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Independence Day: Bascombe Trilogy (2) Paperback – May 7, 1996

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Independence Day: Bascombe Trilogy (2) + The Sportswriter: Bascombe Trilogy (1) + The Lay of the Land
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Product Details

  • Paperback: 464 pages
  • Publisher: Vintage; Reprint edition (May 7, 1996)
  • Language: English
  • ISBN-10: 0679735186
  • ISBN-13: 978-0679735182
  • Product Dimensions: 8.2 x 5.2 x 1 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (155 customer reviews)
  • Amazon Best Sellers Rank: #185,188 in Books (See Top 100 in Books)

Editorial Reviews Review

A visionary account of American life--and the long-awaited sequel to one of the most celebrated novels of the past decade--Independence Day reveals a man and our country with unflinching comedy and the specter of hope and even permanence, all of which Richard Ford evokes with keen intelligence, perfect emotional pitch, and a voice invested with absolute authority. --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

In this sequel to The Sportswriter, Ford follows his middle-aged American everyman, Frank Bascombe, through the transformative events of a Fourth of July weekend.
Copyright 1996 Reed Business Information, Inc.

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Customer Reviews

The writing is delicious.
I tried with this one too, I really did, but I couldn't get through the first one hundred pages of this book for the life of me.
Cliche plot with predictable, shallow characters.
Deborah L. Peterson

Most Helpful Customer Reviews

70 of 73 people found the following review helpful By J. Mullin on May 21, 2002
Format: Hardcover
I agree with the reviewer (...) who raved about Richard Poe's brilliant reading of an unabridged, audio version of this book. Having read many of the divergent opinions listed here by Amazon readers, and remembering some of my own struggles to read authors like Tim Parks (whose narrators internalize much of the story and who digress often), it occurs to me that perhaps this story is better enjoyed on tape. I couldn't wait to get in my car every day and listen to Poe's witty, heart-felt rendition of Ford's Pulitzer Prize-winning novel.
Independence Day is essentially an internal monologue, set on the long July 4th weekend of 1988. It is a sequel to Ford's earlier novel The Sportswriter, which I have yet to read, but I never got the impression I was missing anything due to lack of familiarity with the earlier novel. The protagonist is Frank Bascombe, a divorced, well-educated former sportswriter who now makes his living selling real estate in the affluent New Jersey town of Haddam, while supplementing his earnings with a couple of rental properties he owns in the town's African American neighborhood.
Bascombe is at something of a mid-life crisis. We learn that he has lost a son, and while he has been divorced from his wife for years, he still has feelings for her and secretly hopes for a reconciliation. At the same time, he is seen carrying on a half-hearted affair with a presumed widow whose husband left years earlier and never came back. Bascombe has planned to spend the long weekend with his troubled teenage son Paul, who is apparently battling some sort of mental illness or depression; for some unknown reason Bascombe decides to pick up his son in Connecticut, and drive to the basketball and baseball halls of fame in Springfield, Mass. and Cooperstown, N.Y.
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27 of 28 people found the following review helpful By A Customer on August 7, 1996
Format: Hardcover
In Independence Day, Richard Ford chronicles with consummate
skill a few days in the life of a New Jersey sportswriter
turned real estate agent, Frank Bascombe.

With keen observations, outstanding descriptive
power and dialogue more real than "The Real World," Ford
pulls the strings of this great book masterfully.

Frank is in the midst of what he calls "The Existence
Period," a time when he has come to terms with his life
to date and moved on to the more uncharted waters of vaguely
contented middle-agedom. He has arrived at a crossroads
where he has plenty of past but still a lot of future left

The novel's narrative flows like life itself - forward,
back, sideways - in a way that is so natural and consuming
that you would swear the character is you and his thoughts
are yours.

There is not a book that I have read that does better
justice to the realities of being human and adult in
today's world.

At its heart, Independence Day is the recording of two
worlds- the one we sense through our bodies and the one
that exists in our heads - and how these two interact in
a way that is sometimes painful, sometimes beautiful, and
most times just O.K.

To read it is to see yourself, and in many ways, all of us.

A must.
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28 of 33 people found the following review helpful By Paul Cook on September 14, 2006
Format: Paperback
From the remarks at this site, people either love this novel or hate it. I hated it. I hated it for the reason that it represents all that is bad about MFA program writing in the last 30 years. The emphasis is entirely on STYLE. Forget story. Forget that your reader needs some reason to be reading the narrative. Just throw out and string together wonderful language and the reader will follow you anywhere. Some of this thinking goes back to Henry James, some of it goes back to Virginia Woolf who was so terrified of books with plots or dominating conceits (like H.G. Wells' THE TIME MACHINE). The first 100 pages of this novel are about a real estate deal and the people to whom Frank Bascombe is trying to sell a property. It's brilliantly written. In fact, it's so brilliantly written that I had a lot of problems seeing a former sportswriter being so introspective and articulate about his life, his loves, and the region of the country he inhabits. This book has no driving plot. In fact, it's an arbitrarily chosen conceit: what happens on July 4th in the life of one guy. It's not James Joyce's ULYSSES nor is it trying to be, but EVERY thought this man has is in this book. And none of it is related to a plot or story or any reason whatever why a person--any person--should pick up the book.

Indeed, that seems to be the crux. I read this book because it was by Richard Ford, a man whom all of my colleagues in the mainstream fiction world revere. You must read this book, they said. So I did. And I consider it an extraordinary waste of my time. To be sure, this is a judgment call, but I'm allowed to make it. EVERY reader is allowed to make that call. But I know I'm in the minority in this. This book is supposed to be one of the greatest American novels of the last 25 years.
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26 of 32 people found the following review helpful By A Customer on February 8, 2000
Format: Paperback
I suppose I will never belong to the self-proclaimed literati, because while I can appreciate the fact that this book is very well written, still I believe that that is not enough in itself to make it a great book - certainly not a Putlizer-Prize winner. Having never read the prequel to this book, it's possible I've missed something crucial that could have contributed to my enjoyment of Independence Day. But as it was, I found it to be tedious, often boring, and almost transparently "deep" - as if Ford was more concerned with waxing philosophical than with telling a compelling story. There are so many authors out there who can both write well and tell a compelling story, that Ford is hardly the first author I would turn to.
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