A foreshadowing of the area between rock and jazz that he would further explore with 1970's hypnotic Bitches Brew , this was Miles' first album to feature a full-blown electric approach. Incorporating elements of classical sonata form, both of the lengthy cuts featured here defy convention with 3 distinct "movements" in which harmony, rhythm and melody take a back seat to impressionistic texture. Listen closely, and you can hear the earliest inklings of modern-day fusion on Shhh/Peaceful and the equally spacey In a Silent Way/It's About That Time .

Customer Reviews

Most Helpful Customer Reviews
128 of 129 people found the following review helpful
5.0 out of 5 stars Ssssssshhhhh.... September 17, 2002
Format:Audio CD
He was sometimes called "the prince of darkness" for the nocturnal bent of much of his music, but Miles Davis and his crew gave a whole new meaning to 'late-night jazz' with In a Silent Way. This is another soundtrack for those quiet hours between midnight and dawn, but with a more wired and trippy bent than ever before. Instead of a muted piano, it features a blending of three soft electronic keyboards. An up-and-coming unknown at the time (some obscure guy named John McLaughlin) creeps in with an electric guitar; not with the wild Hendrixian solos that had electrified the rock world at the time, but with a wonderfully understated tone that only enhances the low-key quality of the whole record. The entire thing is an exercise in restraint and simplicity, not the sizzling group chemistry that would mark Miles's onstage explorations in the near future.
If there is such a thing as ambient jazz, it begins here. "Shh/Peaceful" embodies its title; the keyboards form a simple ethereal pattern, the simple cymbal and hi-hat scatter a little treble on top of it, and Miles brings everything together with his perfectly sweet touch on the horn. It's hypnotic, it's soothing, it's mostly peaceful and just a little restless. The sound doesn't become completely calming until we come to "In a Silent Way" itself, an elusive melody that refuses to stick in your head for a long time. It's heavenly and yet elusive.. like remembering a dream right when you wake up. Suddenly "It's About That Time" kicks in with a semi-startling jump and bops around a beautifully hummable bass line. We hear some actual drums for the first time, things kick into a semi-rocking but easy groove for a while, and then we eventually drift right back off into a dreamy repetition of the title theme.
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73 of 78 people found the following review helpful
5.0 out of 5 stars so amazing September 23, 2000
Format:Audio CD
I am not ashamed to say this- "In a Silent Way" has always been my favorite Miles Davis cd, bar none. For me, it has never been an issue. No other lp of his comes close.
I've never been able to completely pin down why that is, but it all starts with the MOOD. There is such a relaxed, ethereal feel to this lp that none of his others has. The mixing and mastering was brilliantly done on this lp. The lp is almost an ambient (as Brian Eno would describe ambient- soft, background music) experience at points, and the deliberate softer mixing of this lp causes that to happen. It creates a relaxed, almost stoned feel to the lp (which could also be part of the mood of the lp- I'm sure many of the players were dope smokers).
"In a Silent Way/It's About That Time" is for me the most beautiful piece of music Miles ever played. An early example of ambient music, the keyboards of Chick Corea and Herbie Hancock form the pattern. Tony Williams plays very simple drums, and John McLaughlin adds liquid guitar solos that neither dominate, or fall under,the mix. The result is several minutes of pure trance before the soloists- Shorter,then Miles, add to the spacial textures laid out. As would be more common in Miles' 70's works, the buildup to orgasmic climax is astounding, as Miles goes off on his tangent while Williams, Corea, and bassist Dave Holland go for the ride..then, as quickly as it starts, it ends, and the theme that opened the track re-enters and closes it. Breathtaking.
"Shhh/Peaceful" foreshadows the 70's funk fusion jazz that Corea, Hancock, and Shorter would all experiment with in their respective fusion groups.
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35 of 37 people found the following review helpful
5.0 out of 5 stars Listen . . . July 6, 1999
By A Customer
Format:Audio CD
This is an album of haunting and ethereal beauty - rich, layered, intricate aural landscapes that cast a deep spell no matter how many times you listen. As another reviewer here said, nothing else is quite like this. And like all true great works of art, it's not easy to describe. Sure there are elements of other music - trippy jamming; ambient trance; funky fusion; traditional improvisational jazz - but the brilliant and soulful solos by John McLaughlin, Wayne Shorter, and of course Miles combine with the grooves laid down by Dave Holland and Tony Williams to make music that transcends categories.
There is only one type of sound I can think of that comes close to this album. It's the sound you encounter sometimes when you're hiking through the woods, away from civilization and human noise, when your ear is suddenly caught by the interplay of the wind through the trees, animals rustling in the grass, flies buzzing, birds chirping, even your own breathing and footsteps, and everything sounds perfect, like a symphony conducted by some unseen presence. "In a Silent Way" captures that magic and freedom and freshness. It's a gift to the world that any true fan of music - any and all kinds of music - should own.
Enough words. Buy this, close your eyes, open your ears and your mind, and listen. Just listen . . . . .
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32 of 35 people found the following review helpful
5.0 out of 5 stars The great mystery of silence October 8, 2004
By G B
Format:Audio CD
This isn't the "first fusion album". This wasn't Miles Davis's first recording with electric keyboards or, for that matter, the electric guitar. He'd been experimenting with rock, soul and pop rhythms for over a year. And yet In a Silent Way really is a first. It's the first Davis album in a new, undefined style -- informed heavily by jazz, but already heading somewhere else.

