From Publishers Weekly
Six cryptic journal jottings in her French-born mother's hand drive Maffy, initially the narrator of Brookner's (Dolly) potently crafted novel, to fabricate Maud Gonthier Harrison's single ardent girlhood affair. Having reproduced the mysterious inscription in Maud's notebook ("Dames Blanches. La Gaillardier. Place des Ternes. Sang. Edward.") and a scrap of Proust, Maffy teasingly begs the reader, "Please accept me as an unreliable narrator," then vanishes, to appear only "inadvertently" in the tale that follows. Now in a third-person voice, Maud's story takes on a pulsating reality, involving her with charismatic "scoundrel" David Tyler and his friend since Cambridge, Edward Harrison?the man Maud finally marries. The triangle, erotic and latently homoerotic, forms during a sensual, heat-drenched season of the 1950s in the French countryside; then the three drift to a borrowed house on Paris's rue Laugier. Lost in love's delirium, Maud sees Tyler as an "Apollo," a careless divinity who descends to sport with her and Edward, while emotionally damaging them forever. With delicate brilliance, Brookner probes Maud's and Edward's early family lives (Tyler, in contrast, appears from nowhere, born of mythically rich parents) to reveal how they become so entrapped. Like other Brookner heroines, Maud has a controlling mother whose tie with her is as intricately knotty as Maud's relationship is with the men. Edward, inflamed by Maud because of Tyler, grasps his own bewildering role as voyeuristic, feminine, childlike, servile and protective. With Tyler's withdrawal, Maud and Edward grow resignedly chill as they refashion their lives and tilt their relationship into a new imbalance, while the reader turns pages compulsively for a dazzling read in which every sentence seems clairvoyant.
Copyright 1995 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
Like the 18th-century French paintings that Brookner studied as a noted art historian, her novels offer many quiet pleasures: elegant, polished prose and delicate, yet morally complex, portraits of human relationships. In her 16th work of fiction, Brookner (A Private View, LJ 2/1/95), examines the consequences of sexual passion and betrayal. When reserved 18-year-old Maud Gonthier, a poor relation from Dijon, arrives at her aunt's country home for her usual summer holiday, she falls passionately in love with David Tyler, a handsome English womanizer. The affair continues in Paris in a borrowed apartment on the Rue Laugier; Tyler soon disappears and his friend Edward is left to pick up the pieces, with quietly devastating results. While writing incisively, Brookner breaks no new literary ground, rehashing her old theme of thwarted, empty lives. One longs to shout "Do something!" to her characters, passively resigned to their bleak fates.
-?Wilda Williams, "Library Journal"Copyright 1995 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.