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Indeed [Import, Limited Edition, Original recording remastered]

Lee MorganAudio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Audio CD, Import, Extra tracks, 2008 $30.71  
Audio CD, Import, Limited Edition, 2004 --  

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Product Details

  • Audio CD (April 27, 2004)
  • Number of Discs: 1
  • Format: Import, Limited Edition, Original recording remastered
  • Label: Blue Note Japan
  • ASIN: B00002DF4P
  • In-Print Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,481,672 in Music (See Top 100 in Music)

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Customer Reviews

2 Reviews
5 star:
 (2)
4 star:    (0)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Ow! Two-track mono rules!, October 15, 2002
By 
mondodave (Los Angeles, Ca. United States) - See all my reviews
This review is from: Indeed (Audio CD)
The original title of this was "Presenting Lee Morgan," and it's a stone cooker. Any band that contains Horace Silver, Philly Joe Jones, and Wilber Ware has got to deliver, in spades. Lee's alto playing front line cohort is a dude named Clarence Sharpe, who has apparently disappeared into jazz oblivion. Too bad, because he cuts Jackie Mclean a new one on this session. I still find it hard to believe that Lee was only eighteen back in '56 when they recorded this, because his technique is almost fully developed. His style can only be described as extroverted. As usual, this is a blowing session, with a couple Benny Golson tunes, as well as one of Horace's funky minor-keyed heads. There's also some beautiful ballad work by all around. If you dig Blue-note, this won't disappoint!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Red Hot, July 8, 2004
This review is from: Indeed (Audio CD)
Lee's debut album can only be described as "sensational." He was only eighteen at the time, yet he was playing with such power and dexterity, he really made the session come alive. It's a shame we don't hear much of the alto man Clarence Sharpe, because he was truely wonderful on the session. The rhythm section(Horace, Wilbur and Philly Joe) is on top form, and Horace's track, Roccus which opens the set has an infectious Latin Groove. All the other tracks are brilliant as well, especially "The Lady," written by Owen Marshal, who was in fact an old friend of Lee's, from Philadelphia.
I highly recomend!
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