It's also the last Tony Williams appearance on a Davis album. Supposedly Williams, who was starting Lifetime with organist Larry Young and guitarist John McLaughlin, was angry and paranoid at the thought of Miles poaching his star guitarist. So for most of the CD, he plays a very repetitive rhythm -- hi hat on the first half, snare on the second - except for one brief moment, which I'll get back to shortly.

McLaughlin isn't the firebrand of the Mahavishnu Orchestra or Jack Johnson; his playing is very circumspect and cautious, blending in very well with the triple-keyboard stew of Chick Corea, Herbie Hancock and Joe Zawinul. Dave Holland grooves along with those funky basslines he's so good at producing. It's a testament to these great musicians that they constantly manage to keep things interesting in a fairly repetitive setting and never get in each other's way. Aside from a few collective improvisations by the rhythm section, the only soloists on this CD are Miles, Wayne Shorter (playing lovely, snaking lines on the soprano), and John McLaughlin.

The music, like many of the recordings Miles would make over the next six years, consists of lengthy medleys over funky vamps. In each, the first five minutes are repeated via splicing at the end. That kind of repetition would be irritating in other contexts, but here it's extremely effective.
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Most Recent Customer Reviews
5.0 out of 5 stars A+
Great Miles album. Definitely one of my favourites by him. Strong dynamics and a wonderful atmosphete and great playing by everyone
Published 5 days ago by Owen Johnson
5.0 out of 5 stars Miles Davis = Quietly Brilliant Masterpiece with Far & Wide Reaching...
Ok - I just realized that as much as I have been eternally fascinated and inspired by great Music - I have hardly written any reviews specifically on Jazz CDs or Artists (with the... Read more
Published 1 month ago by Book & Music thief, from HI
5.0 out of 5 stars Miles is The Best!
What's to say...It's freakin Miles Davis This survey is annoying because you have to type too much blah blah balh
Published 2 months ago by Lavender64
3.0 out of 5 stars CD gift
Kathy was happy to get it one two three four five six seven eight nine ten eleven twelve thirteen fourteen
Published 2 months ago by bf
5.0 out of 5 stars It Cooks in its Own Way
In a Silent Way (1969) is a groundbreaking release from Davis' catalog; it started what was to be known as jazz fusion. Read more
Published 2 months ago by Todd7
5.0 out of 5 stars The Miles Davis album you should buy after you buy Kind of Blue.
One of the best albums I have ever heard. As many other reviewers have said, this is a transitional album from Miles Davis, but often the word "transitional" is what people use... Read more
Published 3 months ago by Thomas Nash
5.0 out of 5 stars Superb
This is one of the more outstanding offerings by the later Miles Davis. The interplay between the musicians, the mood cast, the honor paid to the sounds of silence, and the rarity... Read more
Published 3 months ago by Michael E. Nader
5.0 out of 5 stars Special music from Jazz's greatest trumpeter
This is a surprising album. I have accumulated a lot of Miles Davis over time and have some favorites like Sketches of Spain & Bitch's Brew. Read more
Published 3 months ago by Marian Warnell
5.0 out of 5 stars Pure Magic
Miles Davis - In a Silent Way (1969)

One of the most beautiful, unique recordings ever and a personal favorite of mine. Read more
Published 4 months ago by Rich Latta
5.0 out of 5 stars Great Miles Davis CD
This is one of my favorite Miles Davis albums. Great music and a good line up of supporting people from jazz and fusion.
Published 7 months ago by Scott Yanover
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